Under Briggflatts PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Under Briggflatts PDF full book. Access full book title Under Briggflatts by Donald Davie. Download full books in PDF and EPUB format.
Author: Donald Davie
Publisher: University of Chicago Press
ISBN: 9780226137568
Category : Literary Criticism
Languages : en
Pages : 278
Get Book Here
Book Description
Under Briggflatts is a history of the last thirty years of British poetry with necessary excursions into other areas: criticism, philosophy, translation, and non-British English poetries. It has grown naturally out of Donald Davie's immediate involvement with new writing as a poet, reviewer, teacher, and reader. He has reassessed the writers who have most engaged his attention, revised his reviews, and supplemented earlier material with much that is new. Under Briggflatts provides a narrative that is remarkable in scope and generous in tone. By combining close readings of specific poems and more general considerations of style, form, and context, Davie's account is characteristically elegant, precise, and uncompromising. Under Briggflatts is organized in three large chapters, one devoted to each decade. In the 1960s, Davie pays particular attention to the work of Austin Clarke, Hugh MacDiarmid, Norman McCaig, Keith Douglas, Edwin Muir, Basil Bunting (the gurus whose prose writings helped catalyze the traumatic events of 1968), Elaine Feinstein, Sylvia Townsend Warner, Philip Larkin, Charles Tomlinson, Thomas Kinsella, and Ted Hughes. The second chapter follows these figures into the new decade and explores the work of (among others) Thom Gunn, C. H. Sisson, R. S. Thomas, John Betjeman, and such themes as women's poetry, translation, poetic theory, and the later impact of T. S. Eliot and of Edward Thomas. Perhaps the most controversial chapter is the third, in which David—without abandoning the poets already introduced—assesses Geoffrey Hill, Tony Harrison, and Seamus Heaney, and looks too at the recovery of Ivor Gurney's poems, at Ted Hughes as Laureate, the posthumous work of Sylvia Townsend Warner, the burgeoning Hardy industry, and the critical writings of Kenneth Cox.
Author: Donald Davie
Publisher: University of Chicago Press
ISBN: 9780226137568
Category : Literary Criticism
Languages : en
Pages : 278
Get Book Here
Book Description
Under Briggflatts is a history of the last thirty years of British poetry with necessary excursions into other areas: criticism, philosophy, translation, and non-British English poetries. It has grown naturally out of Donald Davie's immediate involvement with new writing as a poet, reviewer, teacher, and reader. He has reassessed the writers who have most engaged his attention, revised his reviews, and supplemented earlier material with much that is new. Under Briggflatts provides a narrative that is remarkable in scope and generous in tone. By combining close readings of specific poems and more general considerations of style, form, and context, Davie's account is characteristically elegant, precise, and uncompromising. Under Briggflatts is organized in three large chapters, one devoted to each decade. In the 1960s, Davie pays particular attention to the work of Austin Clarke, Hugh MacDiarmid, Norman McCaig, Keith Douglas, Edwin Muir, Basil Bunting (the gurus whose prose writings helped catalyze the traumatic events of 1968), Elaine Feinstein, Sylvia Townsend Warner, Philip Larkin, Charles Tomlinson, Thomas Kinsella, and Ted Hughes. The second chapter follows these figures into the new decade and explores the work of (among others) Thom Gunn, C. H. Sisson, R. S. Thomas, John Betjeman, and such themes as women's poetry, translation, poetic theory, and the later impact of T. S. Eliot and of Edward Thomas. Perhaps the most controversial chapter is the third, in which David—without abandoning the poets already introduced—assesses Geoffrey Hill, Tony Harrison, and Seamus Heaney, and looks too at the recovery of Ivor Gurney's poems, at Ted Hughes as Laureate, the posthumous work of Sylvia Townsend Warner, the burgeoning Hardy industry, and the critical writings of Kenneth Cox.
Author: David Martin
Publisher: BoD – Books on Demand
ISBN: 0718895789
Category : Social Science
Languages : en
Pages : 230
Get Book Here
Book Description
David Martin was one of the world’s leading commentators on secularization theory. He was also a committed and lifelong reader of English poetry. Christianity and ‘The World’ develops Martin’s argument against simplistic secularization narratives with reference to the history of poetry, a topic with which few social theorists have been concerned. Martin shows the enduring but ever-changing centrality of Christian thought and practice, in its many different forms, to English poetry. Always mindful that the most important aspects of poetry’s history can be captured only by attending to the minutest particulars of individual poems and poets, Martin’s study sheds unexpected light on a wide range of English poets, from Spenser and Shakespeare to T.S. Eliot and Geoffrey Hill. The result is a study at once informed by an authoritative sociological perspective on secularization and richly coloured by the singular intensity of Martin’s own reading life.
Author: Jon Silkin
Publisher: Springer
ISBN: 1349253510
Category : Literary Criticism
Languages : en
Pages : 431
Get Book Here
Book Description
In a wide-ranging and compelling account of the life of metrical and free verse in the twentieth century, poet and critic Jon Silkin deepens our understanding of the way poetry works on us. He begins from the premiss that two modes of verse, free and metrical, engage the creative energies of poetry now, creating a rich, fertile environment capable of yielding work valuable to poetry itself and to the society which has given it life. With a practitioner's empathy Silkin reads the poetry of Whitman, Hopkins, Eliot, Pound, Lawrence, Dylan Thomas, Bunting and eight British poets from the post-second World War period to illustrate how free and metrical verse create, separately or together, a poetic harmony. Additionally, he includes crucial statements on modern poetry from poets themselves, concluding with a fine memoir of Basil Bunting by Connie Pickard, published in book-form for the first time.
