Author: Yu-Fang Cho
Publisher: SUNY Press
ISBN: 1438448996
Category : History
Languages : en
Pages : 228
Book Description
A cultural studies consideration of marriage and those considered deviant in the nineteenth-century American imagination. A radical revision of the politics of race and sexuality within racial capitalism, Uncoupling American Empire provides an original cultural genealogy of how the institutionalization of marriage shaped imagined relationships among working people who were seen as sexually deviant in nineteenth-century U.S. imperial cultures. Departing from the longstanding focus on domesticity as a middle-class white womens imaginary construct of home, nation, and empire, this book foregrounds the relationship between marriage and subjects marked by slavery, prostitution, indentured labor, and colonialism through tracing overlooked linkages among the periods fiction texts, journalistic accounts, pictorial illustrations, and missionary narratives. Yu-Fang Chos feminist intersectional approaches illuminate the complex web of social difference that uneven access to marriage has historically produced; the cumulative effects of the ironicand indeed cynicalpromise of freedom, equality, and inclusion through sexual conformity; and the central role that cultural imagination plays in forging alternative relations among minoritized subjects. I cannot state strongly enough how visionary and momentous Chos book is, and how much it will contribute to not only nineteenth-century literary studies, American studies, and ethnic studies, but also gender studies, sexuality studies, and queer theory. Grace Kyungwon Hong, UCLA This ambitious book demonstrates Yu-Fang Chos facility with feminist, transnational, and queer theory, and her great dexterity moving between literary and historical methods. The books broad conceptual strokes are equally matched by her impressive archival research and close readings. Siobhan B. Somerville, University of Illinois, Urbana-Champaign Utilizing arguably the best exemplar of a comparative and intersectional approach, Cho exposes the contradictions of the promise of freedom and emphatically calls for scholars to address the multiple and differentiated ways that subjects are positioned by U.S. imperialism across national borders. Kent A. Ono, University of Utah Uncoupling American Empire profoundly integrates a wide range of legal and social history with nuanced cultural and literary analysis. This innovative project goes well beyond the forced borrowing that characterizes much work that calls itself interdisciplinary and truly challenges the divisions of ethnic studies, gender and sexuality studies, and transnational American studies. Josephine D. Lee, University of Minnesota
Uncoupling American Empire
Author: Yu-Fang Cho
Publisher: SUNY Press
ISBN: 1438448996
Category : History
Languages : en
Pages : 228
Book Description
A cultural studies consideration of marriage and those considered deviant in the nineteenth-century American imagination. A radical revision of the politics of race and sexuality within racial capitalism, Uncoupling American Empire provides an original cultural genealogy of how the institutionalization of marriage shaped imagined relationships among working people who were seen as sexually deviant in nineteenth-century U.S. imperial cultures. Departing from the longstanding focus on domesticity as a middle-class white womens imaginary construct of home, nation, and empire, this book foregrounds the relationship between marriage and subjects marked by slavery, prostitution, indentured labor, and colonialism through tracing overlooked linkages among the periods fiction texts, journalistic accounts, pictorial illustrations, and missionary narratives. Yu-Fang Chos feminist intersectional approaches illuminate the complex web of social difference that uneven access to marriage has historically produced; the cumulative effects of the ironicand indeed cynicalpromise of freedom, equality, and inclusion through sexual conformity; and the central role that cultural imagination plays in forging alternative relations among minoritized subjects. I cannot state strongly enough how visionary and momentous Chos book is, and how much it will contribute to not only nineteenth-century literary studies, American studies, and ethnic studies, but also gender studies, sexuality studies, and queer theory. Grace Kyungwon Hong, UCLA This ambitious book demonstrates Yu-Fang Chos facility with feminist, transnational, and queer theory, and her great dexterity moving between literary and historical methods. The books broad conceptual strokes are equally matched by her impressive archival research and close readings. Siobhan B. Somerville, University of Illinois, Urbana-Champaign Utilizing arguably the best exemplar of a comparative and intersectional approach, Cho exposes the contradictions of the promise of freedom and emphatically calls for scholars to address the multiple and differentiated ways that subjects are positioned by U.S. imperialism across national borders. Kent A. Ono, University of Utah Uncoupling American Empire profoundly integrates a wide range of legal and social history with nuanced cultural and literary analysis. This innovative project goes well beyond the forced borrowing that characterizes much work that calls itself interdisciplinary and truly challenges the divisions of ethnic studies, gender and sexuality studies, and transnational American studies. Josephine D. Lee, University of Minnesota
