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Languages : en
Pages : 50
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Languages : en
Pages : 50
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Languages : en
Pages : 70
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Category :
Languages : en
Pages : 54
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Category : Law reports, digests, etc
Languages : en
Pages : 1208
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Category : Law reports, digests, etc
Languages : en
Pages : 1852
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Category : Law reports, digests, etc
Languages : en
Pages : 1930
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Author: K. S. Birdi
Publisher: CRC Press
ISBN: 1466596686
Category : Science
Languages : en
Pages : 702
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This new edition of the Handbook of Surface and Colloid Chemistry informs you of significant recent developments in the field. It highlights new applications and provides revised insight on surface and colloid chemistry's growing role in industrial innovations. The contributors to each chapter are internationally recognized experts. Several chapter
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Category : Law reports, digests, etc
Languages : en
Pages : 684
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Category : Court decisions and opinions
Languages : en
Pages : 1642
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Author: Jim Ames
Publisher: Watson-Guptill
ISBN:
Category : Art
Languages : en
Pages : 124
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Book Description
Traditional color theory can be confusing to artists, especially when they try to use inaccurate color wheels as guides to mixing their colors. Now, Color Theory Made Easy presents an alternative approach that cuts through the tangle of established but contradictory concepts that gives artists a universal theory that really applies to their work. Most artists have been taught that red, blue, and yellow are the primary colors hues that cannot be created from any combination of other colors. However, as a result of years of study, author and artist Jim Ames has concluded that the true primary colors are cyan (a greenish blue), magenta (a violet red), and a yellow that does not learn toward either cyan or magenta. In Color Theory Made Easy, Ames explains the importance of these three colors as the basis for all our thinking about color. Using friendly, clear language and colorful diagrams, the author lays the foundation in Chapter 1 for applying his color theory in art. He shows that all colors in nature are composed of varying percentages of cyan, magenta, and yellow. Chapter 2 builds on this with a survey of the pigment colors artists actually use. Here the author offers an essential education concerning paint selection, and he lists currently available tube colors that are the most accurate in terms of the true primaries. The final chapter explores color mixing principles based on cyan, magenta, and yellow, and applies these principles through a series of watercolor demonstrations. In this illuminating book, Jim Ames has broken new ground and given us a workable color theory that is both simple and indispensable."
