Author: Stella Blum
Publisher: Courier Dover Publications
ISBN: 0486163245
Category : Art
Languages : en
Pages : 81
Book Description
The Galerie des Modes has been called the "most beautiful collection in existence on the fashions of the 18th century." Here are 64 of the finest plates, reproduced by costume historian Stella Blum.
Eighteenth-Century French Fashion Plates in Full Color
Author: Stella Blum
Publisher: Courier Dover Publications
ISBN: 0486163245
Category : Art
Languages : en
Pages : 81
Book Description
The Galerie des Modes has been called the "most beautiful collection in existence on the fashions of the 18th century." Here are 64 of the finest plates, reproduced by costume historian Stella Blum.
Publisher: Courier Dover Publications
ISBN: 0486163245
Category : Art
Languages : en
Pages : 81
Book Description
The Galerie des Modes has been called the "most beautiful collection in existence on the fashions of the 18th century." Here are 64 of the finest plates, reproduced by costume historian Stella Blum.
Paris Refashioned, 1957-1968
Author: Colleen Hill
Publisher:
ISBN: 9780300226072
Category : Art
Languages : en
Pages : 0
Book Description
"Paris Refashioned, 1957-1968 highlighted one of the most groundbreaking time periods in fashion history. While many books and exhibitions about this era position London as the center of innovative, youth-oriented design, this limited perspective overlooks the significant role that Paris continued to play in the fashion industry. Paris Refashioned, 1957-1968 examined the combined influence of French haute couture, ready-to-wear, and popular culture during this era, with particular emphasis on how fashion was perceived and promoted by the American fashion press. All objects on view were selected from The Museum at FIT's permanent collection of more than 50,000 objects"--Museum at FIT web site
Publisher:
ISBN: 9780300226072
Category : Art
Languages : en
Pages : 0
Book Description
"Paris Refashioned, 1957-1968 highlighted one of the most groundbreaking time periods in fashion history. While many books and exhibitions about this era position London as the center of innovative, youth-oriented design, this limited perspective overlooks the significant role that Paris continued to play in the fashion industry. Paris Refashioned, 1957-1968 examined the combined influence of French haute couture, ready-to-wear, and popular culture during this era, with particular emphasis on how fashion was perceived and promoted by the American fashion press. All objects on view were selected from The Museum at FIT's permanent collection of more than 50,000 objects"--Museum at FIT web site
Two Centuries of Costume in America
Author: Alice Morse Earle
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 1078
Book Description
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 1078
Book Description
Dressing Up
Author: Elizabeth L. Block
Publisher:
ISBN: 9780262365550
Category : Affluent consumers
Languages : en
Pages :
Book Description
"A provocative look at late 19th-century French fashion, which discredits the couturier as "genius creator" and makes you think differently about the impact of the American women who influenced the market"--
Publisher:
ISBN: 9780262365550
Category : Affluent consumers
Languages : en
Pages :
Book Description
"A provocative look at late 19th-century French fashion, which discredits the couturier as "genius creator" and makes you think differently about the impact of the American women who influenced the market"--
French Fashion, Women & the First World War
Author: Maude Bass-Krueger
Publisher:
ISBN: 9780300247985
Category : Design
Languages : en
Pages : 0
Book Description
"An unprecedented examination of the impact of fashion on society in France throughout the Great War. This fascinating exploration of French women's fashion during World War I is the first in-depth consideration of the role that fashion played in the upheaval of French society between 1914 and 1918. As the fashion industry-the second largest industry in the country-mobilized to help the war effort, Parisian couture houses introduced new styles, aggressively disseminated information through magazines, and strengthened their propaganda efforts overseas. Women of all social classes adapted their garments to the wartime lifestyle, and practicality was increasingly introduced in the form of pockets and "sportswear" textiles like jersey. While women were heralded for contributing to the war effort, the clothes they wore while doing so often provoked debates, particularly when their attire was seen as too masculine or militaristic. With focused studies of wartime garments such as skirt suits, nurse's uniforms, work overalls, and mourning clothes, this volume brings to life the passionate debates that roiled the French fashion industry and reveals the extent to which fashion was a hotly contested topic and a barometer for social tensions throughout this tumultuous era. Maude Bass-Krueger is postdoctoral fellow at the Center for the Arts in Society at Leiden University. Sophie Kurkdjian is a research fellow at l'Institut d'histoire du temps prâesent (IHTP-CNRS)"--
Publisher:
ISBN: 9780300247985
Category : Design
Languages : en
Pages : 0
Book Description
