Romanticism and Gender PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Romanticism and Gender PDF full book. Access full book title Romanticism and Gender by Anne K. Mellor. Download full books in PDF and EPUB format.
Author: Anne K. Mellor
Publisher: Routledge
ISBN: 1136040382
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
Taking twenty women writers of the Romantic period, Romanticism and Gender explores a neglected period of the female literary tradition, and for the first time gives a broad overview of Romantic literature from a feminist perspective.
Author: Anne K. Mellor
Publisher: Routledge
ISBN: 1136040382
Category : Literary Criticism
Languages : en
Pages : 292
Get Book Here
Book Description
Taking twenty women writers of the Romantic period, Romanticism and Gender explores a neglected period of the female literary tradition, and for the first time gives a broad overview of Romantic literature from a feminist perspective.
Author: Sara Emilie Guyer
Publisher: Stanford University Press
ISBN: 9780804755245
Category : Literary Criticism
Languages : en
Pages : 392
Get Book Here
Book Description
Romanticism After Auschwitz reveals how one of the most insistently anti-romantic discourses, post-Holocaust testimony, remains romantic, and proceeds to show how this insight compels a thorough rethinking of romanticism.
Author: Cynthia Chase
Publisher: Routledge
ISBN: 1317900081
Category : Literary Criticism
Languages : en
Pages : 294
Get Book Here
Book Description
The essays in this volume have all been carefully chosen by Cynthia Chase to exemplify the most important strands in contemporary critical thought on Romantic literature, in particular the best of recent feminist, deconstructive, and new historicist writing. They include contributions from critics such as Paul de Man, Mary Jacobus, Marjorie Levinson and Jerome Christensen. The collection, with its substantial introduction and judicious selection of key work, explains the significance of recent critical debate by relating it to fundamental critical questions that define Romanticism. Through the course of their analyses the essays offer answers to perhaps the most essential question posed by the Romantic period: what is the role of language in history?
Author: Zachary Sng
Publisher: Fordham University Press
ISBN: 0823288420
Category : Literary Criticism
Languages : en
Pages : 225
Get Book Here
Book Description
Romanticism is often understood as an age of extremes, yet it also marks the birth of the modern medium in all senses of the word. Engaging with key texts of the romantic period, the book outlines a wide-reaching project to re-imagine the middle as a constitutive principle. Sng argues that Romanticism dislodges such terms as medium, moderation, and mediation from serving as mere self-evident tools that conduct from one pole to another. Instead, they offer a dwelling in and with the middle: an attention to intervals, interstices, and gaps that make these terms central to modern understandings of relation.
Author: Paul Hamilton
Publisher: Cambridge University Press
ISBN: 1009268244
Category : Literary Criticism
Languages : en
Pages : 321
Get Book Here
Book Description
Exploring the experiments in individual and national self-consciousness conducted during the Romantic period, this essential comparative study of European literature, philosophy and politics makes original and often surprising connections and contrasts to reveal how personal and social identities were re-orientated and disorientated from the French Revolution onwards. Reviving a contested moment in the history of aesthetic theory, this study shows how the growing awareness of irresolution in Kant's third Kritik allowed Romantic writers to put the aesthetic to radical uses not envisaged by its parent philosophy. It also recounts how they would go on to force philosophy to revise received notions of authority, empowering women and subordinated ethnic groups to re-orientate existing hierarchies. The sheer range and variety of writers covered is testament both to the breadth of writing that Kant's philosophy so rashly legitimated and to the wider importance of philosophy to the understanding of Romantic literature.
Author: Justin Clemens
Publisher: Routledge
ISBN: 1351882406
Category : Literary Criticism
Languages : en
Pages : 358
Get Book Here
Book Description
Using Phillipe Lacoue-Labarthe and Jean-Luc Nancy's groundbreaking study of the persistence of German Idealist philosophy as his starting point, Justin Clemens presents a valuable study of the links between Romanticism and contemporary theory. The central contention of this book is that contemporary theory is still essentially Romantic - despite all its declarations to the contrary, and despite all its attempts to elude or exceed the limits bequeathed it by Romantic thought. The argument focuses on the ruses of 'Romanticism's indefinable character' under two main rubrics, 'Contexts' and 'Interventions'. The first three chapters investigate 'Contexts', examining some of the broad trends in the historical and institutional development of Romantic criticism; the second section, 'Interventions', comprises close readings of the work of Jacques Lacan, Gilles Deleuze and Félix Guattari, Eve Kosofsky Sedgwick, Ian Hunter and Alain Badiou. In the first chapter Clemens identifies and traces the development of two interlocking recurrent themes in Romantic criticism: the Romantic desire to escape Romanticism, and the problem posed to aesthetico-philosophical thought by the modern domiciliation of philosophy in the university. He develops these themes in the second chapter by examining the link forged between aesthetics and the subject in the work of Immanuel Kant. In the third chapter, Clemens shows how the Romantic problems of the academic institution and aesthetics were effectively bound together by the philosophical diagnosis of nihilism. Chapter Four focuses on two key moments in the work of Jacques Lacan - his theory of the 'mirror stage' and his 'formulas of sexuation' - and demonstrates how Lacan returns to the grounding claims of Kantian aesthetics in such a way as to render him complicit with the Romantic thought he often seems to contest. In the following chapter, taking Deleuze and Guattari's notion of 'multiplicity' as a guiding thread, Clemens links their account to their professed 'anti-Platonism', showing how they find themselves forced back onto emblematically Romantic arguments. Chapter Six provides a close reading of Sedgwick's most influential text, Epistemology of the Closet. Clemens' reading localizes her practice both in the newly consolidated academic field of 'Queer Theory' and in a conceptual genealogy whose roots can be traced back to a particular anti-Enlightenment strain of Romanticism. Clemens next turns to the professedly anti-Romantic arguments of Ian Hunter, a major figure in the ongoing re-writing of modern histories of education. In the final chapter he examines the work of the contemporary French philosopher Alain Badiou. Clemens argues that, if Badiou's hostility to the diagnosis of nihilism, his return to Plato and mathematics, and his expulsion of poetry from philosophical method, all place him at a genuine distance from dominant Romantic trends, even this attempt admits ciphered Romantic elements. This study will be of interest to literary theorists, philosophers, political theorists, and cultural studies scholars.
