Author: Samuel Beckett
Publisher: Faber & Faber
ISBN: 0571266924
Category : Fiction
Languages : en
Pages : 109
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Book Description
The iconic trilogy of novels by the era-defining Nobel laureate, relaunched for a new generation. I can't go on, I'll go on. Molloy: a sordid vagrant riding his bicycle through the countryside, sucking stones, on a quest for his mother. Moran: a private detective sent on his trail, investigating his crimes - but soon to deteriorate alongside him. Malone: an octogenarian man on his deathbed, naked in piles of blankets, wiling away the time with stories - writing, reminiscing, raging, surviving. The Unnameable: an armless and legless creature from a nameless place, weeping and watching in his urn, orbited by visitors outside a chop-house. Together, these selves speak, debate, exist: the prose as alive, or more, than them. 'The master innovator of them all.' Guardian
Author: Говард Лавкрафт
Publisher: Litres
ISBN: 5457675068
Category : Fiction
Languages : en
Pages : 13
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Book Description
Carter, a weird fiction writer, meets with his close friend, Joel Manton, in a cemetery near an old, dilapidated house on Meadow Hill in the town of Arkham, Massachusetts. As the two sit upon a weathered tomb, Carter tells Manton the tale of an indescribable entity that allegedly haunts the house and surrounding area. He contends that because such an entity cannot be perceived by the five senses, it becomes impossible to quantify and accurately describe, thus earning itself the term unnamable. As the narration closes, this unnamable presence attacks both Carter and Manton. Both men survive and awaken later at St. Mary’s hospital. They suffer from various lacerations, including scarring from a large horn-shaped object and bruises in the shape of hoof-prints on their backs.
Author: Susette Min
Publisher: NYU Press
ISBN: 0814764290
Category : Art
Languages : en
Pages : 266
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Book Description
Charting its historical conditions and the expansive contexts of its emergence, the author challenges the notion of Asian American art as a site of reconciliation for marginalized artists to enter into the canon. Pressing critically on how the politics of visibility and recognition reduces artworks by Asian American artists to narrow parameters of categorization, this work reconceives Asian American art not as a subset of objects, but as a discursive medium that sets up the conditions for a politics to occur. By approaching Asian American art in this way, the author refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen than in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Inspired above all by their art practice, the author argues for an alternative approach to exhibition making and methods of reading that conceives of these works not as "exemplary" instances of Asian American art, but as engaged in an aesthetic practice that remains open-ended, challenging the assumptions that racialize artists within an "Asian American" context. In this book, the author insists that in order to reassess Asian American art beyond its place in art history, she suggests the possible need to let go not only of established viewing and curatorial practices, but even the category of Asian American art itself.
Author: H. P. Lovecraft
Publisher: Lindhardt og Ringhof
ISBN: 8726596830
Category : Fiction
Languages : en
Pages : 13
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Book Description
When a writer named Carter meets his friend Manton in a cemetery, they are about to discuss prose writing and horror. Is there a good reason to leave some of the most horrifying things unnamable? Is that a good or bad thing for the reader? While the two of them are debating, they seem to forget that they are sitting in a cemetery – a place which lies between the two worlds... H.P. Lovecraft (1890–1937) was an American horror writer. His best known works include ‘The Call of Cthulhu’ and ‘the Mountains of Madness’. Most of his work was originally published in pulp magazines, and Lovecraft rose into fame only after his death at the age of 46. He has had a great influence in both horror and science fiction genres.
Author: Roberto Calasso
Publisher: Penguin Press
ISBN: 9780141988016
Category : History
Languages : en
Pages : 0
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Book Description
Tourists, terrorists, secularists, hackers, fundamentalists, transhumanists, algorithmicians- in this book Roberto Calasso considers the tribes that inhabit and inform the world today. A world that feels more elusive than ever before. Yet once contrasted with the period between 1933 and 1945, when the world made a partially successful attempt at self-annihilation, the new millennium begins to take on an unprecedented form. What emerges is something illusory, ever-shifting and occasionally murderous- the unnamable present. This book, the ninth part of a work in progress,is a meditation on the obscure and ubiquitous process of transformation happening in societies today, where distant echoes of Auden's The Age of Anxiety give way to something altogether more unsettling.
