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Author: Lynne Nikolychuk
Publisher:
ISBN: 9781897747223
Category : Motion pictures
Languages : en
Pages : 24
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Book Description
Author: Lynne Nikolychuk
Publisher:
ISBN: 9781897747223
Category : Motion pictures
Languages : en
Pages : 24
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Book Description
Author: David Lee
Publisher: Springer
ISBN: 3319716700
Category : Performing Arts
Languages : en
Pages : 244
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Book Description
This book is the first authoritative account of the UK’s independent television production sector, following the creation of Channel 4 in 1982. It examines the rise of a global industry, increasingly interconnected through format development, distribution, ancillary sales and rights. Drawing on case studies, interviews and policy analysis; the author considers the cultural politics behind the growth of the ‘indies’, the labour conditions for workers in this sector, and some of the key television programmes that have been created within it. Filling an important gap in our understanding, this book constitutes a comprehensive account of this vital cultural industry for students, academics and researchers working in the areas of the cultural and creative industries, media and cultural policy and television studies.
Author: Great Britain: Parliament: House of Lords: Select Committee on Communications
Publisher: The Stationery Office
ISBN: 9780108459306
Category : Business & Economics
Languages : en
Pages : 624
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Book Description
British Film and Television Industries--Decline or Opportunity?, Volume II: Evidence
Author: Great Britain: Parliament: House of Lords: Select Committee on Communications
Publisher: The Stationery Office
ISBN: 9780108459290
Category : Business & Economics
Languages : en
Pages : 108
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Book Description
This is the first report from the House of Lords Select Committee on Communications of the 2009-10 session (HLP 37-I, ISBN 9780108459290) and examines "The British film and television industries - decline or opportunity?". The report looks at how these industries have developed, the challenges they are currently facing and what practical help might be provided to enable them to develop further. The film and television industries make an important contribution to the British economy. They contribute to national income and employment, and make a net contribution to exports, which has the capacity to grow. Despite the competition from abroad, particularly the US, UK-produced content on film and television has a strong international reputation and makes a major contribution to the entertainment and education of British audiences. The publication is divided into 6 chapters and looks in detail at the following areas: Chapter 1: The British film industry; Chapter 2: A better future for British films; Chapter 3: British television; Chapter 4: Promoting British television; Chapter 5: Skills and training. With Chapter 6 setting out recommendations, including, in respect of television: that the Government should urge public service broadcasters to revive their investment in training; encourage the expansion of online video on demand; promote greater production of UK TV content by a tax credit or through the use of the proceeds of spectrum sale and sharing part of the BBC licence fee; expand the role played by BBC Worldwide in distributing UK content overseas. Recommendations in respect of film, include: new legislation specifically targeted at making the recording of a film in a cinema by camcorder a criminal offence; provide more support to smaller films and allowing British films to be partly shot abroad without suffering a financial penalty; encourage more private investment in film production. For Vol. 2, Evidence, see (ISBN 9780108459306).
Author: Linda Stradling
Publisher: A&C Black
ISBN: 1408130963
Category : Performing Arts
Languages : en
Pages : 194
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Book Description
"What Linda Stradling doesn't know about production management isn't worth knowing" The Documentary Filmmakers Group Playing a key role in helping producers to interpret and realise the directors' vision, production managers are responsible for all organisational aspects of TV and film production - from start to finish. Now this essential handbook tells you how it's done. Written by highly experienced production manager and specialist tutor, Linda Stradling, this is a complete guide to the profession. It includes details on self-organisation and the best systems to use, budgets, schedules and cost control, hiring and firing, contracts, insurance, setting up a shoot, dealing with contributors, acquiring copyright, people skills and ethics. So whether you're just starting out or want to improve your knowledge and skills, this is the book for you.
Author: Douglas Gomery
Publisher:
ISBN:
Category : Business & Economics
Languages : en
Pages : 152
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Book Description
While not a production study, this book attempts to provide an insight into the inner workings of the television industry. As such its central concern is with processes, not texts or techniques or histories. "Television Industries" focuses on the essential elements of the industry: the policy and regulatory frameworks, the swiftly changing world of video production technology, all of which provides the backdrops against which broadcasters shape and sell their products. The book also examines the working practices of scheduling, budgeting, selling advertising air-time and so forth. Where issues may be familiar to readers (for example debates around public service broadcasting) the entries aim to be explanatory and fresh. Of course, it's not possible to cover every aspect of what is a complex and ever changing industry. Nonetheless, the aim is to provide a starting point for students and new scholars as they start to research into the nature of the broadcasting industry. Hence, this volume is extensively cross-referenced, to guide the reader as they tease out for themselves some of the complexity of this industry. There are several other elements that are distinctive about this volume. Perhaps the most striking of these is its blend of contributions from the UK and US. This book will raise as many questions as it provides answers. It aims to make a contribution to the on-going debates in the now well-established world of television studies with fresh perspectives on some familiar, and some not so familiar, landscapes. Fully illustrated, "Television Industries" is intended as an authoritative and accessible guide to the inner workings of the television industry.
