Author: Meyer Schapiro
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 216
Book Description
In His first essay, The Unity of Picasso's Art, Schapiro dismantles this apparent paradox by finding unity through hidden associations among seemingly disparate works and unsuspected ties to Picasso's personal experiences.".
Unity of Picassos Art
Author: Meyer Schapiro
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 216
Book Description
In His first essay, The Unity of Picasso's Art, Schapiro dismantles this apparent paradox by finding unity through hidden associations among seemingly disparate works and unsuspected ties to Picasso's personal experiences.".
Publisher: George Braziller Publishers
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 216
Book Description
In His first essay, The Unity of Picasso's Art, Schapiro dismantles this apparent paradox by finding unity through hidden associations among seemingly disparate works and unsuspected ties to Picasso's personal experiences.".
Picasso Black and White
Author: Carmen Giménez
Publisher:
ISBN: 9783791364179
Category : Black in art
Languages : en
Pages : 227
Book Description
Picasso Black and White: Examines the artist's lifelong exploration of a black-and-white leitmotif through paintings and a selection of sculptures and works on paper. Picasso continued the tradition of engaging the color black that had been employed throughout a centuries-long history of Spanish painting by fellow artists José de Ribera, Diego Velázquez, Francisco de Zurbarán, and Francisco de Goya. Moreover, he made highly effective use of isolated black, white, and gray hues in a nod to monochromatic grisaille painting and to drawing, line, and form. As this volume attests, the recurrent motif of black and white appears throughout Picasso's oeuvre, including his blue and rose periods, his investigations into Cubism and Surrealism, his interpretations of historical subject studies for his celebrated painting 'Guernica', World War II, and an homage to old masters, as well as the powerful paintings of his last years. Featuring reproductions of more than 150 works, this book examines the extraordinary complexity and power of these expressive artworks, which purge color in order to highlight their formal structure. Including essays by leading Picasso scholars, this book is a unique and coherent perspective on one of the world's most innovative and influential artists.
Publisher:
ISBN: 9783791364179
Category : Black in art
Languages : en
Pages : 227
Book Description
Picasso Black and White: Examines the artist's lifelong exploration of a black-and-white leitmotif through paintings and a selection of sculptures and works on paper. Picasso continued the tradition of engaging the color black that had been employed throughout a centuries-long history of Spanish painting by fellow artists José de Ribera, Diego Velázquez, Francisco de Zurbarán, and Francisco de Goya. Moreover, he made highly effective use of isolated black, white, and gray hues in a nod to monochromatic grisaille painting and to drawing, line, and form. As this volume attests, the recurrent motif of black and white appears throughout Picasso's oeuvre, including his blue and rose periods, his investigations into Cubism and Surrealism, his interpretations of historical subject studies for his celebrated painting 'Guernica', World War II, and an homage to old masters, as well as the powerful paintings of his last years. Featuring reproductions of more than 150 works, this book examines the extraordinary complexity and power of these expressive artworks, which purge color in order to highlight their formal structure. Including essays by leading Picasso scholars, this book is a unique and coherent perspective on one of the world's most innovative and influential artists.
The Visual Mind II
Author: Michele Emmer
Publisher: MIT Press
ISBN: 9780262050760
Category : Art
Languages : en
Pages : 742
Book Description
"This collection of essays by artists and mathematicians continues the discussion of the connections between art and mathematics begun in the widely read first volume of The Visual Mind in 1993."--BOOK JACKET.
Publisher: MIT Press
ISBN: 9780262050760
Category : Art
Languages : en
Pages : 742
Book Description
"This collection of essays by artists and mathematicians continues the discussion of the connections between art and mathematics begun in the widely read first volume of The Visual Mind in 1993."--BOOK JACKET.
Conceptual Revolutions in Twentieth-Century Art
Author: David W. Galenson
Publisher: Cambridge University Press
ISBN: 1139479393
Category : Business & Economics
Languages : en
Pages : 460
Book Description
From Picasso's Cubism and Duchamp's readymades to Warhol's silkscreens and Smithson's earthworks, the art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators – from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst – responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. Conceptual Revolutions in Twentieth-Century Art presents the first systematic analysis of the reasons for this discontinuity. David W. Galenson, whose earlier research has changed our understanding of creativity, combines social scientific methods with qualitative analysis to produce a fundamentally new interpretation of modern art that will give readers a far deeper appreciation of the art of the past century, and of today, than is available elsewhere.
Publisher: Cambridge University Press
ISBN: 1139479393
Category : Business & Economics
Languages : en
Pages : 460
Book Description
From Picasso's Cubism and Duchamp's readymades to Warhol's silkscreens and Smithson's earthworks, the art of the twentieth century broke completely with earlier artistic traditions. A basic change in the market for advanced art produced a heightened demand for innovation, and young conceptual innovators – from Picasso and Duchamp to Rauschenberg and Warhol to Cindy Sherman and Damien Hirst – responded not only by creating dozens of new forms of art, but also by behaving in ways that would have been incomprehensible to their predecessors. Conceptual Revolutions in Twentieth-Century Art presents the first systematic analysis of the reasons for this discontinuity. David W. Galenson, whose earlier research has changed our understanding of creativity, combines social scientific methods with qualitative analysis to produce a fundamentally new interpretation of modern art that will give readers a far deeper appreciation of the art of the past century, and of today, than is available elsewhere.
