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Author: Nam-ho Yi
Publisher: Signature Books
ISBN: 9781891936456
Category : Korean literature
Languages : en
Pages : 117
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Book Description
This volume offers essential information and a basic framework for understanding twentieth-century Korean literature. Growing out of a continuous tradition of over 2,000 years, twentieth-century Korean literature, termed "modern Korean Literature" by Korean scholars, has been shaped by profound social and political transformations on the peninsula. Those decades of great suffering and change gave birth to poets and writers of broad vision and to works of literature that testify both to actual Korean experience within this history and to the Korean spirit of resistance and transcendence. It is this literature that offers the most concrete and abundant knowledge and intuition of the sensibilities and habits of thought and the moral values and aesthetic views that guided the lives of Koreans in the twentieth century.CONTENTS1900-1945: THE RISE OF MODERN LITERATURE: Two Moderns: Yi Kwangsu and Kim Tong-in Between Enlightenment and Art Elegies for a Lost Era: Kim Sowol and Han Yong-un Social Consciousness and the Rise of Realist Fiction Colonial Pastorals: Rural Sketches in Time of Oppression Modernization of Poetic Language and Imagination1945-1970: LIBERATION AND THE KOREAN WAR: Abundance Amid Privation: The Poetry of So Chongju Exploring Nature and Life: Yu Chihwan and Pak Mog-wol Tradition and Humanity: Kim Tongni and Hwang Sunwon Prose Poetry and Condensations of Poetic Language: Kim Su-yong and Kim Ch?unsu Currents in Fiction: Political Life and Existential Life1970-1990: LITERATURE IN AN INDUSTRIALIZING SOCIETY: The Shadows Cast by Industrialization Continuing Consequences of Korean Division The Expression of Social Concerns in Poetry Women?s Voices Explorations of Existence and Quests for New Language Expansions of Fictional Space ?The Era of Poetry? and Deconstructions of Language
Author: Nam-ho Yi
Publisher: Signature Books
ISBN: 9781891936456
Category : Korean literature
Languages : en
Pages : 117
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Book Description
This volume offers essential information and a basic framework for understanding twentieth-century Korean literature. Growing out of a continuous tradition of over 2,000 years, twentieth-century Korean literature, termed "modern Korean Literature" by Korean scholars, has been shaped by profound social and political transformations on the peninsula. Those decades of great suffering and change gave birth to poets and writers of broad vision and to works of literature that testify both to actual Korean experience within this history and to the Korean spirit of resistance and transcendence. It is this literature that offers the most concrete and abundant knowledge and intuition of the sensibilities and habits of thought and the moral values and aesthetic views that guided the lives of Koreans in the twentieth century.CONTENTS1900-1945: THE RISE OF MODERN LITERATURE: Two Moderns: Yi Kwangsu and Kim Tong-in Between Enlightenment and Art Elegies for a Lost Era: Kim Sowol and Han Yong-un Social Consciousness and the Rise of Realist Fiction Colonial Pastorals: Rural Sketches in Time of Oppression Modernization of Poetic Language and Imagination1945-1970: LIBERATION AND THE KOREAN WAR: Abundance Amid Privation: The Poetry of So Chongju Exploring Nature and Life: Yu Chihwan and Pak Mog-wol Tradition and Humanity: Kim Tongni and Hwang Sunwon Prose Poetry and Condensations of Poetic Language: Kim Su-yong and Kim Ch?unsu Currents in Fiction: Political Life and Existential Life1970-1990: LITERATURE IN AN INDUSTRIALIZING SOCIETY: The Shadows Cast by Industrialization Continuing Consequences of Korean Division The Expression of Social Concerns in Poetry Women?s Voices Explorations of Existence and Quests for New Language Expansions of Fictional Space ?The Era of Poetry? and Deconstructions of Language
Author: Michael E. Robinson
Publisher: University of Hawaii Press
ISBN: 0824831748
Category : History
Languages : en
Pages : 234
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Book Description
For more than half of the twentieth century, the Korean peninsula has been divided between two hostile and competitive nation-states, each claiming to be the sole legitimate expression of the Korean nation. The division remains an unsolved problem dating to the beginnings of the Cold War and now projects the politics of that period into the twenty-first century. Korea’s Twentieth-Century Odyssey is designed to provide readers with the historical essentials upon which to unravel the complex politics and contemporary crises that currently exist in the East Asian region. Beginning with a description of late-nineteenth-century imperialism, Michael Robinson shows how traditional Korean political culture shaped the response of Koreans to multiple threats to their sovereignty after being opened to the world economy by Japan in the 1870s. He locates the origins of both modern nationalism and the economic and cultural modernization of Korea in the twenty years preceding the fall of the traditional state to Japanese colonialism in 1910. Robinson breaks new ground with his analysis of the colonial period, tracing the ideological division of contemporary Korea to the struggle of different actors to mobilize a national independence movement at the time. More importantly, he locates the reason for successful Japanese hegemony in policies that included—and thus implicated—Koreans within the colonial system. He concludes with a discussion of the political and economic evolution of South and North Korea after 1948 that accounts for the valid legitimacy claims of both nation-states on the peninsula.