Publisher: SUNY Press
ISBN: 1438448996
Category : History
Languages : en
Pages : 228
Book Description
A cultural studies consideration of marriage and those considered deviant in the nineteenth-century American imagination. A radical revision of the politics of race and sexuality within racial capitalism, Uncoupling American Empire provides an original cultural genealogy of how the institutionalization of marriage shaped imagined relationships among working people who were seen as sexually deviant in nineteenth-century U.S. imperial cultures. Departing from the longstanding focus on domesticity as a middle-class white womens imaginary construct of home, nation, and empire, this book foregrounds the relationship between marriage and subjects marked by slavery, prostitution, indentured labor, and colonialism through tracing overlooked linkages among the periods fiction texts, journalistic accounts, pictorial illustrations, and missionary narratives. Yu-Fang Chos feminist intersectional approaches illuminate the complex web of social difference that uneven access to marriage has historically produced; the cumulative effects of the ironicand indeed cynicalpromise of freedom, equality, and inclusion through sexual conformity; and the central role that cultural imagination plays in forging alternative relations among minoritized subjects. I cannot state strongly enough how visionary and momentous Chos book is, and how much it will contribute to not only nineteenth-century literary studies, American studies, and ethnic studies, but also gender studies, sexuality studies, and queer theory. Grace Kyungwon Hong, UCLA This ambitious book demonstrates Yu-Fang Chos facility with feminist, transnational, and queer theory, and her great dexterity moving between literary and historical methods. The books broad conceptual strokes are equally matched by her impressive archival research and close readings. Siobhan B. Somerville, University of Illinois, Urbana-Champaign Utilizing arguably the best exemplar of a comparative and intersectional approach, Cho exposes the contradictions of the promise of freedom and emphatically calls for scholars to address the multiple and differentiated ways that subjects are positioned by U.S. imperialism across national borders. Kent A. Ono, University of Utah Uncoupling American Empire profoundly integrates a wide range of legal and social history with nuanced cultural and literary analysis. This innovative project goes well beyond the forced borrowing that characterizes much work that calls itself interdisciplinary and truly challenges the divisions of ethnic studies, gender and sexuality studies, and transnational American studies. Josephine D. Lee, University of Minnesota
The Unintended
Author: Monica Huerta
Publisher: NYU Press
ISBN: 1479812404
Category : Art
Languages : en
Pages : 327
Book Description
"Through close attention to the centrality of involuntarity in pivotal nineteenth-century American court cases that created new property relations with photographs, this book offers a historically situated theory of photography in terms of expression and an archivally-supported theory of whiteness as an aesthetics of racial capitalism"--
Publisher: NYU Press
ISBN: 1479812404
Category : Art
Languages : en
Pages : 327
Book Description
"Through close attention to the centrality of involuntarity in pivotal nineteenth-century American court cases that created new property relations with photographs, this book offers a historically situated theory of photography in terms of expression and an archivally-supported theory of whiteness as an aesthetics of racial capitalism"--
American Empire
Author: A. G. Hopkins
Publisher: Princeton University Press
ISBN: 0691196877
Category : History
Languages : en
Pages : 1002
Book Description
"Compelling, provocative, and learned. This book is a stunning and sophisticated reevaluation of the American empire. Hopkins tells an old story in a truly new way--American history will never be the same again."--Jeremi Suri, author of The Impossible Presidency: The Rise and Fall of America's Highest Office.Office.
Publisher: Princeton University Press
ISBN: 0691196877
Category : History
Languages : en
Pages : 1002
Book Description
"Compelling, provocative, and learned. This book is a stunning and sophisticated reevaluation of the American empire. Hopkins tells an old story in a truly new way--American history will never be the same again."--Jeremi Suri, author of The Impossible Presidency: The Rise and Fall of America's Highest Office.Office.
