Author: Paul Éluard
Publisher: Greenwood
ISBN:
Category : Fiction
Languages : en
Pages : 264
Book Description
The best of Eluard's poems in a bilingual edition as chosen and arranged chronologically by the editor and translator. Surrealist, resistance fighter during the Nazi occupation of Paris, connoisseur of art, litter'ateur, and lover of common people, Eluard exemplifies for many the poet of pure diction.
Uninterrupted Poetry
Author: Paul Éluard
Publisher: Greenwood
ISBN:
Category : Fiction
Languages : en
Pages : 264
Book Description
The best of Eluard's poems in a bilingual edition as chosen and arranged chronologically by the editor and translator. Surrealist, resistance fighter during the Nazi occupation of Paris, connoisseur of art, litter'ateur, and lover of common people, Eluard exemplifies for many the poet of pure diction.
Publisher: Greenwood
ISBN:
Category : Fiction
Languages : en
Pages : 264
Book Description
The best of Eluard's poems in a bilingual edition as chosen and arranged chronologically by the editor and translator. Surrealist, resistance fighter during the Nazi occupation of Paris, connoisseur of art, litter'ateur, and lover of common people, Eluard exemplifies for many the poet of pure diction.
Uninterrupted Poetry: Selected Writings
Author: Paul Éluard
Publisher:
ISBN:
Category : French poetry
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category : French poetry
Languages : en
Pages : 218
Book Description
Uninterrupted Poetry
Author: Paul Éluard
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Selected Writings
Author: Paul Éluard
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
Book Description
The Sunday of Life
Author: Raymond Queneau
Publisher: New Directions Publishing
ISBN: 9780811206457
Category : Fiction
Languages : en
Pages : 204
Book Description
The Sunday of Life, the late Raymond Queneau's tenth novel, was first published in French by Gallimard in 1951 and is now appearing for the first time in this country. In the ingenuous ex-Private Valentin Bru, the central figure in The Sunday of Life, Queneau has created that oddity in modern fiction, the Hegelian naif. Highly self-conscious yet reasonably satisfied with his lot, imbued with the good humor inherent in the naturally wise, Valentin meets the painful nonsense of life's adventures with a slightly bewildered detachment.
Publisher: New Directions Publishing
ISBN: 9780811206457
Category : Fiction
Languages : en
Pages : 204
Book Description
The Sunday of Life, the late Raymond Queneau's tenth novel, was first published in French by Gallimard in 1951 and is now appearing for the first time in this country. In the ingenuous ex-Private Valentin Bru, the central figure in The Sunday of Life, Queneau has created that oddity in modern fiction, the Hegelian naif. Highly self-conscious yet reasonably satisfied with his lot, imbued with the good humor inherent in the naturally wise, Valentin meets the painful nonsense of life's adventures with a slightly bewildered detachment.
Seedtime
Author: Philippe Jaccottet
Publisher: New Directions Publishing
ISBN: 9780811206365
Category : Gardening
Languages : en
Pages : 68
Book Description
Since 1947, when his work first began to appear, Philippe Jaccottet has published six volumes of poetry, two of criticism, three of prose-poetry, and several translations from the German. Seedtime (''La Semaison'')--the title he has given to his notebook journals written from 1954 through 1967--is an especially good introduction to this leading post-war French author, containing as it does passages in both prose and verse. In explaining the word semaison, Jaccottet has drawn a parallel between his sense of the yearly scattering of seed--the sacredness of the act, the uncertainty of its results--and the sense he has of poetry and the written word. Him, his own description on the jacket of the original French edition (Gallimard, 1971): "The despairing happiness of words, the despairing defense of the impossible, everything which contradicts, denies, mimicks or blasts. At each instant it is like the first and last word, the first and last poem, embarrassed, solemn, without probability and without force, stubborn fragility, an enduring fountain; and again, in the evening, its sound against death, flabbiness, stupidity; again, its freshness, its limpidity against drivel. Again, the star out of the scabbard."
