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Author: Thomas Bromwell
Publisher: Taylor & Francis
ISBN: 1040256309
Category : Art
Languages : en
Pages : 327
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Book Description
This book is the first substantial study of the presence and relationship with the concepts of apocalypse, eschatology, and millennium in modern British art from 1914 to 1945, addressing how and why practitioners in both religious and secular spheres turned to the subjects. The volume examines British art and visual culture’s relationship with the then-contemporary anxieties and hopes regarding the orientation of society and culture, arguing that there is an acute relationship to the particular forms of cultural discourse of eschatology, apocalypse, and millennium. Chapters identify the continued relevance of religion and religious themes in British art during the period, and demonstrate that eschatology, apocalypse, and millennium were thriving and surprisingly mainstream concepts in the period that remained vital in early to mid-twentieth-century society and culture. This book is a research monograph aimed at an audience of scholars and graduate students already familiar with the core focus of modern British art and cultural histories, especially those working on the late nineteenth and early twentieth centuries, or the concepts of apocalypse, eschatology, and millennium in Theology, Sociology, or other disciplinary settings. It will also be of interest to scholars and students working on war and visual culture, or histories of imperialism. It will benefit scholars of early twentieth-century British art, demonstrating the intersection of art and religion in the modern era, and critically qualifies the standard secular canon and narrative of modern British art, and the general neglect of religion in existing art-historical literature.
Author: Dawn Ades
Publisher: Te Neues Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 474
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Book Description
Includes paintings and sculpture which have shaped the course of art in the 20th century.
Author: Eddie Chambers
Publisher: Bloomsbury Publishing
ISBN: 0857736086
Category : Art
Languages : en
Pages : 307
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Book Description
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
Author: Louise Campbell
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848223134
Category : Architecture
Languages : en
Pages : 0
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Book Description
By examining the studios and studio-houses used by British artists between 1900 and 1940, this book reveals the ways in which artists used architecture - occupying and adapting Victorian studios and commissioning new ones. In doing so, it shows them coming to terms with the past, and inventing different modes of being modern, collaborating with architects and influencing the modernist style. In its scrutiny of the physical surroundings of artistic life during this period, the book sheds insight into how the studio environment articulated personal values, artistic affinities and professional aspirations. Not only does it consider the studio in terms of architectural design, but also in the light of the artist's work and life in the studio, and the market for contemporary art. By showing how artists navigated the volatile market for contemporary art during a troubled time, the book provides a new perspective on British art.
Author: Paul Nash
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848221888
Category : Artists
Languages : en
Pages : 0
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Book Description
Paul Nash was one of the most important British artists of the 20th century. An official war artist in both the First and the Second World Wars, his paintings include some of the most definitive artistic visions of those conflicts. This volume is being published to coincide with a major Nash retrospective and incorporates an abridged version of the unpublished 'Memoirs of Paul Nash' by his wife Margaret.
Author: Philip Vann
Publisher: Sansom (Acc)
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
The core of this book is a detailed examination of 100 British self-portraits in the remarkable Ruth Borchard Collection. The earliest include works by Raymond Coxon, Ithell Colquhoun, Carel Weight and Anne Redpath from the first half of last century, but most are from the 1950s and 60s, helping evoke an entire period in British art and its myriad developing strands. All kinds of artistic influences are to be seen here - art school academicism, Camden Town, Expressionism, the Euston Road School, Kitchen Sink, continental Existentialism. The Collection is full of revelations of once relatively obscure artists who have gone on to become critically appreciated, along with artists of stature who have been unfairly neglected. Each portrait is accompanied by a text discussing the work in some detail, the artist's background and development and any relevant writings. In all, self-portraits by 220 artists are illustrated, mainly in color.