Author: Ruth McElroy
Publisher: Springer
ISBN: 1137578750
Category : Performing Arts
Languages : en
Pages : 172
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Book Description
This book presents a compelling case for a paradigmatic shift in the analysis of television drama production that recentres questions of power, control and sustainability. Television drama production has become an increasingly lucrative global export business as drama as a form enjoys increased prestige. However, this book argues that the growing emphasis on international markets and global players such as Netflix and Amazon Prime neglects the realities of commissioning and making television drama in specific national and regional contexts. Drawing on extensive empirical research, Producing British Television Drama demonstrates the centrality of public service broadcasters in serving audiences and sustaining the commercial independent sector in a digital age. It attends closely to three elements—the role of place in the production of content; the experiences of those working in the sector; and the interventions from cultural intermediaries in articulating and ascribing value to television drama. With chapters examining the evolution of British TV drama, as well as what might be in store in its future, this book offers invaluable insights into the UK as a major supplier of and market for television drama.
Author: Finola Kerrigan
Publisher: Routledge
ISBN: 1317747046
Category : Business & Economics
Languages : en
Pages : 487
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Book Description
The role of the film marketer is both vital and challenging. Promotion is one of the industry’s biggest costs, with the campaign of a large film costing up to half its production budget. Box office results, however, are wildly unpredictable: relatively few films a year make a profit. These market conditions make this a unique industry and film marketing a specific and demanding skill set that requires attention early in the career of any marketing student looking to progress in the industry. This new edition of Film Marketing is a thorough update of the first textbook in film promotion. Like in the first edition, Kerrigan takes a socio-cultural, as well as a business view of film marketing and its impact, covering different approaches to promotion according to different aims and audiences internally and externally, and across the world. This book addresses all areas of film marketing from the rigorous perspective of someone with first-hand knowledge of the trade. This new edition also includes: Additional pedagogy and visual examples to reinforce key points A more international range of cases and coverage of non-Western markets to give a global overview of film marketing across the world New and expanded sections on social media, digital promotion, transmedia and crowdfunding This is the original film marketing text which no engaged film or marketing student should be without.
Author: James Bennett
Publisher: Routledge
ISBN: 1317690346
Category : Business & Economics
Languages : en
Pages : 306
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Book Description
Media independence is central to the organization, make-up, working practices and output of media systems across the globe. Often stemming from western notions of individual and political freedoms, independence has informed the development of media across a range of platforms: from the freedom of the press as the "fourth estate" and the rise of Hollywood’s Independent studios and Independent television in Britain, through to the importance of "Indy" labels in music and gaming and the increasing importance of independence of voice in citizen journalism. Media independence for many, therefore, has come to mean working with freedom: from state control or interference, from monopoly, from market forces, as well as freedom to report, comment, create and document without fear of persecution. However, far from a stable concept that informs all media systems, the notion of media independence has long been contested, forming a crucial tension point in the regulation, shape, size and role of the media around the globe. Contributors including David Hesmondhalgh, Gholam Khiabany, José van Dijck, Hector Postigo, Anthony Fung, Stuart Allan and Geoff King demonstrate how the notion of independence has remained paramount, but contested, in ideals of what the media is for, how it should be regulated, what it should produce and what working within it should be like. They address questions of economics, labor relations, production cultures, ideologies and social functions.
Author: Peter Jarvis
Publisher: Butterworth-Heinemann
ISBN:
Category : Performing Arts
Languages : en
Pages : 156
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Book Description
Every location production is a potential candidate for disaster if the programme maker is not aware of the procedures to be followed and the correct authorities to be approached to ensure a troublefree shoot. This book, which is a distillation of the author's own experiences, will be invaluable both to novices and professional directors who, in these days of multi-skilling, need to be more closely involved with production management. It is a handy reference for anyone involved in location shooting, setting out the organisational and legal pitfalls which programme-makers are likely to encounter.
