Theatre for Children in the United States PDF Download
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Author: Nellie McCaslin
Publisher:
ISBN: 9780887346774
Category : Children's theater
Languages : en
Pages : 0
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Book Description
Author: Nellie McCaslin
Publisher:
ISBN: 9780887346774
Category : Children's theater
Languages : en
Pages : 0
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Book Description
Author: Lloyd Suh
Publisher: Dramatists Play Service, Inc.
ISBN: 0822239906
Category : Performing Arts
Languages : en
Pages : 48
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Book Description
Afong Moy is fourteen years old when she’s brought to the United States from Guangzhou Province in 1834. Allegedly the first Chinese woman to set foot on U.S. soil, she has been put on display for the American public as “The Chinese Lady.” For the next half-century, she performs for curious white people, showing them how she eats, what she wears, and the highlight of the event: how she walks with bound feet. As the decades wear on, her celebrated sideshow comes to define and challenge her very sense of identity. Inspired by the true story of Afong Moy’s life, THE CHINESE LADY is a dark, poetic, yet whimsical portrait of America through the eyes of a young Chinese woman.
Author: Esther Kim Lee
Publisher: Cambridge University Press
ISBN: 0521850517
Category : Drama
Languages : en
Pages : 219
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Book Description
This book surveys the history of Asian American theatre from 1965 to 2005.
Author: Robert A Schanke
Publisher: SIU Press
ISBN: 9780809327478
Category : Performing Arts
Languages : en
Pages : 340
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Book Description
Composed of sixteen essays and fifteen illustrations, Angels in the American Theater explores not only how donors became angels but also their backgrounds, motivations, policies, limitations, support, and successes and failures.
Author: Kate Dossett
Publisher: UNC Press Books
ISBN: 1469654431
Category : History
Languages : en
Pages : 359
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Book Description
Between 1935 and 1939, the United States government paid out-of-work artists to write, act, and stage theatre as part of the Federal Theatre Project (FTP), a New Deal job relief program. In segregated "Negro Units" set up under the FTP, African American artists took on theatre work usually reserved for whites, staged black versions of "white" classics, and developed radical new dramas. In this fresh history of the FTP Negro Units, Kate Dossett examines what she calls the black performance community—a broad network of actors, dramatists, audiences, critics, and community activists—who made and remade black theatre manuscripts for the Negro Units and other theatre companies from New York to Seattle. Tracing how African American playwrights and troupes developed these manuscripts and how they were then contested, revised, and reinterpreted, Dossett argues that these texts constitute an archive of black agency, and understanding their history allows us to consider black dramas on their own terms. The cultural and intellectual labor of black theatre artists was at the heart of radical politics in 1930s America, and their work became an important battleground in a turbulent decade.
Author: Nicolás Kanellos
Publisher: University of Texas Press
ISBN: 0292730500
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
Hispanic theatre flourished in the United States from the mid-nineteenth century until the beginning of the Second World War—a fact that few theatre historians know. A History of Hispanic Theatre in the United States: Origins to 1940 is the very first study of this rich tradition, filled with details about plays, authors, artists, companies, houses, directors, and theatrical circuits. Sixteen years of research in public and private archives in the United States, Mexico, Spain, and Puerto Rico inform this study. In addition, Kanellos located former performers and playwrights, forgotten scripts, and old photographs to bring the life and vitality of live theatre to his text. He organizes the book around the cities where Hispanic theatre was particularly active, including Los Angeles, San Antonio, New York, and Tampa, as well as cities on the touring circuit, such as Laredo, El Paso, Tucson, and San Francisco. Kanellos charts the major achievements of Hispanic theatre in each city—playwriting in Los Angeles, vaudeville and tent theatre in San Antonio, Cuban/Spanish theatre in Tampa, and pan-Hispanism in New York—as well as the individual careers of several actors, writers, and directors. And he uncovers many gaps in the record—reminders that despite its popularity, Hispanic theatre was often undervalued and unrecorded.
Author: William Dunlap
Publisher: University of Illinois Press
ISBN: 0252091035
Category : Performing Arts
Languages : en
Pages : 473
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Book Description
As America passed from a mere venue for English plays into a country with its own nationally regarded playwrights, William Dunlap lived the life of a pioneer on the frontier of the fledgling American theatre, full of adventures, mishaps, and close calls. He adapted and translated plays for the American audience and wrote plays of his own as well, learning how theatres and theatre companies operated from the inside out. Dunlap's masterpiece, A History of American Theatre was the first of its kind, drawing on the author's own experiences. In it, he describes the development of theatre in New York, Philadelphia, and South Carolina as well as Congress's first attempts at theatrical censorship. Never before previously indexed, this edition also includes a new introduction by Tice L. Miller.
Author: Julie Stone Peters
Publisher: Oxford University Press, USA
ISBN: 9780199262168
Category : Literary Criticism
Languages : en
Pages : 516
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Book Description
This volume explores the impact of printing on the European theatre in the period 1480-1880 and shows that the printing press played a major part in the birth of modern theatre.
Author: Brooks Atkinson
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 584
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Book Description
For contents, see Title Catalog.
Author: A. M. Nagler
Publisher: Courier Corporation
ISBN: 0486315541
Category : Performing Arts
Languages : en
Pages : 642
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Book Description
An annotated collection of more than 300 unusually interesting and detailed passages includes views by observers from ancient Greece to modern times on acting, directing, make-up, costuming, props, much more.
