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Author: IRFAN ALAM
Publisher: Pencil
ISBN: 9358837586
Category : Poetry
Languages : en
Pages : 214
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Book Description
Love is a madman, Working his wild schemes, Dancing crazy, tearing off clothes, Drinking poison, and quietly choosing annihilation. The book "Unveiling the veiled" is poetry about the mystical union with the beloved. These inspiring renderings, burning emotions, feelings and thoughts unveils thousands of veils to expose the hidden mysteries and experience the ecstasy and beauty of divine love. Each poem in this book urges us to put aside our fears and take the risk of discovering our core self.
Author: IRFAN ALAM
Publisher: Pencil
ISBN: 9358837586
Category : Poetry
Languages : en
Pages : 214
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Book Description
Love is a madman, Working his wild schemes, Dancing crazy, tearing off clothes, Drinking poison, and quietly choosing annihilation. The book "Unveiling the veiled" is poetry about the mystical union with the beloved. These inspiring renderings, burning emotions, feelings and thoughts unveils thousands of veils to expose the hidden mysteries and experience the ecstasy and beauty of divine love. Each poem in this book urges us to put aside our fears and take the risk of discovering our core self.
Author: Pedram Khosronejad
Publisher: Createspace Independent Publishing Platform
ISBN: 9781727627190
Category :
Languages : en
Pages : 44
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Book Description
Unveiling the Veiled: Royal Consorts, Slaves and Prostitutes in Qajar Photographs is the first public visual venue in the field of Middle Eastern and Iranian Studies bringing together photographs of Naser al-Din Shah's (b. 1831-d. 1896) consorts and their African female slaves (kaniz) inside the royal harem, accompanied by images of women, probably prostitutes of the Naseri period (1848-1896), inside the studio of Amir Doust Mohammad Khan Moayer al-Mamalek (b. 1857-d. 1913), one of the influential members of the royal court and the king's son-in-law. Indeed, properly analysing these three innovative and provocative topics -royal consorts, slaves and prostitutes- together requires a deep understanding of several fields of research. This is why I am presenting this exhibition in conjunction with the conference on Slavery and Sexual Labor in the Middle East and North Africa in the hope of providing a new platform for those of us who consider photographs of the Qajar period of Iran as material culture for use in further social, cultural and historical investigations. Dr. Pedram Khosronejad Associate Director for Iranian and Persian Gulf Studies School of Global Studies & Partnerships Oklahoma State University
Author: Faegheh Shirazi
Publisher:
ISBN: 9780813056463
Category : Clothing and dress
Languages : en
Pages : 0
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Book Description
"An original contribution to a subject which is currently of much interest to the world at large, East or West, and has an important bearing on the position of women in the societies in which veiling is practiced."--The Middle East Journal "Highly recommended. . . . It draws on and contributes to current feminist theorizing in Middle East women's studies and in broader feminist academic circles."--International Journal of Middle East Studies "A welcome contribution to Middle Eastern and women s studies, providing an innovating approach and research to a highly controversial issue in gender politics."--Digest of Middle East Studies An insightful and provocative book. . . . [It] leads to a better understanding of the veil and a debunking of current cliches. Farzaneh Milani, University of Virginia Illustrated with photographs, drawings, and cartoons gathered from popular culture, this provocative book demonstrates that the veil, the garment known in Islamic cultures as the hijab, holds within its folds a semantic versatility that goes far beyond current cliches and homogenous representations. Whether seen as erotic or romantic, a symbol of oppression or a sign of piety, modesty, or purity, the veil carries thousands of years of religious, sexual, social, and political significance. Using examples from both the East and West including Persian poetry, American erotica, Iranian and Indian films, and government-sanctioned posters Faegheh Shirazi shows that the veil has become a ubiquitous symbol, utilized as a profitable marketing tool for diverse enterprises, from Penthouse magazine to Saudi advertising companies. She argues that perceptions of the veil change with the cultural context of its use as well as over time: in a Hindi movie the veil draws in the male gaze, in an Iranian movie it denies it; photographs of veiled women in Playboy aim to titillate a principally male audience, while cartoons of veiled women in the same magazine mock and ridicule Muslim society. Shirazi concludes that the practice of veiling, encompassing an amazingly rich array of meanings, has often become a screen upon which different people in different cultures project their dreams and nightmares. Faegheh Shirazi is associate professor of Middle Eastern languages and cultures in the Islamic Studies Program at the University of Texas, Austin. She is the author of several book chapters and articles on issues related to women in Islam in numerous publications, including Critique and Journal for Critical Studies of the Middle East."