Imperial Romance
Author: Su Yun Kim
Publisher: Cornell University Press
ISBN: 1501751891
Category : History
Languages : en
Pages : 140
Book Description
In Imperial Romance, Su Yun Kim argues that the idea of colonial intimacy within the Japanese empire of the early twentieth century had a far broader and more popular influence on discourse makers, social leaders, and intellectuals than previously understood. Kim investigates representations of Korean-Japanese intimate and familial relationships—including romance, marriage, and kinship—in literature, media, and cinema, alongside documents that discuss colonial policies during the Japanese protectorate period and colonial rule in Korea (1905–45). Focusing on Korean perspectives, Kim uncovers political meaning in the representation of intimacy and emotion between Koreans and Japanese portrayed in print media and films. Imperial Romance disrupts the conventional reading of colonial-period texts as the result of either coercion or the disavowal of colonialism, thereby expanding our understanding of colonial writing practices. The theme of intermarriage gave elite Korean writers and cultural producers opportunities to question their complicity with imperialism. Their fictions challenged expected colonial boundaries, creating tensions in identity and hierarchy, and also in narratives of the linear developmental trajectory of modernity. Examining a broad range of writings and films from this period, Imperial Romance maps the colonized subjects' fascination with their colonizers and with moments that allowed them to become active participants in and agents of Japanese and global imperialism.
Publisher: Cornell University Press
ISBN: 1501751891
Category : History
Languages : en
Pages : 140
Book Description
In Imperial Romance, Su Yun Kim argues that the idea of colonial intimacy within the Japanese empire of the early twentieth century had a far broader and more popular influence on discourse makers, social leaders, and intellectuals than previously understood. Kim investigates representations of Korean-Japanese intimate and familial relationships—including romance, marriage, and kinship—in literature, media, and cinema, alongside documents that discuss colonial policies during the Japanese protectorate period and colonial rule in Korea (1905–45). Focusing on Korean perspectives, Kim uncovers political meaning in the representation of intimacy and emotion between Koreans and Japanese portrayed in print media and films. Imperial Romance disrupts the conventional reading of colonial-period texts as the result of either coercion or the disavowal of colonialism, thereby expanding our understanding of colonial writing practices. The theme of intermarriage gave elite Korean writers and cultural producers opportunities to question their complicity with imperialism. Their fictions challenged expected colonial boundaries, creating tensions in identity and hierarchy, and also in narratives of the linear developmental trajectory of modernity. Examining a broad range of writings and films from this period, Imperial Romance maps the colonized subjects' fascination with their colonizers and with moments that allowed them to become active participants in and agents of Japanese and global imperialism.
Transpacific Attachments
Author: Lily Wong
Publisher: Columbia University Press
ISBN: 023154488X
Category : Art
Languages : en
Pages : 223
Book Description
The figure of the Chinese sex worker—who provokes both disdain and desire—has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their tales clarify the boundaries of citizenship, nationalism, and internationalism. In Transpacific Attachments, Lily Wong studies the mobility and mobilization of the sex worker figure through transpacific media networks, illuminating the intersectional politics of racial, sexual, and class structures. Transpacific Attachments examines shifting depictions of Chinese sex workers in popular media—from literature to film to new media—that have circulated within the United States, China, and Sinophone communities from the early twentieth century to the present. Wong explores Asian American writers’ articulation of transnational belonging; early Hollywood’s depiction of Chinese women as parasitic prostitutes and Chinese cinema’s reframing the figure as a call for reform; Cold War–era use of prostitute and courtesan metaphors to question nationalist narratives and heteronormativity; and images of immigrant brides against the backdrop of neoliberalism and the flows of transnational capital. She focuses on the transpacific networks that reconfigure Chineseness, complicating a diasporic framework of cultural authenticity. While imaginations of a global community have long been mobilized through romantic, erotic, and gendered representations, Wong stresses the significant role sex work plays in the constant restructuring of social relations. “Chineseness,” the figure of the sex worker shows, is an affective product as much as an ethnic or cultural signifier.
