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Author: Ulla von Brandenburg
Publisher: Art Book Magazine Distribution
ISBN: 2847111182
Category : Art
Languages : en
Pages : 116
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Book Description
From a background rich in literature and the history of arts and architecture—as well as psychoanalysis, spiritism and magic—Ulla von Brandenburg explores the shaping of our social constructs with borrowings from theatrical codes and mechanisms, together with esoteric rituals and popular ceremonies. For her exhibition at the Palais de Tokyo she has conceived a total, constantly evolving project inspired by the theatre, its imaginary realm and its conventions. With ritual as her starting point, she invites the public to experience an immersive reinterpretation of the themes, forms and motifs—including movement, the stage, colour, music and textiles—that fuel her oeuvre. Book published on the occasion of Ulla von Brandenburg’s solo exhibition at the Palais de Tokyo, 21.02 – 13.09.2020
Author: Ulla von Brandenburg
Publisher: Art Book Magazine Distribution
ISBN: 2847111182
Category : Art
Languages : en
Pages : 116
Get Book Here
Book Description
From a background rich in literature and the history of arts and architecture—as well as psychoanalysis, spiritism and magic—Ulla von Brandenburg explores the shaping of our social constructs with borrowings from theatrical codes and mechanisms, together with esoteric rituals and popular ceremonies. For her exhibition at the Palais de Tokyo she has conceived a total, constantly evolving project inspired by the theatre, its imaginary realm and its conventions. With ritual as her starting point, she invites the public to experience an immersive reinterpretation of the themes, forms and motifs—including movement, the stage, colour, music and textiles—that fuel her oeuvre. Book published on the occasion of Ulla von Brandenburg’s solo exhibition at the Palais de Tokyo, 21.02 – 13.09.2020
Author: Andrea Andersson
Publisher: Siglio Press
ISBN: 9781938221224
Category : Art
Languages : en
Pages : 124
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Book Description
In 1960 George Heard Hamilton published the first complete typographic translation of Duchamp's Green Box in English. This landmark publication translated Duchamp's notes and conceptual ambitions for his masterwork, The Bride Stripped Bare by Her Bachelors, Even. And as a book, designed to hinge at its binding, the work fulfilled Duchamp's conceptual proposal for art that would move from two- into three-dimensional space. Hinge Pictures is an artist's book in eight parts--a gorgeous, palimpsestual publication that layers the practices of Sarah Crowner, Julia Dault, Leslie Hewitt, Tomashi Jackson, Erin Shirreff, Ulla von Brandenburg, Adriana Varejão and Claudia Wieser over the pages of Duchamp's imagination. It is also a companion publication to an exhibition in eight parts, a confrontation with the patrimony of European modernism. A literal reading of Duchamp positions the Bride, a nude woman, suspended above a host of ogling bachelors. In his writing, Duchamp narrates both social and physical constraint ("The Bride accepts this stripping...") and formal liberation ("discover true form...develop the principle of the hinge."). The artists of Hinge Pictures use formal constraint--a commitment to abstraction--in a demonstration of social liberation. With a Swiss binding that unveils the spine of the book and multiple vellum overlays that create layered interlocutions, the book's physical qualities mirror its conceptual occupations.
Author: Ulla von Brandenburg
Publisher:
ISBN: 9788881586936
Category : Art
Languages : it
Pages : 0
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Book Description
Few American battles have been so extended, savage, and personal. A handful of Americans volunteered to live among six thousand Vietnamese, training farmers to defend their village. Such "Combined Action Platoons" (CAPs) are not a lost footnote about how the war could have been fought; only the villagers remain to bear witness. This is the story of fifteen resolute young Americans matched against two hundred Viet Cong; how a CAP lived, fought, and died; and why the villagers remember them to this day.
Author: Arlene Dávila
Publisher: Duke University Press
ISBN: 1478008857
Category : Art
Languages : en
Pages : 165
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Book Description
In Latinx Art Arlene Dávila draws on numerous interviews with artists, dealers, and curators to explore the problem of visualizing Latinx art and artists. Providing an inside and critical look of the global contemporary art market, Dávila's book is at once an introduction to contemporary Latinx art and a call to decolonize the art worlds and practices that erase and whitewash Latinx artists. Dávila shows the importance of race, class, and nationalism in shaping contemporary art markets while providing a path for scrutinizing art and culture institutions and for diversifying the art world.
Author: Jonathan Austad
Publisher: Vernon Press
ISBN:
Category : Social Science
Languages : en
Pages : 274
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Book Description
There has yet to be a strong consensus regarding when and if postmodernism ended. As such, there is no agreement about the new age’s name, origins, or tenets. Nealson’s 'Post-Postmodernism: or The Cultural Logic of Just-in-Time Capitalism' leaves out the impact of the internet and social media. Other books fail to explore post-postmodernism within a larger social-political framework and do not examine the cultural trends that have responded to such forces. This book undertakes these complexities by examining the interplay between the sociohistorical events and visual culture of the last two decades and posits that postmodernism ended with the terror attacks on September 11, 2001. Few events have such a tremendous impact on the collective consciousness that they cause immense social, political, and cultural changes, but the terror attacks marked the beginning of a new era filled with greater anxiety and uncertainty. The Bush Administration used news outlets to promote a false narrative and mislead the public, manipulating information to further its agenda and altering the nature and efficacy of mass media and ultimately launching society into an age of disinformation. 'The (Dis)Information Age' is comprised of two main phenomena: post-truth and post-postmodernism. Truth and reality have become increasingly difficult to ascertain in this post-truth world and created increased skepticism towards those in the government and media. The rise of the internet and social media has exacerbated this trend by individualizing facts and data, further fragmenting society along ideological lines. The result is people share fewer common ideas than in previous eras and are no longer living in a shared reality. Post-postmodernism, on the other hand, is a cultural movement that has responded to post-truth’s weaponization, misuse, and individualization of information. Artists of post-postmodernism seek greater connectivity and common ground to combat individualized information and ideological warfare. To them, truth resides in the collective. This study examines the intricate relationship between recent socio-historic events and cultural manifestations that respond to them to better understand the world in which we live.