Publisher: New Directions Publishing
ISBN: 9780811206365
Category : Gardening
Languages : en
Pages : 68
Book Description
Since 1947, when his work first began to appear, Philippe Jaccottet has published six volumes of poetry, two of criticism, three of prose-poetry, and several translations from the German. Seedtime (''La Semaison'')--the title he has given to his notebook journals written from 1954 through 1967--is an especially good introduction to this leading post-war French author, containing as it does passages in both prose and verse. In explaining the word semaison, Jaccottet has drawn a parallel between his sense of the yearly scattering of seed--the sacredness of the act, the uncertainty of its results--and the sense he has of poetry and the written word. Him, his own description on the jacket of the original French edition (Gallimard, 1971): "The despairing happiness of words, the despairing defense of the impossible, everything which contradicts, denies, mimicks or blasts. At each instant it is like the first and last word, the first and last poem, embarrassed, solemn, without probability and without force, stubborn fragility, an enduring fountain; and again, in the evening, its sound against death, flabbiness, stupidity; again, its freshness, its limpidity against drivel. Again, the star out of the scabbard."
The Dark Room and Other Poems
Author: Enrique Lihn
Publisher: New Directions Publishing
ISBN: 9780811206761
Category : Poetry
Languages : en
Pages : 176
Book Description
Publisher: New Directions Publishing
ISBN: 9780811206761
Category : Poetry
Languages : en
Pages : 176
Book Description
Selected Writings on Aesthetics
Author: Johann Gottfried Herder
Publisher: Princeton University Press
ISBN: 1400827167
Category : Philosophy
Languages : en
Pages : 467
Book Description
A seminal figure in the philosophy of history, culture, and language, Johann Gottfried Herder (1744-1803) also produced some of the most important and original works in the history of aesthetic theory. A student of Kant, he spent much of his life striving to reconcile the opposing poles of Enlightenment thought represented by his early mentors. His ideas influenced Hegel, Schleiermacher, Nietzsche, Dilthey, J. S. Mill, and Goethe. This book presents most of Herder's important writings on aesthetics, including the main sections of one of his major untranslated works, Kritische Wälder (Critical Forests). These notes, essays, and treatises, the majority of which appear here in English for the first time, show this idiosyncratic thinker both deeply rooted in the controversies of his day and pointing the way to future developments in aesthetics. Chosen to reflect the extent and diversity of Herder's concerns, the texts cover such topics as the psychology and physiology of aesthetic perception, the classification of the arts, taste, Shakespeare, the classical tradition, and the relationship between art and morality. Few thinkers have reflected so sensitively and productively on the cultural, historical, anthropological, ethical, and theological dimensions of art and the creative process. With this book, the importance of aesthetics to the evolution and texture of Herder's own thought, as well as his profound contribution to that discipline, comes fully into view.
Publisher: Princeton University Press
ISBN: 1400827167
Category : Philosophy
Languages : en
Pages : 467
Book Description
A seminal figure in the philosophy of history, culture, and language, Johann Gottfried Herder (1744-1803) also produced some of the most important and original works in the history of aesthetic theory. A student of Kant, he spent much of his life striving to reconcile the opposing poles of Enlightenment thought represented by his early mentors. His ideas influenced Hegel, Schleiermacher, Nietzsche, Dilthey, J. S. Mill, and Goethe. This book presents most of Herder's important writings on aesthetics, including the main sections of one of his major untranslated works, Kritische Wälder (Critical Forests). These notes, essays, and treatises, the majority of which appear here in English for the first time, show this idiosyncratic thinker both deeply rooted in the controversies of his day and pointing the way to future developments in aesthetics. Chosen to reflect the extent and diversity of Herder's concerns, the texts cover such topics as the psychology and physiology of aesthetic perception, the classification of the arts, taste, Shakespeare, the classical tradition, and the relationship between art and morality. Few thinkers have reflected so sensitively and productively on the cultural, historical, anthropological, ethical, and theological dimensions of art and the creative process. With this book, the importance of aesthetics to the evolution and texture of Herder's own thought, as well as his profound contribution to that discipline, comes fully into view.
