Author: Edward Marston
Publisher: Allison & Busby
ISBN: 0749040106
Category : Fiction
Languages : en
Pages : 238
Book Description
He had the power to assume a pleasing shape, but would he take to the stage . . . ? The audience was merry indeed when a third devilish imp bounded onstage to join the two that had been written into the script. But backstage all was uproar. The third demon seemed too much like the real thing. Even Nicholas Bracewell, the company mainstay, was shaken when, next time the play was given, only one devil appeared. The second, poor fellow, was now only a little red heap backstage. Murdered. Before the curtain rose again, Lord Westfield's Men would suffer the sermons of a puritan fanatic, the enchantment of passion, the terror of a London madhouse, prophecies of a famous alchemist, and danger as they'd never known it before . . .
The Merry Devils
Author: Edward Marston
Publisher: Allison & Busby
ISBN: 0749040106
Category : Fiction
Languages : en
Pages : 238
Book Description
He had the power to assume a pleasing shape, but would he take to the stage . . . ? The audience was merry indeed when a third devilish imp bounded onstage to join the two that had been written into the script. But backstage all was uproar. The third demon seemed too much like the real thing. Even Nicholas Bracewell, the company mainstay, was shaken when, next time the play was given, only one devil appeared. The second, poor fellow, was now only a little red heap backstage. Murdered. Before the curtain rose again, Lord Westfield's Men would suffer the sermons of a puritan fanatic, the enchantment of passion, the terror of a London madhouse, prophecies of a famous alchemist, and danger as they'd never known it before . . .
Publisher: Allison & Busby
ISBN: 0749040106
Category : Fiction
Languages : en
Pages : 238
Book Description
He had the power to assume a pleasing shape, but would he take to the stage . . . ? The audience was merry indeed when a third devilish imp bounded onstage to join the two that had been written into the script. But backstage all was uproar. The third demon seemed too much like the real thing. Even Nicholas Bracewell, the company mainstay, was shaken when, next time the play was given, only one devil appeared. The second, poor fellow, was now only a little red heap backstage. Murdered. Before the curtain rose again, Lord Westfield's Men would suffer the sermons of a puritan fanatic, the enchantment of passion, the terror of a London madhouse, prophecies of a famous alchemist, and danger as they'd never known it before . . .
Magical Transformations on the Early Modern English Stage
Author: Lisa Hopkins
Publisher: Routledge
ISBN: 1317102762
Category : Performing Arts
Languages : en
Pages : 278
Book Description
Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less canonical ones such as The Birth of Merlin, Fedele and Fortunio, The Merry Devil of Edmonton, The Devil is an Ass, The Late Lancashire Witches and The Witch of Edmonton, putting the two groups into dialogue with each other and also exploring ways in which they can be profitably related to contemporary cases or accusations of witchcraft. Attending to the representational strategies and self-conscious intertextuality of the plays as well as to their treatment of their subject matter, the essays reveal the plays they discuss as actively intervening in contemporary debates about witchcraft and magic in ways which themselves effect transformation rather than simply discussing it. At the heart of all the essays lies an interest in the transformative power of magic, but collectively they show that the idea of transformation applies not only to the objects or even to the subjects of magic, but that the plays themselves can be seen as working to bring about change in the ways that they challenge contemporary assumptions and stereotypes.
Publisher: Routledge
ISBN: 1317102762
Category : Performing Arts
Languages : en
Pages : 278
Book Description
Magical Transformations on the Early Modern Stage furthers the debate about the cultural work performed by representations of magic on the early modern English stage. It considers the ways in which performances of magic reflect and feed into a sense of national identity, both in the form of magic contests and in its recurrent linkage to national defence; the extent to which magic can trope other concerns, and what these might be; and how magic is staged and what the representational strategies and techniques might mean. The essays range widely over both canonical plays-Macbeth, The Tempest, The Winter’s Tale, The Merry Wives of Windsor, Doctor Faustus, Bartholomew Fair-and notably less canonical ones such as The Birth of Merlin, Fedele and Fortunio, The Merry Devil of Edmonton, The Devil is an Ass, The Late Lancashire Witches and The Witch of Edmonton, putting the two groups into dialogue with each other and also exploring ways in which they can be profitably related to contemporary cases or accusations of witchcraft. Attending to the representational strategies and self-conscious intertextuality of the plays as well as to their treatment of their subject matter, the essays reveal the plays they discuss as actively intervening in contemporary debates about witchcraft and magic in ways which themselves effect transformation rather than simply discussing it. At the heart of all the essays lies an interest in the transformative power of magic, but collectively they show that the idea of transformation applies not only to the objects or even to the subjects of magic, but that the plays themselves can be seen as working to bring about change in the ways that they challenge contemporary assumptions and stereotypes.