Author: Douglas T. Northrop
Publisher: Cornell University Press
ISBN: 1501702963
Category : History
Languages : en
Pages : 420
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Book Description
Drawing on extensive research in the archives of Russia and Uzbekistan, Douglas Northrop here reconstructs the turbulent history of a Soviet campaign that sought to end the seclusion of Muslim women. In Uzbekistan it focused above all on a massive effort to eliminate the heavy horsehair-and-cotton veils worn by many women and girls. This campaign against the veil was, in Northrop's view, emblematic of the larger Soviet attempt to bring the proletarian revolution to Muslim Central Asia, a region Bolsheviks saw as primitive and backward. The Soviets focused on women and the family in an effort to forge a new, "liberated" social order.This unveiling campaign, however, took place in the context of a half-century of Russian colonization and the long-standing suspicion of rural Muslim peasants toward an urban, colonial state. Widespread resistance to the idea of unveiling quickly appeared and developed into a broader anti-Soviet animosity among Uzbeks of both sexes. Over the next quarter-century a bitter and often violent confrontation ensued, with battles being waged over indigenous practices of veiling and seclusion.New local and national identities coalesced around these very practices that had been placed under attack. Veils became powerful anticolonial symbols for the Uzbek nation as well as important markers of Muslim propriety. Bolshevik leaders, who had seen this campaign as an excellent way to enlist allies while proving their own European credentials as enlightened reformers, thus inadvertently strengthened the seclusion of Uzbek women—precisely the reverse of what they set out to do. Northrop's fascinating and evocative book shows both the fluidity of Central Asian cultural practices and the real limits that existed on Stalinist authority, even during the ostensibly totalitarian 1930s.
Author: Anouar Majid
Publisher: Duke University Press
ISBN: 0822380544
Category : Religion
Languages : en
Pages : 239
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Book Description
In Unveiling Traditions Anouar Majid issues a challenge to the West to reimagine Islam as a progressive world culture and a participant in the building of a multicultural and more egalitarian world civilization. From within the highly secularized space it inhabits, a space endemically suspicious of religion, the West must find a way, writes Majid, to embrace Islamic societies as partners in building a more inclusive and culturally diverse global community. Majid moves beyond Edward Said’s unmasking of orientalism in the West to examine the intellectual assumptions that have prevented a more nuanced understanding of Islam’s legacies. In addition to questioning the pervasive logic that assumes the “naturalness” of European social and political organizations, he argues that it is capitalism that has intensified cultural misunderstanding and created global tensions. Besides examining the resiliency of orientalism, the author critically examines the ideologies of nationalism and colonialist categories that have redefined the identity of Muslims (especially Arabs and Africans) in the modern age and totally remapped their cultural geographies. Majid is aware of the need for Muslims to rethink their own assumptions. Addressing the crisis in Arab-Muslim thought caused by a desire to simultaneously “catch up” with the West and also preserve Muslim cultural authenticity, he challenges Arab and Muslim intellectuals to imagine a post-capitalist, post-Eurocentric future. Critical of Islamic patriarchal practices and capitalist hegemony, Majid contends that Muslim feminists have come closest to theorizing a notion of emancipation that rescues Islam from patriarchal domination and resists Eurocentric prejudices. Majid’s timely appeal for a progressive, multicultural dialogue that would pave the way to a polycentric world will interest students and scholars of postcolonial, cultural, Islamic, and Marxist studies.