Author: Christopher Bundock
Publisher: University of Toronto Press
ISBN: 1442630728
Category : Literary Criticism
Languages : en
Pages : 286
Get Book Here
Book Description
Romantic writers invoked prophecy throughout their work. However, the failure of prophecy to materialize didn’t deter them. Why then do Romantic writers repeatedly invoke prophecy when it never works? The answer to this question is at the heart of Romantic Prophecy and the Resistance to Historicism. In this remarkably erudite work, Christopher Bundock argues that the repeated failure of prophecy in Romantic thought is creative and enables a renewable potential for expression across disciplines. By focusing on new readings of canonical Romantic authors as well as their more obscure works, Bundock makes a bold intervention into major concepts such as Romantic imagination, historicity, and mediation. Romantic Prophecy and the Resistance to Historicism glides across Kant’s Swedenborgian dreams to Mary Shelley’s Last Man and reveals how Romanticism reinvents history by turning prophecy inside out.
Author: Angela Esterhammer
Publisher: Stanford University Press
ISBN: 9780804780148
Category : Literary Criticism
Languages : en
Pages : 396
Get Book Here
Book Description
"The Romantic Performative" develops a new context and methodology for reading Romantic literature by exploring philosophies of language from the period 1785-1835. It reveals that the concept of the performative, debated by twentieth-century theorists from J. L. Austin to Judith Butler, has a much greater relevance for Romantic literature than has been realized, since Romantic philosophy of language was dominated by the idea that something "happens" when words are spoken. By presenting Romantic philosophy as a theory of the performative, and Romantic literature in terms of that theory, this book uncovers the historical roots of twentieth-century ideas about speech acts and performativity. Romantic linguistic philosophy already focused on the relationship between speaker and hearer, describing speech as an act that establishes both subjectivity and intersubjective relations and theorizing reality as a verbal construct. But Romantic theorists considered utterance, the context of utterance, and the positions and identities of speaker and hearer to be much more fluid and less stable than modern analytic philosophers tend to make them. Romantic theories of language therefore yield a definition of the "Romantic performative" as an utterance that creates an object in the world, instantiates the relationship between speaker and hearer, and even founds the subjectivity of the speaker in the moment when the utterance occurs. The author traces the Romantic performative through its diverse development in the moral, political, and legal philosophy of Reid, Bentham, Kant and the German Idealists, Humboldt, and Coleridge, then explores its significance in literary texts by Coleridge, Godwin, Holderlin, and Kleist. These readings demonstrate that Romantic writers mounted a deeper investigation than previously realized into the way the act of speaking generates subjective identity, intersubjective relations, and even objective reality. The project of the book is to read the language of Romanticism as performative and to recognize among its achievements the historical founding of the discourse of performativity itself.
Author: Patricia Anne Simpson
Publisher: Bucknell University Press
ISBN: 9780838756621
Category : Art
Languages : en
Pages : 302
Get Book Here
Book Description
In The Erotics of War in German Romanticism, Patricia Anne Simpson explores the ways early nineteenth-century German philosophers, poets, and artists represent war and erotic desire. The author argues that gender is connected to a larger debate about the construction of the self in relation to a community at a time that this definition is under revision. She analyzes the culture of war as it shapes the bonds of fraternal, familial, and eventually national identity. Simpson defines the erotics of war as discursive attempts to assert the priority of ethical identity and citizenship over individualized desire. The seemingly ancillary problem of female desire emerges not as a marginal issue, but as the focal point of a debate about identity.
Author: C. Mahoney
Publisher: Springer
ISBN: 0230597629
Category : Literary Criticism
Languages : en
Pages : 277
Get Book Here
Book Description
Romantics and Renegades examines the abiding crux of romantic criticism: the political apostasies of the Lake poets (Wordsworth, Coleridge, and Southey) as they renounced the revolutionary Jacobinism of their youth in the 1790s in order to claim the high ground of Regency Toryism in the 1810s. Central to this scandal is the figure of William Hazlitt, the literary critic who policed their betrayals in his vigilant exposure of their political and poetical inconsistencies. Mahoney's analysis provides new insight into this abiding critical riddle through close historical and figural readings of the rhetoric of romantic apostasy.