"An unprecedented examination of the impact of fashion on society in France throughout the Great War. This fascinating exploration of French women's fashion during World War I is the first in-depth consideration of the role that fashion played in the upheaval of French society between 1914 and 1918. As the fashion industry-the second largest industry in the country-mobilized to help the war effort, Parisian couture houses introduced new styles, aggressively disseminated information through magazines, and strengthened their propaganda efforts overseas. Women of all social classes adapted their garments to the wartime lifestyle, and practicality was increasingly introduced in the form of pockets and "sportswear" textiles like jersey. While women were heralded for contributing to the war effort, the clothes they wore while doing so often provoked debates, particularly when their attire was seen as too masculine or militaristic. With focused studies of wartime garments such as skirt suits, nurse's uniforms, work overalls, and mourning clothes, this volume brings to life the passionate debates that roiled the French fashion industry and reveals the extent to which fashion was a hotly contested topic and a barometer for social tensions throughout this tumultuous era. Maude Bass-Krueger is postdoctoral fellow at the Center for the Arts in Society at Leiden University. Sophie Kurkdjian is a research fellow at l'Institut d'histoire du temps prâesent (IHTP-CNRS)"--
Two Centuries of Costume in America, MDCXX-MDCCCXX
Author: Alice Morse Earle
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 590
Book Description
Publisher:
ISBN:
Category : Costume
Languages : en
Pages : 590
Book Description
Two Centuries of Costume in America, Volume 1 (1620-1820)
Author: Alice Morse Earle
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 417
Book Description
Alice Morse Earle's 'Two Centuries of Costume in America, Volume 1 (1620-1820)' provides a comprehensive and detailed examination of the evolution of fashion in early America. Focusing on the period from 1620 to 1820, Earle meticulously describes the clothing styles, fabrics, and accessories worn by men, women, and children during this time. The book is filled with rich historical references, illustrations, and primary source materials, offering a valuable insight into the social and cultural significance of fashion in colonial and early America. Earle's writing style is engaging and informative, making this book a must-read for anyone interested in the history of fashion in America. Alice Morse Earle, a renowned historian and author, drew on her extensive knowledge of American history and material culture to write 'Two Centuries of Costume in America.' Her passion for preserving and documenting historical customs and traditions shines through in this work, making it a valuable resource for scholars, students, and history enthusiasts alike. I highly recommend this book to anyone interested in gaining a deeper understanding of the role of fashion in shaping American identity and culture.
Publisher: Good Press
ISBN:
Category : Art
Languages : en
Pages : 417
Book Description
Alice Morse Earle's 'Two Centuries of Costume in America, Volume 1 (1620-1820)' provides a comprehensive and detailed examination of the evolution of fashion in early America. Focusing on the period from 1620 to 1820, Earle meticulously describes the clothing styles, fabrics, and accessories worn by men, women, and children during this time. The book is filled with rich historical references, illustrations, and primary source materials, offering a valuable insight into the social and cultural significance of fashion in colonial and early America. Earle's writing style is engaging and informative, making this book a must-read for anyone interested in the history of fashion in America. Alice Morse Earle, a renowned historian and author, drew on her extensive knowledge of American history and material culture to write 'Two Centuries of Costume in America.' Her passion for preserving and documenting historical customs and traditions shines through in this work, making it a valuable resource for scholars, students, and history enthusiasts alike. I highly recommend this book to anyone interested in gaining a deeper understanding of the role of fashion in shaping American identity and culture.
Paris to New York
Author: Véronique Pouillard
Publisher: Harvard University Press
ISBN: 0674237404
Category : Business & Economics
Languages : en
Pages : 337
Book Description
An innovative history of the fashion industry, focusing on the connections between Paris and New York, art and finance, and design and manufacturing. Fashion is one of the most dynamic industries in the world, with an annual retail value of $3 trillion and globally recognized icons like Coco Chanel, Christian Dior, and Yves Saint Laurent. How did this industry generate such economic and symbolic capital? Focusing on the roles of entrepreneurs, designers, and institutions in fashion’s two most important twentieth-century centers, Paris to New York tells the history of the industry as a negotiation between art and commerce. In the late nineteenth century, Paris-based firms set the tone for a global fashion culture nurtured by artistic visionaries. In the burgeoning New York industry, however, the focus was on mass production. American buyers, trend scouts, and designers crossed the Atlantic to attend couture openings, where they were inspired by, and often accused of counterfeiting, designs made in Paris. For their part, Paris couturiers traveled to New York to understand what American consumers wanted and to make deals with local manufacturers for whom they designed exclusive garments and accessories. The cooperation and competition between the two continents transformed the fashion industry in the early and mid-twentieth century, producing a hybrid of art and commodity. Véronique Pouillard shows how the Paris–New York connection gave way in the 1960s to a network of widely distributed design and manufacturing centers. Since then, fashion has diversified. Tastes are no longer set by elites alone, but come from the street and from countercultures, and the business of fashion has transformed into a global enterprise.