Author: Jennifer Heath
Publisher: Univ of California Press
ISBN: 0520250400
Category : Veils
Languages : en
Pages : 361
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Book Description
Veiling is a globally polarizing issue, a locus for the struggle between Islam and the West and between contemporary and traditional interpretations of Islam. This book examines the vastly misunderstood and multi-layered world of the veil. It explores and analyzes the cultures, politics, and histories of veiling.
Author: Pierre Hadot
Publisher: Harvard University Press
ISBN: 9780674023161
Category : Philosophy
Languages : en
Pages : 440
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Book Description
Nearly twenty-five hundred years ago the Greek thinker Heraclitus supposedly uttered the cryptic words "Phusis kruptesthai philei." How the aphorism, usually translated as "Nature loves to hide," has haunted Western culture ever since is the subject of this engaging study by Pierre Hadot. Taking the allegorical figure of the veiled goddess Isis as a guide, and drawing on the work of both the ancients and later thinkers such as Goethe, Rilke, Wittgenstein, and Heidegger, Hadot traces successive interpretations of Heraclitus' words. Over time, Hadot finds, "Nature loves to hide" has meant that all that lives tends to die; that Nature wraps herself in myths; and (for Heidegger) that Being unveils as it veils itself. Meanwhile the pronouncement has been used to explain everything from the opacity of the natural world to our modern angst. From these kaleidoscopic exegeses and usages emerge two contradictory approaches to nature: the Promethean, or experimental-questing, approach, which embraces technology as a means of tearing the veil from Nature and revealing her secrets; and the Orphic, or contemplative-poetic, approach, according to which such a denuding of Nature is a grave trespass. In place of these two attitudes Hadot proposes one suggested by the Romantic vision of Rousseau, Goethe, and Schelling, who saw in the veiled Isis an allegorical expression of the sublime. "Nature is art and art is nature," Hadot writes, inviting us to embrace Isis and all she represents: art makes us intensely aware of how completely we ourselves are not merely surrounded by nature but also part of nature.
Author: Sahar Ghumkhor
Publisher: Springer Nature
ISBN: 3030320618
Category : Political Science
Languages : en
Pages : 285
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Book Description
Veiled women in the West appear menacing. Their visible invisibility is a cause of obsession. What is beneath the veil more than a woman? This book investigates the preoccupation with the veiled body through the imaging and imagining of Muslim women. It examines the relationship between the body and knowledge through the politics of freedom as grounded in a ‘natural’ body, in the index of flesh. The impulse to unveil is more than a desire to free the Muslim woman. What lies at the heart of the fantasy of saving the Muslim woman is the West’s desire to save itself. The preoccupation with the veiled woman is a defense that preserves neither the object of orientalism nor the difference embodied in women’s bodies, but inversely, insists on the corporeal boundaries of the West’s mode of knowing and truth-making. The book contends that the imagination of unveiling restores the West’s sense of its own power and enables it to intrude where it is ‘other’ – thus making it the centre and the agent by promising universal freedom, all the while stifling the question of what freedom is.
Author: Janet E. Fichter
Publisher: Ambassador International
ISBN: 1649602642
Category : Religion
Languages : en
Pages : 68
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Book Description
Jesus told His followers to go into the world and preach the Good News. However, many Christians aren’t fulfilling this Great Commission. The call to “evangelize” conjures up uncomfortable images of walking inner city streets with a megaphone. We don’t relish facing possible ridicule so prevalent in society today, so we hesitate to reach out. But we are called to witness. And it isn’t that difficult. When we anchor in the goodness of Christ, we realize that sharing the Gospel is a profound honor. The Ministry of the Unveiled Face grounds us in the simplicity of sharing Christ in the everyday. The meekness of the call lies in our being responsive and obedient to God’s prompting as we interact with others. Anchored in persevering prayer, we speak scriptural truths into the lives of others as the Holy Spirit leads. Like the unveiling of a beautiful bride at her wedding, the spiritual veil is removed and Christ’s truth and goodness are revealed.
Author: Alonzo L. Gaskill
Publisher:
ISBN: 9781462128778
Category : RELIGION
Languages : en
Pages :
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Book Description