Author: Susette Min
Publisher: NYU Press
ISBN: 081476312X
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen—its greater visibility—and more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as “exemplary” instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself. Redraws the contours of Asian American art, attempting to free it from a categorization that stifles more than it reveals. Charting its historical conditions and the expansive contexts of its emergence, Susette Min challenges the notion of Asian American art as a site of reconciliation or as a way for marginalized artists to enter into the canon or mainstream art scene. Pressing critically on the politics of visibility and how this categorization reduces artworks by Asian American artists within narrow parameters of interpretation, Unnamable reconceives Asian American art not as a subset of objects, but as a medium that disrupts representations and embedded knowledge. By approaching Asian American art in this way, Min refigures the way we see Asian American art as an oppositional practice, less in terms of its aspirations to be seen—its greater visibility—and more in terms of how it models a different way of seeing and encountering the world. Uniquely presented, the chapters are organized thematically as mini-exhibitions, and offer readings of select works by contemporary artists including Tehching Hsieh, Byron Kim, Simon Leung, Mary Lum, and Nikki S. Lee. Min displays a curatorial practice and reading method that conceives of these works not as “exemplary” instances of Asian American art, but as engaged in an aesthetic practice that is open-ended. Ultimately, Unnamable insists that in order to reassess Asian American art and its place in art history, we need to let go not only of established viewing practices, but potentially even the category of Asian American art itself.
Author: Gary Adelman
Publisher: Bucknell University Press
ISBN: 9780838755730
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Kafka's struggle with spiritual deadlock helped Beckett, at crucial impasses in his own art, to find his way to Molloy and the trilogy, and later, to discern the importance of torture to the creative imagination, especially in How It Is.". "This book will interest those seeking a new, absorbing reading of Beckett's great prose."--BOOK JACKET.
Author: David Tucker
Publisher: Rodopi
ISBN: 9401211639
Category : History
Languages : en
Pages : 305
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Book Description
Author: Tom Dobson
Publisher: Springer
ISBN: 9462096414
Category : Education
Languages : en
Pages : 239
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Book Description
Reflecting upon his own prior experiences as Writer, PhD Student embarks on an ethnographic research project which seeks to explain the relationship between Boys’ creative writing and identity. A view of identity as performance is adopted, a main cast of year 6 Boys is assembled, and the stage of the year 6 primary classroom and the secondary school is set. Undertaking participant observation, PhD Student sends his reflections as emails to PhD Supervisor but as their dialogue takes hold, questions relating to the problematic nature of research and representation proliferate. Which identity is PhD Student performing in the classroom: himself, Mr Dobson, Writer or Tom? Is self-reflexivity enough? To what extent can the Boys’ identities ever be known? Rather than silencing these problems, PhD Student looks for a form of writing which lays bare the messiness of research. He rejects the linearity of the traditional form and writes his thesis as a self-conscious fiction: a dialogue on a train between himself, a post/structuralist academic, and You, a humanist non-academic. As PhD Student’s data is analysed, critiqued and deconstructed from both essentialist and interpretivist perspectives, the impossibility of objective representation is explored. Within its own frame of reference, PhD Student’s analysis of the Boys’ writing offers a theoretical framework for thinking about creative writing in terms of identity and agency. However, the thesis-script itself is primarily a methodological critique: one that shows that no matter what is written on pages, between the words, between the letters, there will always be the Unnamable.
Author: Dennitza Gabrakova
Publisher: BRILL
ISBN: 9004365923
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
In The Unnamable Archipelago: Wounds of the Postcolonial in Postwar Japanese Literature and Thought, Dennitza Gabrakova discusses how the island imagery in the works by Imafuku Ryūta, Ukai Satoshi, Ōba Minako, Ariyoshi Sawako, Hino Keizō, Ikezawa Natsuki, Shimada Masahiko and Tawada Yōko shapes a critical understanding of Japan on multiple intersections of trauma and sovereignty. The book attempts an engagement with the vocabulary of postcolonial critique, while attending to the complexity of its translation into Japanese.