Modern Times in Southeast Asia, 1920s-1970s
Author:
Publisher: BRILL
ISBN: 9004372709
Category : History
Languages : en
Pages : 226
Book Description
This book reveals how everyday experiences of being ‘modern’ (c. 1920s-70s) indexed continuity and change in the transition from colonialism to independence and after in Southeast Asia. In the Philippines, Myanmar, Indonesia, Malaysia, Singapore, Thailand and Vietnam, the contributors to this interdisciplinary volume recover modern times at the intersection of public and private domains, encompassing sex, religion, art, film, literature and urban space. The authors examine the conditions and representations of modernity, as shaped by elites and the governed, by actors, artists, novelists and non-fiction writers. Plural encounters in cities, through spiritual communities, art, high and popular culture saw Southeast Asians fashioning modern times in dialogue with global capitalism, consumer culture and second-wave feminism.
Publisher: BRILL
ISBN: 9004372709
Category : History
Languages : en
Pages : 226
Book Description
This book reveals how everyday experiences of being ‘modern’ (c. 1920s-70s) indexed continuity and change in the transition from colonialism to independence and after in Southeast Asia. In the Philippines, Myanmar, Indonesia, Malaysia, Singapore, Thailand and Vietnam, the contributors to this interdisciplinary volume recover modern times at the intersection of public and private domains, encompassing sex, religion, art, film, literature and urban space. The authors examine the conditions and representations of modernity, as shaped by elites and the governed, by actors, artists, novelists and non-fiction writers. Plural encounters in cities, through spiritual communities, art, high and popular culture saw Southeast Asians fashioning modern times in dialogue with global capitalism, consumer culture and second-wave feminism.
Goodbye Picasso
Author: David Douglas Duncan
Publisher: Times Books
ISBN:
Category : Artists
Languages : en
Pages : 306
Book Description
A collection of photographs of Pablo Picasso's life and art, taken by his friend, award-winning photojournalist David Douglas Duncan.
Publisher: Times Books
ISBN:
Category : Artists
Languages : en
Pages : 306
Book Description
A collection of photographs of Pablo Picasso's life and art, taken by his friend, award-winning photojournalist David Douglas Duncan.
Dynamic Symmetry - The Greek Vase
Author: Jay Hambidge
Publisher: Jepson Press
ISBN: 1444688707
Category :
Languages : en
Pages : 196
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Publisher: Jepson Press
ISBN: 1444688707
Category :
Languages : en
Pages : 196
Book Description
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
In Defiance of Painting
Author: Christine Poggi
Publisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318
Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
Publisher: Yale University Press
ISBN: 9780300051094
Category : Art
Languages : en
Pages : 318
Book Description
The invention of collage by Picasso and Braque in 1912 proved to be a dramatic turning point in the development of Cubism and Futurism and ultimately one of the most significant innovations in twentieth-century art. Collage has traditionally been viewed as a new expression of modernism, one allied with modernism's search for purity of means, anti-illusionism, unity, and autonomy of form. This book - the first comprehensive study of collage and its relation to modernism - challenges this view. Christine Poggi argues that collage did not become a new language of modernism but a new language with which to critique modernism. She focuses on the ways Cubist collage - and the Futurist multimedia work that was inspired by it - undermined prevailing notions of material and stylistic unity, subverted the role of the frame and pictorial ground, and brought the languages of high and low culture into a new relationship of exchange.
The Art of Genes
Author: Enrico Coen
Publisher: Oxford University Press, USA
ISBN: 0192862081
Category : Medical
Languages : en
Pages : 397
Book Description
In this highly original synthesis of art and science, Enrico Coen describes the recent revolution in human understanding of how plants and animals develop and how this offers fresh insights into evolution and human creativity.
Publisher: Oxford University Press, USA
ISBN: 0192862081
Category : Medical
Languages : en
Pages : 397
Book Description
In this highly original synthesis of art and science, Enrico Coen describes the recent revolution in human understanding of how plants and animals develop and how this offers fresh insights into evolution and human creativity.
Old Masters and Young Geniuses
Author: David W. Galenson
Publisher: Princeton University Press
ISBN: 1400837391
Category : Art
Languages : en
Pages : 251
Book Description
When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.
Publisher: Princeton University Press
ISBN: 1400837391
Category : Art
Languages : en
Pages : 251
Book Description
When in their lives do great artists produce their greatest art? Do they strive for creative perfection throughout decades of painstaking and frustrating experimentation, or do they achieve it confidently and decisively, through meticulous planning that yields masterpieces early in their lives? By examining the careers not only of great painters but also of important sculptors, poets, novelists, and movie directors, Old Masters and Young Geniuses offers a profound new understanding of artistic creativity. Using a wide range of evidence, David Galenson demonstrates that there are two fundamentally different approaches to innovation, and that each is associated with a distinct pattern of discovery over a lifetime. Experimental innovators work by trial and error, and arrive at their major contributions gradually, late in life. In contrast, conceptual innovators make sudden breakthroughs by formulating new ideas, usually at an early age. Galenson shows why such artists as Michelangelo, Rembrandt, Cézanne, Jackson Pollock, Virginia Woolf, Robert Frost, and Alfred Hitchcock were experimental old masters, and why Vermeer, van Gogh, Picasso, Herman Melville, James Joyce, Sylvia Plath, and Orson Welles were conceptual young geniuses. He also explains how this changes our understanding of art and its past. Experimental innovators seek, and conceptual innovators find. By illuminating the differences between them, this pioneering book provides vivid new insights into the mysterious processes of human creativity.