The Complete Concordance to Shakespeare
Author: Mary Cowden Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 894
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 894
Book Description
Sequels
Author: Janet G. Husband
Publisher: American Library Association
ISBN: 0838909671
Category : Language Arts & Disciplines
Languages : en
Pages : 793
Book Description
A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.
Publisher: American Library Association
ISBN: 0838909671
Category : Language Arts & Disciplines
Languages : en
Pages : 793
Book Description
A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.
The Magician in the Elizabethan Drama
Author: Ardys Thelo Dean
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
The Devil and the Sacred in English Drama, 1350–1642
Author: John D. Cox
Publisher: Cambridge University Press
ISBN: 1139426958
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent commercial theatres near London. The book spans both medieval and Renaissance drama including the medieval Mystery cycles on the one hand, through to plays by Greene, Marlowe, Shakespeare (1 and 2 Henry VI), Jonson, Middleton and Davenant. An appendix lists all known devil plays in English from the beginning to 1642.
Publisher: Cambridge University Press
ISBN: 1139426958
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
John Cox tells the intriguing story of stage devils from their earliest appearance in English plays to the closing of the theatres by parliamentary order in 1642. The book represents a major revision of E. K. Chambers' ideas of stage devils in The Medieval Stage (1903), arguing that this is not a history of gradual secularization, as scholarship has maintained for the last century, but rather that stage devils were profoundly shaped from the outset by the assumptions of sacred drama and retained this shape virtually unchanged until the advent of permanent commercial theatres near London. The book spans both medieval and Renaissance drama including the medieval Mystery cycles on the one hand, through to plays by Greene, Marlowe, Shakespeare (1 and 2 Henry VI), Jonson, Middleton and Davenant. An appendix lists all known devil plays in English from the beginning to 1642.
The Politics of Mirth
Author: Leah S. Marcus
Publisher: University of Chicago Press
ISBN: 9780226504520
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
"Leah Marcus's The Politics of Mirth: Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes is a fascinating study of why James and Charles promoted some types of rural sport and festival and of how certain literary texts participated in promoting or critiquing royal policy. . . . Marcus provocatively links texts not often studied in conjunction with one another, and she provides strong and detailed readings of those texts."—Jean E. Howard
Publisher: University of Chicago Press
ISBN: 9780226504520
Category : Literary Criticism
Languages : en
Pages : 340
Book Description
"Leah Marcus's The Politics of Mirth: Jonson, Herrick, Milton, Marvell, and the Defense of Old Holiday Pastimes is a fascinating study of why James and Charles promoted some types of rural sport and festival and of how certain literary texts participated in promoting or critiquing royal policy. . . . Marcus provocatively links texts not often studied in conjunction with one another, and she provides strong and detailed readings of those texts."—Jean E. Howard
The Devil is an Ass
Author: Ben Jonson
Publisher:
ISBN:
Category :
Languages : en
Pages : 346
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 346
Book Description
Nicholas Bracewell Collection
Author: Edward Marston
Publisher: Allison & Busby
ISBN: 0749016000
Category : Fiction
Languages : en
Pages : 868
Book Description
For Lord Westfield's men, sometimes murder takes centre stage...The reign of Elizabeth I has seen a flowering of English theatre. The esteemed theatrical company called Lord Westfield's Men have enjoyed many a success but it falls to Nicholas Bracewell, the company's bookholder and mainstay, to save his beloved actors when they are threatened by fierce rivals, assassins, plague and much more. Includes the first three instalments in the Nicholas Bracewell series: The Queen's Head, The Merry Devils and The Trip to Jerusalem.
Publisher: Allison & Busby
ISBN: 0749016000
Category : Fiction
Languages : en
Pages : 868
Book Description
For Lord Westfield's men, sometimes murder takes centre stage...The reign of Elizabeth I has seen a flowering of English theatre. The esteemed theatrical company called Lord Westfield's Men have enjoyed many a success but it falls to Nicholas Bracewell, the company's bookholder and mainstay, to save his beloved actors when they are threatened by fierce rivals, assassins, plague and much more. Includes the first three instalments in the Nicholas Bracewell series: The Queen's Head, The Merry Devils and The Trip to Jerusalem.
The Devil Is An Ass
Author: Ben Jonson
Publisher: Manchester University Press
ISBN: 9780719030901
Category : Drama
Languages : en
Pages : 262
Book Description
This edition contains an introduction which looks at the special place of the play in Jonson's own life, his interest in London, the theatrical setting of the play and its sources and analogues. It also includes critical and explanatory commentaries and a glossarial index.
Publisher: Manchester University Press
ISBN: 9780719030901
Category : Drama
Languages : en
Pages : 262
Book Description
This edition contains an introduction which looks at the special place of the play in Jonson's own life, his interest in London, the theatrical setting of the play and its sources and analogues. It also includes critical and explanatory commentaries and a glossarial index.