Publisher: Columbia University Press
ISBN: 023154488X
Category : Art
Languages : en
Pages : 223
Book Description
The figure of the Chinese sex worker—who provokes both disdain and desire—has become a trope for both Asian American sexuality and Asian modernity. Lingering in the cultural imagination, sex workers link sexual and cultural marginality, and their tales clarify the boundaries of citizenship, nationalism, and internationalism. In Transpacific Attachments, Lily Wong studies the mobility and mobilization of the sex worker figure through transpacific media networks, illuminating the intersectional politics of racial, sexual, and class structures. Transpacific Attachments examines shifting depictions of Chinese sex workers in popular media—from literature to film to new media—that have circulated within the United States, China, and Sinophone communities from the early twentieth century to the present. Wong explores Asian American writers’ articulation of transnational belonging; early Hollywood’s depiction of Chinese women as parasitic prostitutes and Chinese cinema’s reframing the figure as a call for reform; Cold War–era use of prostitute and courtesan metaphors to question nationalist narratives and heteronormativity; and images of immigrant brides against the backdrop of neoliberalism and the flows of transnational capital. She focuses on the transpacific networks that reconfigure Chineseness, complicating a diasporic framework of cultural authenticity. While imaginations of a global community have long been mobilized through romantic, erotic, and gendered representations, Wong stresses the significant role sex work plays in the constant restructuring of social relations. “Chineseness,” the figure of the sex worker shows, is an affective product as much as an ethnic or cultural signifier.
Bolivar
Author: Marie Arana
Publisher: Simon and Schuster
ISBN: 1439110204
Category : Biography & Autobiography
Languages : en
Pages : 624
Book Description
An authoritative portrait of the Latin-American warrior-statesman examines his life against a backdrop of the tensions of nineteenth-century South America, covering his achievements as a strategist, abolitionist, and diplomat.
Publisher: Simon and Schuster
ISBN: 1439110204
Category : Biography & Autobiography
Languages : en
Pages : 624
Book Description
An authoritative portrait of the Latin-American warrior-statesman examines his life against a backdrop of the tensions of nineteenth-century South America, covering his achievements as a strategist, abolitionist, and diplomat.
African American Literature in Transition, 1900–1910: Volume 7
Author: Shirley Moody-Turner
Publisher: Cambridge University Press
ISBN: 1108386571
Category : Literary Criticism
Languages : en
Pages : 654
Book Description
African American Literature in Transition, 1900–1910 offers a wide ranging, multi-disciplinary approach to early twentieth century African American literature and culture. It showcases the literary and cultural productions that took shape in the critical years after Reconstruction, but before the Harlem Renaissance, the period known as the nadir of African American history. It undercovers the dynamic work being done by Black authors, painters, photographers, poets, editors, boxers, and entertainers to shape 'New Negro' identities and to chart a new path for a new century. The book is structured into four key areas: Black publishing and print culture; innovations in genre and form; the race, class and gender politics of literary and cultural production; and new geographies of Black literary history. These overarching themes, along with the introduction of established figures and movement, alongside lesser known texts and original research, offer a radical re-conceptualization of this critical, but understudied period in African American literary history.
Publisher: Cambridge University Press
ISBN: 1108386571
Category : Literary Criticism
Languages : en
Pages : 654
Book Description
African American Literature in Transition, 1900–1910 offers a wide ranging, multi-disciplinary approach to early twentieth century African American literature and culture. It showcases the literary and cultural productions that took shape in the critical years after Reconstruction, but before the Harlem Renaissance, the period known as the nadir of African American history. It undercovers the dynamic work being done by Black authors, painters, photographers, poets, editors, boxers, and entertainers to shape 'New Negro' identities and to chart a new path for a new century. The book is structured into four key areas: Black publishing and print culture; innovations in genre and form; the race, class and gender politics of literary and cultural production; and new geographies of Black literary history. These overarching themes, along with the introduction of established figures and movement, alongside lesser known texts and original research, offer a radical re-conceptualization of this critical, but understudied period in African American literary history.