Publisher: Harvard University Press
ISBN: 0674237404
Category : Business & Economics
Languages : en
Pages : 337
Book Description
An innovative history of the fashion industry, focusing on the connections between Paris and New York, art and finance, and design and manufacturing. Fashion is one of the most dynamic industries in the world, with an annual retail value of $3 trillion and globally recognized icons like Coco Chanel, Christian Dior, and Yves Saint Laurent. How did this industry generate such economic and symbolic capital? Focusing on the roles of entrepreneurs, designers, and institutions in fashion’s two most important twentieth-century centers, Paris to New York tells the history of the industry as a negotiation between art and commerce. In the late nineteenth century, Paris-based firms set the tone for a global fashion culture nurtured by artistic visionaries. In the burgeoning New York industry, however, the focus was on mass production. American buyers, trend scouts, and designers crossed the Atlantic to attend couture openings, where they were inspired by, and often accused of counterfeiting, designs made in Paris. For their part, Paris couturiers traveled to New York to understand what American consumers wanted and to make deals with local manufacturers for whom they designed exclusive garments and accessories. The cooperation and competition between the two continents transformed the fashion industry in the early and mid-twentieth century, producing a hybrid of art and commodity. Véronique Pouillard shows how the Paris–New York connection gave way in the 1960s to a network of widely distributed design and manufacturing centers. Since then, fashion has diversified. Tastes are no longer set by elites alone, but come from the street and from countercultures, and the business of fashion has transformed into a global enterprise.
Fashion and Its Social Agendas
Author: Diana Crane
Publisher: University of Chicago Press
ISBN: 0226924831
Category : Social Science
Languages : en
Pages : 353
Book Description
It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how nineteenth-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film, and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and sexuality in the fashion industry. An absorbing work, Fashion and Its Social Agendas stands out as a critical study of gender, fashion, and consumer culture. "Why do people dress the way they do? How does clothing contribute to a person's identity as a man or woman, as a white-collar professional or blue-collar worker, as a preppie, yuppie, or nerd? How is it that dress no longer denotes social class so much as lifestyle? . . . Intelligent and informative, [this] book proposes thoughtful answers to some of these questions."-Library Journal
Publisher: University of Chicago Press
ISBN: 0226924831
Category : Social Science
Languages : en
Pages : 353
Book Description
It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed. Crane compares nineteenth-century societies—France and the United States—where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to individuals in constructing their wardrobes. Today, clothes worn at work signify social class, but leisure clothes convey meanings ranging from trite to political. In today's multicode societies, clothes inhibit as well as facilitate communication between highly fragmented social groups. Crane extends her comparison by showing how nineteenth-century French designers created fashions that suited lifestyles of Paris elites but that were also widely adopted outside France. By contrast, today's designers operate in a global marketplace, shaped by television, film, and popular music. No longer confined to elites, trendsetters are drawn from many social groups, and most trends have short trajectories. To assess the impact of fashion on women, Crane uses voices of college-aged and middle-aged women who took part in focus groups. These discussions yield fascinating information about women's perceptions of female identity and sexuality in the fashion industry. An absorbing work, Fashion and Its Social Agendas stands out as a critical study of gender, fashion, and consumer culture. "Why do people dress the way they do? How does clothing contribute to a person's identity as a man or woman, as a white-collar professional or blue-collar worker, as a preppie, yuppie, or nerd? How is it that dress no longer denotes social class so much as lifestyle? . . . Intelligent and informative, [this] book proposes thoughtful answers to some of these questions."-Library Journal
History of World Dress and Fashion, Second Edition
Author: Daniel Delis Hill
Publisher: Daniel Delis Hill
ISBN: 0986425494
Category : Art
Languages : en
Pages : 820
Book Description
The History of World Dress and Fashion presents a comprehensive survey of dress from around the world including China, Japan, India, Africa, the Islamic Empire, and the Ancient Americas. This extensive study features descriptions and analysis of men’s, women’s and children’s clothing, accessories, and cultural styles from prehistory into the twenty-first century. Lavishly illustrated in color throughout, it features more than 1600 images - and is a valuable resource for fashion designers, theater costumers, textile researchers, costume collectors and curators, and anyone interest in clothing and style customs of the world.
Publisher: Daniel Delis Hill
ISBN: 0986425494
Category : Art
Languages : en
Pages : 820
Book Description
The History of World Dress and Fashion presents a comprehensive survey of dress from around the world including China, Japan, India, Africa, the Islamic Empire, and the Ancient Americas. This extensive study features descriptions and analysis of men’s, women’s and children’s clothing, accessories, and cultural styles from prehistory into the twenty-first century. Lavishly illustrated in color throughout, it features more than 1600 images - and is a valuable resource for fashion designers, theater costumers, textile researchers, costume collectors and curators, and anyone interest in clothing and style customs of the world.