Author: Young Min Kim
Publisher: Rowman & Littlefield
ISBN: 1793631905
Category : Literary Criticism
Languages : en
Pages : 329
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Book Description
This book explores the history of modern Korean literature from a sociocultural perspective. Rather than focusing solely on specific authors and their works, Young Min Kim argues that the development of modern media, shifting conceptualizations of the author, and a growing mass readership fundamentally shaped the types of narratives that appeared at the turn of the twentieth century. In particular, Kim follows the trajectory of the sin sosŏl (new fiction) as it meshed with the new print and media culture to give rise to innovative and hybrid genres and literary styles. In doing so, he compellingly illuminates the relationship between literary systems and forms and underscores the necessity of re-locating literary texts in their sociohistorical contexts.
Author: Frank Stewart
Publisher:
ISBN:
Category : Korean poetry
Languages : en
Pages : 170
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Book Description
"Throughout the twentieth century, few countries in Asia suffered more from foreign occupation, civil war, and international military conflict than Korea. The Colors of Dawn brings together the moving and powerful voices of over forty Korean poets from these turbulent years. From 1903 to 1945, the Japanese Empire occupied the Korean peninsula and instituted measures to annihilate the nation and its culture. After Japan's defeat in WWII, Korea became a killing ground during the Korean War (1950 to 1953). During this period and into the 1980s, South Korea was controlled by a military dictatorship, and today it remains on war footing. In the midst of internal and external conflicts, Korea's poets--threatened by the authorities with torture, imprisonment, and death--found ways to express their fierce desire for freedom and self-governance. The result is a century of outstanding poetry, from Sim Hun (1901) to more familiar modern and contemporary poets, such as Kim Chi-ha and Ko Ŭn."--Amazon.
Author: Kelly Y. Jeong
Publisher: Lexington Books
ISBN: 073912451X
Category : Literary Criticism
Languages : en
Pages : 147
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Book Description
Crisis of Gender and the Nation in Korean Literature and Cinema is about the changing constructs of modernity, masculinity, and gender relations and discourses in Korean literature and cinema during the crucial decades of the colonial and postcolonial era, based on close historical examination and a wide-ranging theoretical foundation that look at both western and Korean language sources. It examines Korean literary and cinematic texts from the period that spans from the1920s to the 1960s to reveal the ways in which many arrivals of modernity in Korea--through the traumatic pathways and contexts of colonialism, nation building, war, and industrialization--destabilize and set in flux the notions of gender, class, and nationhood. It probes into some of the most significant aspects of Korean culture in the earlier part of the twentieth century through an interdisciplinary inquiry that deploys methods and seminal texts from the fields of Korean Studies, Comparative Literature, Postcolonial Studies, and Film Studies. Each chapter is an exploration of a decade, organized around questions about modernity, gender, class, and the nation that are central to understanding the selected texts and their contexts. The nation of Korea has been under threat since the Japanese colonial period (1910-1945). Crisis of Gender and the Nation critically analyzes the cultural responses of the nation and its gendered subjects in crisis, represented in a selection of Korean literary and cinematic texts from the colonial period, beginning in the 1920s, to the postcolonial period, up to the 1960s, through the lens of both Western and Korean discourses of gender and postcolonial inquiries of literature and film.