Becoming Sui Sin Far
Author: Mary Chapman
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773599134
Category : Literary Collections
Languages : en
Pages : 351
Book Description
When her 1912 story collection, Mrs. Spring Fragrance, was rescued from obscurity in the 1990s, scholars were quick to celebrate Sui Sin Far as a pioneering chronicler of Asian American Chinatowns. Newly discovered works, however, reveal that Edith Eaton (1865–1914) published on a wide variety of subjects – and under numerous pseudonyms – in Canada and Jamaica for a decade before she began writing Chinatown fiction signed “Sui Sin Far” for US magazines. Born in England to a Chinese mother and a British father, and raised in Montreal, Edith Eaton is a complex transnational writer whose expanded oeuvre demands reconsideration. Becoming Sui Sin Far collects and contextualizes seventy of Eaton’s early works, most of which have not been republished since they first appeared in turn-of-the-century periodicals. These works of fiction and journalism, in diverse styles and from a variety of perspectives, document Eaton’s early career as a short story writer, “stunt-girl” journalist, ethnographer, political commentator, and travel writer. Showcasing her playful humour, savage wit, and deep sympathy, the texts included in this volume assert a significant place for Eaton in North American literary history. Mary Chapman’s introduction provides an insightful and readable overview of Eaton’s transnational career. The volume also includes an expanded bibliography that lists over two hundred and sixty works attributed to Eaton, a detailed biographical timeline, and a newly discovered interview with Eaton from the year in which she first adopted the orientalist pseudonym for which she is best known. Becoming Sui Sin Far significantly expands our understanding of the themes and topics that defined Eaton’s oeuvre and will interest scholars and students of Canadian, American, Asian North American, and ethnic literatures and history.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773599134
Category : Literary Collections
Languages : en
Pages : 351
Book Description
When her 1912 story collection, Mrs. Spring Fragrance, was rescued from obscurity in the 1990s, scholars were quick to celebrate Sui Sin Far as a pioneering chronicler of Asian American Chinatowns. Newly discovered works, however, reveal that Edith Eaton (1865–1914) published on a wide variety of subjects – and under numerous pseudonyms – in Canada and Jamaica for a decade before she began writing Chinatown fiction signed “Sui Sin Far” for US magazines. Born in England to a Chinese mother and a British father, and raised in Montreal, Edith Eaton is a complex transnational writer whose expanded oeuvre demands reconsideration. Becoming Sui Sin Far collects and contextualizes seventy of Eaton’s early works, most of which have not been republished since they first appeared in turn-of-the-century periodicals. These works of fiction and journalism, in diverse styles and from a variety of perspectives, document Eaton’s early career as a short story writer, “stunt-girl” journalist, ethnographer, political commentator, and travel writer. Showcasing her playful humour, savage wit, and deep sympathy, the texts included in this volume assert a significant place for Eaton in North American literary history. Mary Chapman’s introduction provides an insightful and readable overview of Eaton’s transnational career. The volume also includes an expanded bibliography that lists over two hundred and sixty works attributed to Eaton, a detailed biographical timeline, and a newly discovered interview with Eaton from the year in which she first adopted the orientalist pseudonym for which she is best known. Becoming Sui Sin Far significantly expands our understanding of the themes and topics that defined Eaton’s oeuvre and will interest scholars and students of Canadian, American, Asian North American, and ethnic literatures and history.
The Routledge Handbook of Asian American Studies
Author: Cindy I-Fen Cheng
Publisher: Routledge
ISBN: 131781391X
Category : Social Science
Languages : en
Pages : 767
Book Description
The Routledge Handbook of Asian American Studies brings together leading scholars and scholarship to capture the state of the field of Asian American Studies, as a generation of researchers have expanded the field with new paradigms and methodological tools. Inviting readers to consider new understandings of the historical work done in the past decades and the place of Asian Americans in a larger global context, this ground-breaking volume illuminates how research in the field of Asian American Studies has progressed. Previous work in the field has focused on establishing a place for Asian Americans within American history. This volume engages more contemporary research, which draws on new archives, art, literature, film, and music, to examine how Asian Americans are redefining their national identities, and to show how race interacts with gender, sexuality, class, and the built environment, to reveal the diversity of the United States. Organized into five parts, and addressing a multitude of interdisciplinary areas of interest to Asian American scholars, it covers: • a reframing of key themes such as transnationality, postcolonialism, and critical race theory • U.S. imperialism and its impact on Asian Americans • war and displacement • the garment industry • Asian Americans and sports • race and the built environment • social change and political participation • and many more themes. Exploring people, practice, politics, and places, this cutting-edge volume brings together the best themes current in Asian American Studies today, and is a vital reference for all researchers in the field.
