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Author: David W. Penney
Publisher: London : Thames & Hudson
ISBN: 9780500203774
Category : Art
Languages : en
Pages : 232
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Book Description
Artistic traditions of indigenous North America are explored in a study that draws on the testimonies of oral tradition, Native American history, and North American archaeology, focusing on the artists themselves and their cultural identities. Original.
Author: David W. Penney
Publisher: London : Thames & Hudson
ISBN: 9780500203774
Category : Art
Languages : en
Pages : 232
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Book Description
Artistic traditions of indigenous North America are explored in a study that draws on the testimonies of oral tradition, Native American history, and North American archaeology, focusing on the artists themselves and their cultural identities. Original.
Author: Norman Feder
Publisher: Abradale Press
ISBN: 9780810981324
Category : Art
Languages : en
Pages : 445
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Book Description
Discussing and illustrating the art forms of the Native Americans of North America, a comprehensive tour covers such areas as the Plains, the Southwest, California, the Great Basin and the Pacific Plateau, the Pacific Northwest Coast, the Arctic Coast, and the Woodlands.
Author: Ralph T. Coe
Publisher: Metropolitan Museum of Art
ISBN: 1588390853
Category : Indian art
Languages : en
Pages : 342
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Book Description
Over the past three decades, Ralph T. Coe has traveled extensively throughout the United States and Canada to assemble this collection of Native American art, one of the finest in private hands today. Immersed in the cultures of Native America, he has come to know artists and artisans, traders, dealers, and shop proprietors, selecting the very best they have to offer. The Ralph T. Coe Collection includes representative pieces from most Native American geographic regions and historical periods, beginning with objects dating back to the fourth millennium B.C. Many examples-men's shirts with ermine fringe, weapons, and button blankets-evoke the heroic lifestyle of the past, while small objects, such as tipi and kayak models, dolls, and tiny moccasins, speak to a more intimate significance. Ritual objects imbued with spiritual meaning-masks and katsinas, tablitas and medicine bundles-as well as utilitarian objects, such as pottery and baskets, also have a strong presence. This catalogue tells the stories of nearly two hundred of these objects, combining art history with personal reminiscence, and reveals the role Coe has played in bringing about awareness of the artistic heritage of Native America.-- Metropolitan Museum of Art website.
Author: Bill Holm
Publisher: University of Washington Press
ISBN: 0295999500
Category : Art
Languages : en
Pages : 145
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Book Description
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
Author: Josephine Paterek
Publisher: W. W. Norton & Company
ISBN: 9780393313826
Category : Health & Fitness
Languages : en
Pages : 540
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Book Description
A beautifully produced and illustrated (bandw) reference that offers complete descriptions and cultural contexts of the dress and ornamentation of the North American Indian tribes. The volume is divided into ten cultural regions, with each chapter giving an overview of the regional clothing. Individual tribes of the area follow in alphabetical order. Tribal information includes men's basic dress, women's basic dress, footwear, outer wear, hair styles, headgear, accessories, jewelry, armor, special costumes, garment decoration, face and body embellishment, transitional dress after European contact, and bibliographic references. Appendices include a description of clothing arts and a glossary. Annotation copyright by Book News, Inc., Portland, OR
Author: Steven S. Powers
Publisher: Steve Powers
ISBN: 0976063506
Category : Burl
Languages : en
Pages : 210
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Book Description
NORTH AMERICAN BURL TREEN:COLONIAL & NATIVE AMERICANThe practice of utilizing wood for domestic purposes is as old as civilization itself; however, for Europeans the use of burl was not common practice until they became colonists of North America in the 17th century. They learned from the Native Americans, for whom it was a centuries old tradition that treen made from burl (a knotty outgrowth on a tree), with its interlocking grain and strong matter was more durable than plain treen. Unlike in Europe, burls in North America were abundant, cheap, and a practical resource for everyday wares.Today, early burl treen is part of nearly every major Americana and Native Americana collection, yet the subject has largely been neglected in print, leaving most collectors and dealers with only a general understanding of the material. NORTH AMERICAN BURL TREEN: Colonial & Native American is the first comprehensive survey and study of this important historical craft. Culled from museum and private collections, the book includes nearly 200 objects and over 250 full-color images, most never before published.Chapters include:American Colonial Burl Bowls and Service WearThe Patten Family Maple Burl Sugar BowlThe Covered Burl BowlThe Burl MortarAssorted Burl TreenBurl Effigy Bowls of The Woodlands IndiansNative American Burl BowlsNative American Burl Effigy Ladles, Burl Paddles and ScoopsAtlantic White Cedar Burl of The Abenaki
Author: Philbrook Art Center
Publisher: Hudson Hills
ISBN: 9780933920569
Category : Art
Languages : en
Pages : 328
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Book Description
Fourteen authorities explore sociology, anthropology, art history of Native American creativity.
Author: W. Jackson Rushing III
Publisher: Routledge
ISBN: 1136180109
Category : Art
Languages : en
Pages : 260
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Book Description
This illuminating and provocative book is the first anthology devoted to Twentieth Century Native American and First Nation art. Native American Art brings together anthropologists, art historians, curators, critics and distinguished Native artists to discuss pottery, painitng, sculpture, printmaking, photography and performance art by some of the most celebrated Native American and Canadian First Nation artists of our time The contributors use new theoretical and critical approaches to address key issues for Native American art, including symbolism and spirituality, the role of patronage and musuem practices, the politics of art criticism and the aesthetic power of indigenous knowledge. The artist contributors, who represent several Native nations - including Cherokee, Lakota, Plains Cree, and those of the PLateau country - emphasise the importance of traditional stories, myhtologies and ceremonies in the production of comtemporary art. Within great poignancy, thye write about recent art in terms of home, homeland and aboriginal sovereignty Tracing the continued resistance of Native artists to dominant orthodoxies of the art market and art history, Native American Art in the Twentieth Century argues forcefully for Native art's place in modern art history.
Author: International Committee for Social Science Information and Documentation
Publisher: Psychology Press
ISBN: 9780422744003
Category : Reference
Languages : en
Pages : 406
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Book Description
First published in 1974. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Nicole Strathman
Publisher: University of Oklahoma Press
ISBN: 0806167068
Category : Photography
Languages : en
Pages : 241
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Book Description
What is American Indian photography? At the turn of the twentieth century, Edward Curtis began creating romantic images of American Indians, and his works—along with pictures by other non-Native photographers—came to define the field. Yet beginning in the second half of the nineteenth century, American Indians themselves started using cameras to record their daily activities and to memorialize tribal members. Through a Native Lens offers a refreshing, new perspective by highlighting the active contributions of North American Indians, both as patrons who commissioned portraits and as photographers who created collections. In this richly illustrated volume, Nicole Dawn Strathman explores how indigenous peoples throughout the United States and Canada appropriated the art of photography and integrated it into their lifeways. The photographs she analyzes date to the first one hundred years of the medium, between 1840 and 1940. To account for Native activity both in front of and behind the camera, the author divides her survey into two parts. Part I focuses on Native participants, including such public figures as Sarah Winnemucca and Red Cloud, who fashioned themselves in deliberate ways for their portraits. Part II examines Native professional, semiprofessional, and amateur photographers. Drawing from tribal and state archives, libraries, museums, and individual collections, Through a Native Lens features photographs—including some never before published—that range from formal portraits to casual snapshots. The images represent multiple tribal communities across Native North America, including the Inland Tlingit, Northern Paiute, and Kiowa. Moving beyond studies of Native Americans as photographic subjects, this groundbreaking book demonstrates how indigenous peoples took control of their own images and distinguished themselves as pioneers of photography.
