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Author: William Mackay
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 118
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Book Description
"Unvarnished Tales" by William Mackay is a collection of 21 tales. This volume contains the fascinating stories: A Queer Quest, The Sawdust Man's Curse, Lord Lundy's Snuff-box, "One Was Rent And Left To Die," The Grigsby Living, Res Est Sacra Miser, Mr. Grey, The Prodigal's Return, A Philanthropic "Masher," A Dishonoured Bill, A Man Of Genius, A Dignified Dipsomaniac, "Old Boots," A Missing Heiress, Teddy Martin's Brief, Bluebeard's Cupboard, True To Poll, John Philp, Master Carpenter, Pictures On The Line, The Devil's Playthings, and Love And A Diary.
Author: William Mackay
Publisher: Good Press
ISBN:
Category : Fiction
Languages : en
Pages : 118
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Book Description
"Unvarnished Tales" by William Mackay is a collection of 21 tales. This volume contains the fascinating stories: A Queer Quest, The Sawdust Man's Curse, Lord Lundy's Snuff-box, "One Was Rent And Left To Die," The Grigsby Living, Res Est Sacra Miser, Mr. Grey, The Prodigal's Return, A Philanthropic "Masher," A Dishonoured Bill, A Man Of Genius, A Dignified Dipsomaniac, "Old Boots," A Missing Heiress, Teddy Martin's Brief, Bluebeard's Cupboard, True To Poll, John Philp, Master Carpenter, Pictures On The Line, The Devil's Playthings, and Love And A Diary.
Author: Ann Fabian
Publisher: Univ of California Press
ISBN: 0520928032
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
The practice of selling one's tale of woe to make a buck has long been a part of American culture. The Unvarnished Truth: Personal Narratives in Nineteenth-Century America is a powerful cultural history of how ordinary Americans crafted and sold their stories of hardship and calamity during the nineteenth century. Ann Fabian examines the tales of beggars, convicts, ex-slaves, prisoners of the Confederacy, and others to explore cultural authority, truth-telling, and the nature of print media as the country was shifting to a market economy. This well-crafted book describes the fascinating controversies surrounding these little-read tales and returns them to the social worlds where they were produced. Drawing on an enormous number of personal narratives—accounts of mostly poor, suffering, and often uneducated Americans—The Unvarnished Truth analyzes a long-ignored tradition in popular literature. Historians have treated the spread of literacy and the growth of print culture as a chapter in the democratization of refinement, but these tales suggest that this was not always the case. Producing stories that purported to be the plain, unvarnished truth, poor men and women edged their way onto the cultural stage, using storytelling strategies far older than those relying on a Renaissance sense of refinement and polish. This book introduces a unique collection of tales to explore the nature of truth, authenticity, and representation.
Author: Eliza Parsons
Publisher:
ISBN:
Category :
Languages : en
Pages : 338
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Book Description
Author: Ann Fabian
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 276
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Book Description
Author: Mary Ethel Granger
Publisher:
ISBN:
Category :
Languages : en
Pages : 340
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Book Description
Author: T. M. Jarvis
Publisher:
ISBN:
Category : Ghosts
Languages : en
Pages : 252
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Book Description
Author: Susan B. Egenolf
Publisher: Routledge
ISBN: 1351147706
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Even as Romantic-period authors asserted the importance of telling the unvarnished truth, novelists were deploying narrative glossing in particularly sophisticated forms. The author examines the artistic craft and political engagement of three major women novelists-Elizabeth Hamilton, Maria Edgeworth, and Sydney Owenson-whose self-conscious use of glosses facilitated their critiques of politics and society. All three writers employed devices such as prefaces and editorial notes, as well as alternative media, especially painting and drama, to comment on the narrative. The effect of these disparate media, the author argues, is to call the reader's attention away from the narrative itself. That is, such glossing or 'varnishing' creates narrative ruptures that offer the reader a glimpse of the process of fictional structuring and often reveal the novel's indebtedness to a particular historical moment. In spite, or perhaps because, of their being gendered feminine in eighteenth-century rhetorical commentary, therefore, these glosses allow women writers to participate in 'masculine' discussions outside the conventional domestic sphere. Informed by a wide range of archival texts and examples from the visual arts, and highlighting the 1798 Irish Rebellion as a major event in Irish and British Romantic writing, the author's study offers a new interdisciplinary reading of gendered and political responses to key events in the history of Romanticism.
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 536
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Book Description
Author: Craig MacKenzie
Publisher: BRILL
ISBN: 900449037X
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
This study deals with a particular kind of short story in South African English literature - a kind of story variously called the fireside tale, tall tale, skaz narrative or (the term used here) the 'oral-style' story. Most famously exemplified in the Oom Schalk Lourens narratives of Herman Charles Bosman, the oral-style story has its roots in the hunting tale and camp-fire yarn of the nineteenth century and has dozens of exponents in South African literature, most of them long forgotten. Here this neglect has been addressed. A.W. Drayson's Tales at the Outspan (1862) provides a point of departure, and is followed by discussions of works by William Charles Scully, Percy FitzPatrick, Ernest Glanville, Perceval Gibbon, Francis Carey Slater, Pauline Smith, and Aegidius Jean Blignaut, all of whom used the oral-style story genre. In the work of Herman Charles Bosman, however, the South African oral-style story comes into its own. In his Oom Schalk Lourens figure is invested all of the complexity and 'double-voicedness' that was latent - and largely dormant - in the earlier works. Bosman demonstrates his sophistication particularly in his metafictional use of the oral-style story. The study concludes with a discussion of the use of oral forms in the work of more recent black writers - among them Bessie Head, Mtutuzeli Matshoba, and Njabulo Ndebele.
Author: Christina Catherine Liddell
Publisher:
ISBN:
Category :
Languages : en
Pages : 372
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Book Description
