U.S. Government Films for Public Educational Use PDF Download
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Author: Seerley Reid
Publisher:
ISBN:
Category : Audio-visual education
Languages : en
Pages : 668
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Book Description
Author: Seerley Reid
Publisher:
ISBN:
Category : Audio-visual education
Languages : en
Pages : 668
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Book Description
Author: National Audiovisual Center
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 152
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Book Description
Author: United States. Office of Education. Visual Education Service
Publisher:
ISBN:
Category : Motion picture film collections
Languages : en
Pages : 32
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Book Description
Author: National Audiovisual Center
Publisher:
ISBN:
Category : Documentary films
Languages : en
Pages : 62
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Book Description
Author: Richard Dyer MacCann
Publisher: New York : Hastings House
ISBN:
Category : Performing Arts
Languages : en
Pages : 262
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Book Description
Author: United States. Office of Education
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 940
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Book Description
Author: Stephen Fishman
Publisher: NOLO
ISBN: 9780873374330
Category : Art
Languages : en
Pages : 558
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Book Description
Explains how to find and use creative works without permission or fees, describing how to recognize whether or not a work is in the public domain.
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 1256
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Book Description
Author: Tricia Jenkins
Publisher: Univ of TX + ORM
ISBN: 0292772475
Category : Social Science
Languages : en
Pages : 301
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Book Description
An in-depth study of the CIA’s collaboration with Hollywood since the mid-1990s, and the important and troubling questions it creates. What’s your impression of the CIA? A bumbling agency that can’t protect its own spies? A rogue organization prone to covert operations and assassinations? Or a dedicated public service that advances the interests of the United States? Astute TV and movie viewers may have noticed that the CIA’s image in popular media has spanned this entire range, with a decided shift to more positive portrayals in recent years. But what very few people know is that the Central Intelligence Agency has been actively engaged in shaping the content of film and television, especially since it established an entertainment industry liaison program in the mid-1990s. The CIA in Hollywood offers the first full-scale investigation of the relationship between the Agency and the film and television industries. Tricia Jenkins draws on numerous interviews with the CIA’s public affairs staff, operations officers, and historians, as well as with Hollywood technical consultants, producers, and screenwriters who have worked with the Agency, to uncover the nature of the CIA’s role in Hollywood. In particular, she delves into the Agency’s and its officers’ involvement in the production of The Agency, In the Company of Spies, Alias, The Recruit, The Sum of All Fears, Enemy of the State, Syriana, The Good Shepherd, and more. Her research reveals the significant influence that the CIA now wields in Hollywood and raises important and troubling questions about the ethics and legality of a government agency using popular media to manipulate its public image. “Fascinating, highly readable . . . Overall, Jenkins’s work is fresh and original, and demonstrates sound scholarship. The author has a passion for the topic that translates to vibrant writing. It is also a concise as well as entertaining look at an aspect of the CIA—its media relations with Hollywood—of which little is known. Enthusiastically written and incorporating effective, illustrative case studies, The CIA in Hollywood is definitely recommended to students of film, media relations, the CIA, and U.S. interagency relations.” —H-War
Author:
Publisher:
ISBN:
Category : Education
Languages : en
Pages : 548
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Book Description