Bearing Witness
Author: John R. Carpenter
Publisher: Simon and Schuster
ISBN: 1510736549
Category : Literary Criticism
Languages : en
Pages : 380
Book Description
It has been said that during times of war, the Muses fall silent. However, anyone who has read the major figures of mid-twentieth-century literature—Samuel Beckett, Richard Hillary, Norman Mailer, Albert Camus, Jean-Paul Sartre, and others—can attest that it was through writing that people first tried to communicate and process the horrors that they saw during one of the darkest times in human history even as it broke out and raged on around them. In Bearing Witness, John Carpenter explores how across the world those who experienced the war tried to make sense of it both during and in its immediate aftermath. Writers such as Alexander Solzhenitsyn and Theodore Plievier questioned the ruling parties of the time based on what they saw. Correspondents and writer-soldiers like John Hersey and James Jones revealed the chaotic and bloody reality of the front lines to the public. And civilians, many of who remain anonymous, lent voice to occupation and imprisonment so that those who didn’t survive would not be forgotten. The digestion of a cataclysmic event can take generations. But in this fascinating book, Carpenter brings together all those who did their best to communicate what they saw in the moment so that it could never be lost.
Publisher: Simon and Schuster
ISBN: 1510736549
Category : Literary Criticism
Languages : en
Pages : 380
Book Description
It has been said that during times of war, the Muses fall silent. However, anyone who has read the major figures of mid-twentieth-century literature—Samuel Beckett, Richard Hillary, Norman Mailer, Albert Camus, Jean-Paul Sartre, and others—can attest that it was through writing that people first tried to communicate and process the horrors that they saw during one of the darkest times in human history even as it broke out and raged on around them. In Bearing Witness, John Carpenter explores how across the world those who experienced the war tried to make sense of it both during and in its immediate aftermath. Writers such as Alexander Solzhenitsyn and Theodore Plievier questioned the ruling parties of the time based on what they saw. Correspondents and writer-soldiers like John Hersey and James Jones revealed the chaotic and bloody reality of the front lines to the public. And civilians, many of who remain anonymous, lent voice to occupation and imprisonment so that those who didn’t survive would not be forgotten. The digestion of a cataclysmic event can take generations. But in this fascinating book, Carpenter brings together all those who did their best to communicate what they saw in the moment so that it could never be lost.
The Poetic Avant-garde
Author: Beret E. Strong
Publisher: Northwestern University Press
ISBN: 9780810115095
Category : Literary Criticism
Languages : en
Pages : 348
Book Description
The Poetic Avant-Garde compares three avant-garde groups active in the era between the world wars: those surrounding Jorge Luis Borges, W.H. Auden, and Andre Breton. These groups were composed of poets and writers who made use of the avant-garde's characteristic modes of self-expression: the publication of small journals, unorthodox attention-getting tactics, and interaction with the mainstream press. However, their differing aesthetic, social, and political agendas illustrate the surprisingly broad range of avant-gardism in the interwar era. Strong looks at the choices these three groups made when their radical goals collided with the forces of social and political change in the 1920s and 1930s, highlighting the disparity between their rhetoric and their actual achievements. The book focuses on the avant-garde's struggle to reconcile contradictory imperatives: a desire to be radically new while also finding an audience.
Publisher: Northwestern University Press
ISBN: 9780810115095
Category : Literary Criticism
Languages : en
Pages : 348
Book Description
The Poetic Avant-Garde compares three avant-garde groups active in the era between the world wars: those surrounding Jorge Luis Borges, W.H. Auden, and Andre Breton. These groups were composed of poets and writers who made use of the avant-garde's characteristic modes of self-expression: the publication of small journals, unorthodox attention-getting tactics, and interaction with the mainstream press. However, their differing aesthetic, social, and political agendas illustrate the surprisingly broad range of avant-gardism in the interwar era. Strong looks at the choices these three groups made when their radical goals collided with the forces of social and political change in the 1920s and 1930s, highlighting the disparity between their rhetoric and their actual achievements. The book focuses on the avant-garde's struggle to reconcile contradictory imperatives: a desire to be radically new while also finding an audience.