Publisher: Routledge
ISBN: 131781391X
Category : Social Science
Languages : en
Pages : 767
Book Description
The Routledge Handbook of Asian American Studies brings together leading scholars and scholarship to capture the state of the field of Asian American Studies, as a generation of researchers have expanded the field with new paradigms and methodological tools. Inviting readers to consider new understandings of the historical work done in the past decades and the place of Asian Americans in a larger global context, this ground-breaking volume illuminates how research in the field of Asian American Studies has progressed. Previous work in the field has focused on establishing a place for Asian Americans within American history. This volume engages more contemporary research, which draws on new archives, art, literature, film, and music, to examine how Asian Americans are redefining their national identities, and to show how race interacts with gender, sexuality, class, and the built environment, to reveal the diversity of the United States. Organized into five parts, and addressing a multitude of interdisciplinary areas of interest to Asian American scholars, it covers: • a reframing of key themes such as transnationality, postcolonialism, and critical race theory • U.S. imperialism and its impact on Asian Americans • war and displacement • the garment industry • Asian Americans and sports • race and the built environment • social change and political participation • and many more themes. Exploring people, practice, politics, and places, this cutting-edge volume brings together the best themes current in Asian American Studies today, and is a vital reference for all researchers in the field.
The Peculiar Afterlife of Slavery
Author: Caroline H. Yang
Publisher: Stanford University Press
ISBN: 1503612066
Category : Literary Criticism
Languages : en
Pages : 376
Book Description
The Peculiar Afterlife of Slavery explores how antiblack racism lived on through the figure of the Chinese worker in US literature after emancipation. Drawing out the connections between this liminal figure and the formal aesthetics of blackface minstrelsy in literature of the Reconstruction and post-Reconstruction eras, Caroline H. Yang reveals the ways antiblackness structured US cultural production during a crucial moment of reconstructing and re-narrating US empire after the Civil War. Examining texts by major American writers in the late nineteenth and early twentieth centuries—including Harriet Beecher Stowe, Bret Harte, Mark Twain, Ambrose Bierce, Sui Sin Far, and Charles Chesnutt—Yang traces the intertwined histories of blackface minstrelsy and Chinese labor. Her bold rereading of these authors' contradictory positions on race and labor sees the figure of the Chinese worker as both hiding and making visible the legacy of slavery and antiblackness. Ultimately, The Peculiar Afterlife of Slavery shows how the Chinese worker manifests the inextricable links between US literature, slavery, and empire, as well as the indispensable role of antiblackness as a cultural form in the United States.
Publisher: Stanford University Press
ISBN: 1503612066
Category : Literary Criticism
Languages : en
Pages : 376
Book Description
The Peculiar Afterlife of Slavery explores how antiblack racism lived on through the figure of the Chinese worker in US literature after emancipation. Drawing out the connections between this liminal figure and the formal aesthetics of blackface minstrelsy in literature of the Reconstruction and post-Reconstruction eras, Caroline H. Yang reveals the ways antiblackness structured US cultural production during a crucial moment of reconstructing and re-narrating US empire after the Civil War. Examining texts by major American writers in the late nineteenth and early twentieth centuries—including Harriet Beecher Stowe, Bret Harte, Mark Twain, Ambrose Bierce, Sui Sin Far, and Charles Chesnutt—Yang traces the intertwined histories of blackface minstrelsy and Chinese labor. Her bold rereading of these authors' contradictory positions on race and labor sees the figure of the Chinese worker as both hiding and making visible the legacy of slavery and antiblackness. Ultimately, The Peculiar Afterlife of Slavery shows how the Chinese worker manifests the inextricable links between US literature, slavery, and empire, as well as the indispensable role of antiblackness as a cultural form in the United States.