Author: Yun-shik Chang
Publisher: Routledge
ISBN: 1134179383
Category : Business & Economics
Languages : en
Pages : 397
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Book Description
Pt. 1. The agrarian transformation -- pt. 2. Business and industrial transformations -- pt. 3. Transformations in the stat -- pt. 4. Transforming culture and ideology -- pt. 5. Social transformations: labor, women, and the family.
Author: Theodore Hughes
Publisher: Columbia University Press
ISBN: 0231500718
Category : Literary Criticism
Languages : en
Pages : 287
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Book Description
Korean writers and filmmakers crossed literary and visual cultures in multilayered ways under Japanese colonial rule (1910–1945). Taking advantage of new modes and media that emerged in the early twentieth century, these artists sought subtle strategies for representing the realities of colonialism and global modernity. Theodore Hughes begins by unpacking the relations among literature, film, and art in Korea's colonial period, paying particular attention to the emerging proletarian movement, literary modernism, nativism, and wartime mobilization. He then demonstrates how these developments informed the efforts of post-1945 writers and filmmakers as they confronted the aftershocks of colonialism and the formation of separate regimes in North and South Korea. Hughes puts neglected Korean literary texts, art, and film into conversation with studies on Japanese imperialism and Korea's colonial history. At the same time, he locates post-1945 South Korean cultural production within the transnational circulation of texts, ideas, and images that took place in the first three decades of the Cold War. The incorporation of the Korean Peninsula into the global Cold War order, Hughes argues, must be understood through the politics of the visual. In Literature and Film in Cold War South Korea, he identifies ways of seeing that are central to the organization of a postcolonial culture of division, authoritarianism, and modernization.
Author: Peter H. Lee
Publisher: Honolulu : University Press of Hawaii
ISBN:
Category : Poetry
Languages : en
Pages : 376
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Book Description
Author: Theresa Hyun
Publisher: University of Hawaii Press
ISBN: 9780824826772
Category : Social Science
Languages : en
Pages : 200
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Book Description
Writing Women in Korea explores the connections among translation, new forms of writing, and new representations of women in Korea from the early 1900s to the late 1930s. It examines shifts in the way translators handled material pertaining to women, the work of women translators of the time, and the relationship between translation and the original works of early twentieth-century Korean women writers. The book opens with an outline of the Chosôn period (1392-1910), when a vernacular writing system was invented, making it possible to translate texts into Korean--in particular, Chinese writings reinforcing official ideals of feminine behavior aimed at women. The legends of European heroines and foreign literary works (such as those by Ibsen) translated at the beginning of the twentieth century helped spur the creation of the New Woman (Sin Yôsông) ideal for educated women of the 1920s and 1930s. The role of women translators is explored, as well as the scope of their work and the constraints they faced as translators. Finally, the author relates the writing of Kim Myông-Sun, Pak Hwa-Sông, and Mo Yun-Suk to new trends imported into Korea through translation. She argues that these women deserve recognition for not only their creation of new forms of writing, but also their contributions to Korea’s emerging sense of herself as a modern and independent nation.
Author: Han Sang Kim
Publisher: BRILL
ISBN: 1684176611
Category : History
Languages : en
Pages : 270
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Book Description
In 1916, a group of Korean farmers and their children gathered to watch a film depicting the enthronement of the Japanese emperor. For this screening, a unit of the colonial government’s news agency brought a projector and generator by train to their remote rural town. Before the formation of commercial moviegoing culture for colonial audiences in rural Korean towns, many films were sent to such towns and villages as propaganda. The colonial authorities, as well as later South Korean postcolonial state authorities, saw film as the most effective medium for disseminating their political messages. In Cine-Mobility, Han Sang Kim argues that the force of propaganda films in Korea was derived primarily not from their messages but from the new mobility of the viewing position. From the first film shot in Korea in 1901 through early internet screen cultures in late 1990s South Korea, Cine-Mobility explores the association between cinematic media and transportation mobility, not only in diverse and discrete forms such as railroads, motorways, automobiles, automation, and digital technologies, but also in connection with the newly established rules and restrictions and the new culture of mobility, including changes in gender dynamics, that accompanied it.