Author: Mark Hawkins-Dady
Publisher: Routledge
ISBN: 1135314179
Category : Reference
Languages : en
Pages : 1024
Get Book Here
Book Description
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Author: Patrick Deane
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773512153
Category : Literary Criticism
Languages : en
Pages : 270
Get Book Here
Book Description
Patrick Deane argues that modern English poetry, in some key aspects, is deeply indebted to the classical tradition and, more particularly, to the attitudes and modes of the eighteenth century. He illustrates how neo-Augustan values are apparent in the works of T.S. Eliot, W.H. Auden, Louis MacNeice, A.D. Hope, Donald Davie, Charles Tomlinson, and others.
Author: Don Share
Publisher: University of Chicago Press
ISBN: 0226750701
Category : Literary Criticism
Languages : en
Pages : 225
Get Book Here
Book Description
Poetry's archives are incomparable, and to celebrate the magazine's centennial, Don Share and Christian Wilman combed them to create a new kind of anthology, energized by the self-imposed limitation of one hundred poems. Rather than attempting to be exhaustive or definitive--or even to offer the most familiar works--they have assembled a collection of poems that, in their juxtapositions, echo across a century of poetry.
Author: Ailsa Granne
Publisher: Routledge
ISBN: 1000091996
Category : Language Arts & Disciplines
Languages : en
Pages : 198
Get Book Here
Book Description
Sylvia Townsend Warner has increasingly become recognized as a significant and distinctive talent amongst twentieth-century authors. This volume explores her remarkable relationship with Valentine Ackland - her partner for forty years - by closely examining their letters and diaries alongside a selection of their other texts, in particular their poetry. This analysis reveals the crucial role their writing played in establishing, maintaining, and defending their intimacy and describes the emergence of an alternative textual world upon which they became wholly reliant. Examining how Warner and Ackland exploited the distance between their lived life and their accounts of it, gives rise to many fascinating and untold stories. Furthermore, in investigating the fluidity of the boundaries between letters, diaries and fiction this book also provides a fresh perspective on these life-writing forms. Warner and Ackland's need to speak as women, writers and lovers, shaped their texts, so that they became not simply records of events, nor acts of communication, but complex documents in which love is won and lost, myths are created, and lives are changed, as will be the perspectives of those who read this book.
Author: Clive Bloom
Publisher: Routledge
ISBN: 1317897536
Category : Literary Criticism
Languages : en
Pages : 303
Get Book Here
Book Description
British culture has changed almost beyond recognition since 1956. Angry young men have been displaced by Yuppies, Elvis by the Spice Girls, and meat and two veg by continental cuisine. What is more, as the death of Diana, Princess of Wales showed, the British are now more famous for a trembling lower lip than a stiff upper one. This volume, the last in the series, examines the transformations in literature and culture over the last forty years. An introductory essay provides a context for the following chapters by arguing that although there have been significant changes in British life, there are also profound continuities. It also discusses the rise of 'theory' and its impact on the humanities. Each essay in the volume concentrates on a facet of British culture over the last half century from painting to poetry, from the seriousness of the novel to the postmodern ironies of the computing age. What we get from this selection is not only an informed history of the relations between literature and culture but also a lively sense of cultural change, not least of which is the new found relationship between literature and other arts which ushers us into the new millennium.
Author: Ewa Panecka
Publisher: Cambridge Scholars Publishing
ISBN: 152751031X
Category : Poetry
Languages : en
Pages : 149
Get Book Here
Book Description
This study on religious experience in modern poetry features innovatory and accessible close readings of some of the most beloved authors of English verse. In today’s seemingly secular age, religion still remains a highly contested subject. The selection of texts analysed here is representative of a wide spectrum of attitudes, including a sharply critical refusal to acknowledge Christianity as the basis of civilization. Some poets see national religion as a framework for cultural identity, while others worship nature as the omnipotent Force of Life, trying to create their own gods. Rather than reducing poetry to a background for philosophical analysis or theological deliberation, this book presents diverse modes of the poetic endeavor to capture and convey the divine. The chapters provide a range of perspectives on individual experience rendered into poetry as a subtle relationship between faith, perception and language. The text will be of interest to anyone looking for new ways of reading poetry as a spiritual guest.
Author: Shamsad Mortuza
Publisher: Cambridge Scholars Publishing
ISBN: 144386594X
Category : Literary Criticism
Languages : en
Pages : 210
Get Book Here
Book Description
This genealogical study focuses on the work of five contemporary British poets in order to locate them in a counter cultural tradition that is informed by strategic responses to ‘state terrorism.’ It identifies some historical moments of ruptures, such as the persecution of the Celtic druids by the Romans, the killing of the Welsh bards by Edward I, the appropriation of bardic materials by Romantic poets writing in a post-French Revolution era, and the beatnik response to a post-World War bipolar world in order to contextualise and discuss the poets of British Poetry Revival writing under Thatcherism. Drawing on Mircea Eliade’s notion of shamanism as ‘archaic techniques of ecstasy,’ these poets have transformed Eliade’s version of the shaman’s ‘elective trauma’ and enacted a critical rejection of totalitarian tools of the state and society. Categorised as the ‘Technicians of the Sacred’ and the ‘Technicians of the Body’ these shamanic poets include Iain Sinclair, Jeremy Prynne, Brian Catling, Barry MacSweeney, and Maggie O’Sullivan. Their poetic strategy is not a New Age fad; it rather investigates and inventories the ‘hidden’ energies of past and present to wrest spirituality away from the confines of religion and politics, while embodying it in textual praxis.