Author: Joanna Goss
Publisher: Ilex Press
ISBN: 1781576068
Category : Art
Languages : en
Pages : 176
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Book Description
Many artists first learn to paint in watercolour. But this flexible, dynamic medium has an immediacy that is perfect for experimentation. Discover textures, applications, techniques, combinations of materials, and new ways of tackling the medium you love. Rub it, dab it, scratch it, scrunch it. Cut it, glue it, sew it and seal it. And above all, learn from what other people do! This little book is full of big ideas from contemporary artists to inspire you to think differently. With a new idea on every spread of the book, you will discover fresh ways of working with watercolour to create work that is original and exciting.
Author: Marcus Verhagen
Publisher: Verso Books
ISBN: 1839768525
Category : Art
Languages : en
Pages : 254
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Book Description
How have artists responded to our market-driven, tech-enabled culture of speed? Viewing Velocities explores a contemporary art scene caught in the gears of 24/7 capitalism. It looks at artists who embrace the high-octane experience economy and others who are closer to the slow movement. Some of the most compelling artworks addressing the cadences of contemporary work and leisure play on distinct, even contradictory conceptions of time. From Danh Vo's relics to Moyra Davey's photographs of dust-covered belongings, from Roman Ondak's queuing performers and Susan Hiller's outdoor sleepers to Maria Eichhorn's art strike and Ruth Ewan's giant reconstruction of the French revolutionary calendar, artists have drawn out aspects of the present temporal order that are familiar to the point of near-invisibility, while outlining other, more liberating ways of conceiving, organising and experiencing time. Marcus Verhagen builds on the work of theorists Jonathan Crary, Hartmut Rosa and Jacques Rancire to trace lines of insurgent art that recast struggles over time and history in novel and revealing terms.
Author:
Publisher:
ISBN:
Category : Art, British
Languages : en
Pages : 562
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Book Description
Author: Charlotte Klink
Publisher: transcript Verlag
ISBN: 3839457009
Category : Art
Languages : en
Pages : 351
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Book Description
What is the subject of video? Charlotte Klink traces the development of electromagnetism in the pursuit of »Electric Seeing« that emerged in the 19th century as well as its curious relation to psychoanalysis and the contemporary discovery of the structure of the human psyche. In doing so, she exposes how this development laid the foundation of what we know today as »video«. This comprehensive theory of video entails a discussion of the technological, historical, and etymological roots, the media-theoretical concepts of medium and index, the philosophical and art-theoretical environment in which video emerged in the 1960s, the psychoanalytic concept of the phantasm, and artworks by artists such as Yael Bartana, Hito Steyerl, and Bjørn Melhus.
Author: Marguerite Humeau
Publisher: Art Book Magazine Distribution
ISBN: 2847111239
Category : Art
Languages : en
Pages : 100
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Book Description
Myths, fantasies and speculations lie at the heart of Marguerite Humeau’s work. Always treading the line between research and fiction, her projects result from in-depth investigations and collaborations with specialists and scientists. At the Palais de Tokyo and Nottingham Contemporary, Humeau is offering a series of unique physical and sensory experiences. Her exhibition FOXP2 is named for the gene whose mutation enabled the arrival of articulate language at the source of our humanity. Here the artist is re-enacting the origins of life and the development of conscious life forms. Imagining a world where giant elephants dominate the planet, Humeau has artificially designed creatures endowed with emotions and consciousness. Book Contents - A conversation between Marguerite Humeau and Bernard Buigues. - A conversation between Marguerite Humeau and Carl Safina. - “Who Knows?”: an essay by Rebecca Lamarche-Vadel, curator of Marguerite Humeau’s solo exhibition. About the authors - Rebecca Lamarche-Vadel is a curator at the Palais de Tokyo. - Bernard Buigues is a French explorer. He has organized numerous expeditions to the North Pole and Siberia. He is the founder of Mammuthus, a scientific program aimed at -constructing a record of paleobiodiversity through the collection and preservation of fossils throughout the Siberian Arctic. He defines himself as “a mammoth hunter without weapon.” - Carl Safina is the Endowed Professor for Nature and Humanity at Stony Brook University (NY), where he co-chairs the Alan Alda Center for Communicating Science and runs the not-for-profit Safina Center. His books include Beyond Words; What Animals Think and Feel (2015). This book is co-published with Nottingham Contemporary. Published on the occasion of Marguerite Humeau’s solo exhibitions at the Palais de Tokyo (23.06 – 11.09 2016) and at Nottingham Contemporary (15.10 2016 – 08.01 2017).