Author: Neil Mulholland
Publisher: Routledge
ISBN: 1351772627
Category : Art
Languages : en
Pages : 394
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Book Description
Title first published in 2003. What happened to art in Britain when the balance began to shift from public to private subsidy following the IMF crisis in 1976? In this polemical book, Neil Mulholland charts the political and cultural shifts in art in Britain from the mid-1970's to the end of the twentieth century. His account covers the key trends and artists of this extraordinarily diverse period, including critical postmodernism, feminism, neoconservatism, object sculpture, the new image, Brit Art, and Scottish neoconceptualism, and traces the development of critical thinking from the opinions of critics such as Richard Cork, John Roberts and Matthew Collings to tabloid press art scandals. The Cultural Devolution offers a broad critical and historical framework within which to understand public debate on the merits of young British artists such as Damien Hirst while looking beyond such celebrities to re-discover the wealth and range of work produced. Essential reading for anyone interested in contemporary art in Britain.
Author: Tanya Harrod
Publisher: Yale University Press
ISBN: 9780300077803
Category : Art
Languages : en
Pages : 496
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Book Description
Historians, educationalists, craftsmen and women, artists and collectors, and readers with an interest in British cultural history will find this handsomely illustrated book poses fresh, unexpected questions.
Author: Nicolette Jones
Publisher: Tate Publishing
ISBN: 9781849767576
Category : Art
Languages : en
Pages : 240
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Book Description
Tells the story of 1960s pop art through the voices of its creators In 1965, British artist and university lecturer John Jones left the United Kingdom with his wife and daughters to live in the United States for a year and interview some 100 artists. The family moved to Greenwich Village and spent three months on a road trip west to visit artists beyond the immediate reach of New York. Some of the artists, like Yoko Ono and Claes Oldenburg, became Jones's personal friends. Although Jones's daughter Nicolette was young, her memories of New York and their transAmerican adventure are vivid. Published here for the first time, this book presents a fascinating selection of Jones's edited conversations with American artists practicing in 1965-66. A foreword by Nicolette contextualizes the setting in which these interviews took place, and a further introduction amalgamated from Jones's lectures in which he drew on these conversations illustrates and explores the range of contrasting ideas behind what became known as pop art. Thanks to his personal interaction with the artists and his knowledge of their work, Jones became the foremost expert in the art of this period in the UK. Amid a unique family story, this is art presented not through the filter of art critics, but from the mouths of the practitioners. Jones's interviews explore a specific place and time: the United States in the 1960s, and are crucial reading for those wishing to understand the decade and the influence of American art and British tradition on each other, as well as anyone curious about the famous figures of the time and the thinking that gave rise to this extraordinarily fertile creative moment.
Author: Henry Meyric Hughes
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 364
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Book Description
With works from 100 artists, this publication traces the art movements of an entire century. As early as 1914, a group of young artists blended influences from French Cubism and Italian Futurism into an independent British Modernism, and this text traces British art through the century.
Author: Thomas Bromwell
Publisher: Taylor & Francis
ISBN: 1040256309
Category : Art
Languages : en
Pages : 327
Get Book Here
Book Description
This book is the first substantial study of the presence and relationship with the concepts of apocalypse, eschatology, and millennium in modern British art from 1914 to 1945, addressing how and why practitioners in both religious and secular spheres turned to the subjects. The volume examines British art and visual culture’s relationship with the then-contemporary anxieties and hopes regarding the orientation of society and culture, arguing that there is an acute relationship to the particular forms of cultural discourse of eschatology, apocalypse, and millennium. Chapters identify the continued relevance of religion and religious themes in British art during the period, and demonstrate that eschatology, apocalypse, and millennium were thriving and surprisingly mainstream concepts in the period that remained vital in early to mid-twentieth-century society and culture. This book is a research monograph aimed at an audience of scholars and graduate students already familiar with the core focus of modern British art and cultural histories, especially those working on the late nineteenth and early twentieth centuries, or the concepts of apocalypse, eschatology, and millennium in Theology, Sociology, or other disciplinary settings. It will also be of interest to scholars and students working on war and visual culture, or histories of imperialism. It will benefit scholars of early twentieth-century British art, demonstrating the intersection of art and religion in the modern era, and critically qualifies the standard secular canon and narrative of modern British art, and the general neglect of religion in existing art-historical literature.
