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Author:
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 158
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Book Description
Author:
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages : 158
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Book Description
Author: Harriet Beecher Stowe
Publisher:
ISBN:
Category : African Americans
Languages : en
Pages : 342
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Book Description
Author: Josiah Henson
Publisher: Boston : J.P. Jewett ; Cleveland : H.P.B. Jewett
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 240
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Book Description
Father Henson's Story of His Own Life is an autobiographical account of the life of Josiah Henson, an African American man who was born into slavery in Maryland in the late 18th century. Henson's story is a testament to the resilience and strength of the human spirit in the face of adversity. Despite being subjected to the cruelty of slavery, Henson was able to escape and establish himself as a respected member of the free black community in Canada. The book chronicles Henson's life from his early years as a slave on a plantation to his eventual escape to freedom. Along the way, Henson describes the various hardships he faced, including the separation from his family, the brutal treatment of his fellow slaves, and the constant threat of violence from his white masters. Despite these challenges, Henson was able to maintain his faith and his determination to be free.Henson's story is also a valuable historical document that sheds light on the realities of slavery in the United States. Through his vivid descriptions of plantation life, Henson gives readers a glimpse into the brutal and dehumanizing nature of the institution. He also provides insight into the various strategies that slaves used to resist their oppressors, including acts of rebellion and escape.Overall, Father Henson's Story of His Own Life is a powerful and inspiring account of one man's journey from slavery to freedom. It is a testament to the resilience and strength of the human spirit, and a valuable historical document that sheds light on the realities of slavery in the United States.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Author: Tracy C. Davis
Publisher: University of Michigan Press
ISBN: 0472037765
Category : Performing Arts
Languages : en
Pages : 415
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Book Description
As Harriet Beecher Stowe’s novel Uncle Tom’s Cabin traveled around the world, it was molded by the imaginations and needs of international audiences. For over 150 years it has been coopted for a dazzling array of causes far from what its author envisioned. This book tells thirteen variants of Uncle Tom’s journey, explicating the novel’s significance for Canadian abolitionists and the Liberian political elite that constituted the runaway characters’ landing points; nineteenth-century French theatergoers; liberal Cuban, Romanian, and Spanish intellectuals and social reformers; Dutch colonizers and Filipino nationalists in Southeast Asia; Eastern European Cold War communists; Muslim readers and spectators in the Middle East; Brazilian television audiences; and twentieth-century German holidaymakers. Throughout these encounters, Stowe’s story of American slavery serves as a paradigm for understanding oppression, selectively and strategically refracting the African American slave onto other iconic victims and freedom fighters. The book brings together performance historians, literary critics, and media theorists to demonstrate how the myriad cultural and political effects of Stowe’s enduring story has transformed it into a global metanarrative with national, regional, and local specificity.
Author: Rebecca Carroll
Publisher: Crown
ISBN: 0307419533
Category : Biography & Autobiography
Languages : en
Pages : 512
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Book Description
On the ninetieth anniversary of Booker T. Washington’s death comes a passionate, provocative dialogue on his complicated legacy, including the complete text of his classic autobiography, Up from Slavery. Booker T. Washington was born a slave in 1858, yet roughly forty years later he had established the Tuskegee Institute. Befriended by a U.S. president and corporate titans, beloved and reviled by the black community, Washington was one of the most influential voices on the postslavery scene. But Washington’s message of gradual accommodation was accepted by some and rejected by others, and, almost a century after his death, he is still one of the most controversial and misunderstood characters in American history. Uncle Tom or New Negro? does much more than provide yet another critical edition of Washington’s memoirs. Instead, Carroll has interviewed an outstanding array of African American luminaries including Julianne Malveaux, cultural critics Debra Dickerson and John McWhorter, and Pulitzer Prize–winning journalist and radio talk-show host Karen Hunter, among others. In a dazzling collection bursting with invigorating and varying perspectives, (e.g. What would Booker T. think of Sean Combs or Russell Simmons? Was Washington a “tragic buffoon” or “a giver of hope to those on the margins of the margins”?) this cutting-edge book allows you to reach your own conclusions about a controversial and perhaps ultimately enigmatic figure.
