Twentieth Century Interpretations of "Shakespeare: Henry IV. Part Two" PDF Download
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Author: David P. Young
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
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Book Description
Author: David P. Young
Publisher:
ISBN:
Category :
Languages : en
Pages : 120
Get Book Here
Book Description
Author: David Young
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 136
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Book Description
Interpretations - View points - Style - Structure - Speeches - Falstaff - History.
Author: Raymond Joel Dorius
Publisher: Prentice Hall
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 136
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Book Description
Interpretations - Falstaff - Ceremony and history - Prince Hal - View points.
Author: Barbara Hodgdon
Publisher: Manchester University Press
ISBN: 9780719027512
Category : Great Britain
Languages : en
Pages : 184
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Book Description
This valuable introduction to Henry IV Part Two as a performance text draws on traditional methods of performance analysis as well as theatre semiotics, historical analysis, feminism and cultural materialism. Barbara Hodgdon demonstrates how each intersects with sociocultural circumstances, producing a dialogue between a transhistorical 'Merrie England' and the historically local circumstances of present-day theatrical and political cultures. The key stagings discussed include those of Michael Redgrave, Terry Hands, Trevor Nunn and Michael Bogdanov. Ranging beyond the bounds of the conventional theatre, Barbara Hodgdon also looks at Orson Welles' film adaptation, Chimes at Midnight, and at David Giles' production for the BBC/Time-Life Shakespeare series.
Author: William Shakespeare
Publisher: Bantam Classics
ISBN: 0307421228
Category : Drama
Languages : en
Pages : 322
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Book Description
The stirring continuation of the themes begun in Henry IV, Part One again pits a rebellion within the State and that master of misrule, Falstaff, against the maturing of Prince Hal. Alternating scenes between bawdy tavern and regal court, between revelry and politics, Shakespeare probes at the sources, uses, and responsibilities of power as an old king dies and a young king must choose between a ruler's solemn duty and a merry but dissipated friend, Falstaff. The play represents Shakespeare at the peak of his maturity in writing historical drama and comedy.
Author:
Publisher:
ISBN: 9781438186320
Category : Criticism
Languages : en
Pages :
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Book Description
This is an electronic version of the original edition of this;Bloom's Modern Critical Interpretations;title, containing all the classic essays published in the first print edition.
Author: Ronald Berman
Publisher:
ISBN:
Category : Civil rights
Languages : en
Pages : 136
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Book Description
Essays on Shakespeare's Henry V.
Author: Harold Bloom
Publisher: Chelsea House Publications
ISBN: 9780877549260
Category : Drama
Languages : en
Pages : 182
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Book Description
A collection of critical essays on Shakespeare's play "Henry IV, Part 2" arranged in chronological order of publication.
Author: William Shakespeare
Publisher: Createspace Independent Publishing Platform
ISBN: 9781717250056
Category :
Languages : en
Pages : 126
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Book Description
Henry IV, Part 2 is a history play by William Shakespeare, believed written between 1596 and 1599. It is the third part of a tetralogy, preceded by Richard II and Henry IV, Part 1 and succeeded by Henry V.
Author: William Shakespeare
Publisher: Cambridge University Press
ISBN: 0521869269
Category : Drama
Languages : en
Pages : 36
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Book Description
Melchiori offers a fresh approach to the text of The Second Part of King Henry IV, which he sees as an unplanned sequel to the First Part, itself a 'remake' of an old, non-Shakespearean play. The Second Part deliberately exploits the popular success of Sir John Falstaff, introduced in Part One; the resulting rich humour gives a comic dimension to the play which makes it a unique blend of history, morality play and comedy. Among modern editions of the play this is the one most firmly based on the quarto. It presents an eminently actable text, by showing how Shakespeare's own choices are superior for practical purposes to suggested emendations, and by keeping interference in the original stage directions to a minimum, in order to respect, as Shakespeare did, the players' freedom. This updated edition includes a new introductory section by Adam Hansen describing recent stage, film and critical interpretations.
