Author: Ruth Asawa
Publisher: David Zwirner Books
ISBN: 194170168X
Category : Art
Languages : en
Pages : 201
Get Book Here
Book Description
Known for her extensive body of intricate and dynamic wire sculptures, American sculptor, educator, and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency. Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’s legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and their elision of figure and ground. Presenting an important and timely overview of the artist’s work, this monograph brings together a broad selection of her sculptures, works on paper, and more. Together the body of work demonstrates the centrality of Asawa’s innovative practice to the art-historical legacy of the twentieth century. In addition to an incredible group of photographs of the artist and her work by Imogen Cunningham, a selection of rare archival materials will illustrate a chronology of the artist’s life and work. Featuring an extensive text by Tiffany Bell which explores the artist’s influences, history, and, most importantly, the work itself, as well as a significant essay by Robert Storr discussing Asawa’s work in relation to mid-twentieth century art history, culture, and scientific theory.
Author: Tamara H. Schenkenberg
Publisher: Yale University Press
ISBN: 0300242697
Category : Art
Languages : en
Pages : 161
Get Book Here
Book Description
Bringing together works from across Asawa's career, this expansive and beautifully illustrated volume examines her output both as an artist and as a passionate advocate for arts education.
Author: Joseph E. Zanatta
Publisher:
ISBN: 9781878446008
Category : Art
Languages : en
Pages : 314
Get Book Here
Book Description
Author: Eugenie Tsai
Publisher: Columbia University Press
ISBN: 9780231072595
Category : Art
Languages : en
Pages : 240
Get Book Here
Book Description
Robert Smithson Unearthed: Drawings, Collages, Writings, the first full survey of this artist's work, reevaluates its larger resonance and its place in the historical development of recent art. Eugenie Tsai's re-presentation of the work of Smithson expands our understanding of his achievement. Looking beyond the Minimalist structures and the earthworks for which she is best known, she explores his intellectual and aesthetic roots, his early imaginings, and discovers a richer range of personal affect in Smithson's art than we had been led to expect.
Author: Anthony W. Lee
Publisher: Univ of California Press
ISBN: 0520225929
Category : Art
Languages : en
Pages : 368
Get Book Here
Book Description
Throughout European history, Jews have been associated with commerce and the money trade, rendered both visible and vulnerable, like Shylock, by their economic distinctiveness. This is the story of Jewish perceptions of this economic difference and its effect on modern Jewish identity.
Author: Isaiah Berlin
Publisher: Random House
ISBN: 1448155479
Category : Biography & Autobiography
Languages : en
Pages : 420
Get Book Here
Book Description
This enthusiastically received collection contains Isaiah Berlin's appreciation of seventeen people of unusual distinction in the intellectual or political world - sometimes in both. The names of many of them are familiar - Winston Churchill, Franklin D. Roosevelt, Chaim Weizmann, Albert Einstein, L. B. Namier, J. L. Austin, Maurice Bowra. With the exception of Roosevelt he met them all, and he knew many of them well. For this new edition four new portraits have been added, including recollections of Virginia Woolf and Edmund Wilson. The volume ends with a vivid and moving account of Berlin's meetings in Russia with Boris Pasternak and Anna Akhmatova in 1945 and 1956.
Author: Timothy Anglin Burgard
Publisher: Yale University Press
ISBN: 0300190786
Category : Art
Languages : en
Pages : 258
Get Book Here
Book Description
A beautiful exploration of the pivotal years in Diebenkorn's career
Author: Larry Sultan
Publisher: Distributed Art Publishers (DAP)
ISBN:
Category : Photography
Languages : en
Pages : 106
Get Book Here
Book Description
Larry Sultan and Mike Mandel began working collaboratively together in 1973 while graduate students at the San Francisco Art Institute. They work together on occasional projects that include artists' books, exhibitions and public art.
Author: Richard J. Arndt
Publisher: McFarland
ISBN: 0786470259
Category : Literary Criticism
Languages : en
Pages : 297
Get Book Here
Book Description
In 1954, the comic book industry instituted the Comics Code, a set of self-regulatory guidelines imposed to placate public concern over gory and horrific comic book content, effectively banning genuine horror comics. Because the Code applied only to color comics, many artists and writers turned to black and white to circumvent the Code's narrow confines. With the 1964 Creepy #1 from Warren Publishing, black-and-white horror comics experienced a revival continuing into the early 21st century, an important step in the maturation of the horror genre within the comics field as a whole. This generously illustrated work offers a comprehensive history and retrospective of the black-and-white horror comics that flourished on the newsstands from 1964 to 2004. With a catalog of original magazines, complete credits and insightful analysis, it highlights an important but overlooked period in the history of comics.
Author: Suzaan Boettger
Publisher: Univ of California Press
ISBN: 0520221087
Category : Art
Languages : en
Pages : 336
Get Book Here
Book Description
A comprehensive history of the Earthworks movement provides an in-depth analysis of the forms that initiated Land Art, profiling top contributors and achievements within a context of the social and political climate of the 1960s, and noting the form's relationship to ecological movements. (Fine Arts)