Author: Linda Williams
Publisher: Princeton University Press
ISBN: 0691201331
Category : Performing Arts
Languages : en
Pages : 419
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Book Description
The black man suffering at the hands of whites, the white woman sexually threatened by the black man. Both images have long been burned into the American conscience through popular entertainment, and today they exert a powerful and disturbing influence on Americans' understanding of race. So argues Linda Williams in this boldly inquisitive book, where she probes the bitterly divisive racial sentiments aroused by such recent events as O. J. Simpson's criminal trial. Williams, the author of Hard Core, explores how these images took root, beginning with melodramatic theater, where suffering characters acquire virtue through victimization. The racial sympathies and hostilities that surfaced during the trial of the police in the beating of Rodney King and in the O. J. Simpson murder trial are grounded in the melodramatic forms of Uncle Tom's Cabin and The Birth of a Nation. Williams finds that Stowe's beaten black man and Griffith's endangered white woman appear repeatedly throughout popular entertainment, promoting interracial understanding at one moment, interracial hate at another. The black and white racial melodrama has galvanized emotions and fueled the importance of new media forms, such as serious, "integrated" musicals of stage and film, including The Jazz Singer and Show Boat. It also helped create a major event out of the movie Gone With the Wind, while enabling television to assume new moral purpose with the broadcast of Roots. Williams demonstrates how such developments converged to make the televised race trial a form of national entertainment. When prosecutor Christopher Darden accused Simpson's defense team of "playing the race card," which ultimately trumped his own team's gender card, he feared that the jury's sympathy for a targeted black man would be at the expense of the abused white wife. The jury's verdict, Williams concludes, was determined not so much by facts as by the cultural forces of racial melodrama long in the making. Revealing melodrama to be a key element in American culture, Williams argues that the race images it has promoted are deeply ingrained in our minds and that there can be no honest discussion about race until Americans recognize this predicament.
Author: Lisa Cramer
Publisher: GRIN Verlag
ISBN: 3656688834
Category : Literary Collections
Languages : en
Pages : 20
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Book Description
Document from the year 2014 in the subject American Studies - Literature, grade: 1,3, University of Mannheim (Anglistisches Seminar, International Cultural Studies), course: Sugar: Culture of Capitalism and Slavery, language: English, abstract: Uncle Tom’s Cabin is the most influential literary work with regard to the discussion of slavery of the 18th and 19th century America. In her novel, Harriet Beecher Stowe aims to draw society’s attention to the inhumanity of its system with the help of the novel’s protagonist, Uncle Tom, and various other characters, both black and white. In so doing, she presents different types of femininity and masculinity which help to point out the nature of the system of slavery. Generally speaking, women in Beecher Stowe’s work present abolitionist ideas stating the evil of the system whereas the depiction of male characters is more complex. This paper seeks to examine the types of masculinity in Uncle Tom’s Cabin, distinguishing between good and bad, black and white masculinity embodied in the characterization of the characters. Masculinity has always been associated with physical strength and muscles, toughness and power but most of all courage. This paper, however, will not only address masculinity as such but will also show that masculinity is courage by softness and religious faith. Harriet Beecher Stowe disguises variations of masculinity in her characters: Bad white masculinity is depicted in the behavior of the plantation owner Simon Legree in contrast to the Kentuckian Mr. Shelby and Mr. Augustine St. Clare from New Orleans who imply good white masculinity. The latter two may depict an intermediate position between bad white and black masculinity presented by the slaves Uncle Tom and George Harris. Since Uncle Tom’s Cabin is considered to be a novel in favor of the abolition of slavery, black masculinity is unlikely to be presented badly. This paper therefore focuses on the above-mentioned characters and how they present different types of masculinity, also in relation to how they treat other human beings.
Author: David S Reynolds
Publisher: WW Norton
ISBN: 9780393342352
Category : History
Languages : en
Pages : 0
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Book Description
“Fascinating . . . a lively and perceptive cultural history.” —Annette Gordon-Reed, The New Yorker In this wide-ranging, brilliantly researched work, David S. Reynolds traces the factors that made Uncle Tom’s Cabin the most influential novel ever written by an American. Upon its 1852 publication, the novel’s vivid depiction of slavery polarized its American readership, ultimately widening the rift that led to the Civil War. Reynolds also charts the novel’s afterlife—including its adaptation into plays, films, and consumer goods—revealing its lasting impact on American entertainment, advertising, and race relations.
Author: Amelia Jones
Publisher: Routledge
ISBN: 1134655932
Category : Performing Arts
Languages : en
Pages : 322
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Book Description
This book explores the new performativity in art theory and practice, examining ways of rethinking interpretive processes in visual culture. Since the 1960s, visual art practices - from body art to minimalism - have taken contemporary art outside the museum and gallery; by embracing theatricality and performance and exploding the boundaries set by traditional art criticism. The contributors argue that interpretation needs to be recognised as much more dynamic and contingent. Offering its own performance script, and embracing both canonical fine artists such as Manet, De Kooning and Jasper Johns, and performance artists such as Vito Acconci and Gunter Brus, this book offers radical re-readings of art works and points confidently towards new models for understanding art.
Author: Adena Spingarn
Publisher:
ISBN: 9781503630628
Category :
Languages : en
Pages : 272
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Book Description
