The Art of Political Fiction in Hamilton, Edgeworth, and Owenson

The Art of Political Fiction in Hamilton, Edgeworth, and Owenson PDF Author: Susan B. Egenolf
Publisher: Routledge
ISBN: 1351147706
Category : Literary Criticism
Languages : en
Pages : 323

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Book Description
Even as Romantic-period authors asserted the importance of telling the unvarnished truth, novelists were deploying narrative glossing in particularly sophisticated forms. The author examines the artistic craft and political engagement of three major women novelists-Elizabeth Hamilton, Maria Edgeworth, and Sydney Owenson-whose self-conscious use of glosses facilitated their critiques of politics and society. All three writers employed devices such as prefaces and editorial notes, as well as alternative media, especially painting and drama, to comment on the narrative. The effect of these disparate media, the author argues, is to call the reader's attention away from the narrative itself. That is, such glossing or 'varnishing' creates narrative ruptures that offer the reader a glimpse of the process of fictional structuring and often reveal the novel's indebtedness to a particular historical moment. In spite, or perhaps because, of their being gendered feminine in eighteenth-century rhetorical commentary, therefore, these glosses allow women writers to participate in 'masculine' discussions outside the conventional domestic sphere. Informed by a wide range of archival texts and examples from the visual arts, and highlighting the 1798 Irish Rebellion as a major event in Irish and British Romantic writing, the author's study offers a new interdisciplinary reading of gendered and political responses to key events in the history of Romanticism.

The Art of Political Fiction in Hamilton, Edgeworth, and Owenson

The Art of Political Fiction in Hamilton, Edgeworth, and Owenson PDF Author: Susan B. Egenolf
Publisher: Routledge
ISBN: 1351147706
Category : Literary Criticism
Languages : en
Pages : 323

Get Book Here

Book Description
Even as Romantic-period authors asserted the importance of telling the unvarnished truth, novelists were deploying narrative glossing in particularly sophisticated forms. The author examines the artistic craft and political engagement of three major women novelists-Elizabeth Hamilton, Maria Edgeworth, and Sydney Owenson-whose self-conscious use of glosses facilitated their critiques of politics and society. All three writers employed devices such as prefaces and editorial notes, as well as alternative media, especially painting and drama, to comment on the narrative. The effect of these disparate media, the author argues, is to call the reader's attention away from the narrative itself. That is, such glossing or 'varnishing' creates narrative ruptures that offer the reader a glimpse of the process of fictional structuring and often reveal the novel's indebtedness to a particular historical moment. In spite, or perhaps because, of their being gendered feminine in eighteenth-century rhetorical commentary, therefore, these glosses allow women writers to participate in 'masculine' discussions outside the conventional domestic sphere. Informed by a wide range of archival texts and examples from the visual arts, and highlighting the 1798 Irish Rebellion as a major event in Irish and British Romantic writing, the author's study offers a new interdisciplinary reading of gendered and political responses to key events in the history of Romanticism.

Evolution in the Light of Modern Knowledge

Evolution in the Light of Modern Knowledge PDF Author:
Publisher:
ISBN:
Category : Evolution
Languages : en
Pages : 564

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Colby Stories

Colby Stories PDF Author: Herbert Carlyle Libby
Publisher:
ISBN:
Category : College stories
Languages : en
Pages : 290

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Doonan, by Melville Gray

Doonan, by Melville Gray PDF Author: Mary Ethel Granger
Publisher:
ISBN:
Category :
Languages : en
Pages : 340

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The Oral-Style South African Short Story in English

The Oral-Style South African Short Story in English PDF Author: Craig MacKenzie
Publisher: BRILL
ISBN: 900449037X
Category : Literary Criticism
Languages : en
Pages : 238

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Book Description
This study deals with a particular kind of short story in South African English literature - a kind of story variously called the fireside tale, tall tale, skaz narrative or (the term used here) the 'oral-style' story. Most famously exemplified in the Oom Schalk Lourens narratives of Herman Charles Bosman, the oral-style story has its roots in the hunting tale and camp-fire yarn of the nineteenth century and has dozens of exponents in South African literature, most of them long forgotten. Here this neglect has been addressed. A.W. Drayson's Tales at the Outspan (1862) provides a point of departure, and is followed by discussions of works by William Charles Scully, Percy FitzPatrick, Ernest Glanville, Perceval Gibbon, Francis Carey Slater, Pauline Smith, and Aegidius Jean Blignaut, all of whom used the oral-style story genre. In the work of Herman Charles Bosman, however, the South African oral-style story comes into its own. In his Oom Schalk Lourens figure is invested all of the complexity and 'double-voicedness' that was latent - and largely dormant - in the earlier works. Bosman demonstrates his sophistication particularly in his metafictional use of the oral-style story. The study concludes with a discussion of the use of oral forms in the work of more recent black writers - among them Bessie Head, Mtutuzeli Matshoba, and Njabulo Ndebele.

Accredited Ghost Stories

Accredited Ghost Stories PDF Author: T. M. Jarvis
Publisher:
ISBN:
Category : Ghosts
Languages : en
Pages : 252

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The Unvarnished Truth

The Unvarnished Truth PDF Author: Ann Fabian
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 276

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The Academy

The Academy PDF Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 536

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Hatred is Akin to Love

Hatred is Akin to Love PDF Author: Ptolemy Houghton
Publisher:
ISBN:
Category :
Languages : en
Pages : 370

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The Academy and Literature

The Academy and Literature PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 628

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