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Author: Robert Rawlins
Publisher:
ISBN: 9780996594905
Category :
Languages : en
Pages : 294
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Book Description
In Tunes of the Twenties author Robert Rawlins discusses each of the 250 songs included in his previous publication The Real Dixieland Book, taking readers backstage to share the intriguing stories associated with their publication and subsequent history. Anyone who holds a fascination for the era of prohibition, flappers, and speakeasies will enjoy reading about the music that went along with it.
Author: Robert Rawlins
Publisher:
ISBN: 9780996594905
Category :
Languages : en
Pages : 294
Get Book Here
Book Description
In Tunes of the Twenties author Robert Rawlins discusses each of the 250 songs included in his previous publication The Real Dixieland Book, taking readers backstage to share the intriguing stories associated with their publication and subsequent history. Anyone who holds a fascination for the era of prohibition, flappers, and speakeasies will enjoy reading about the music that went along with it.
Author: Arnold Shaw
Publisher: Oxford University Press, USA
ISBN: 0195060822
Category : Music
Languages : en
Pages : 361
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Book Description
F. Scott Fitzgerald named it, Louis Armstrong launched it, Paul Whiteman and Fletcher Henderson orchestrated it, and now Arnold Shaw chronicles this fabulous era in The Jazz Age. Spicing his account with lively anecdotes and inside stories, he describes the astonishing outpouring of significant musical innovations that emerged during the "Roaring Twenties"--including blues, jazz, band music, torch ballads, operettas and musicals--and sets them against the background of the Prohibition world of the Flapper.
Author: Ricky Riccardi
Publisher: Vintage
ISBN: 030737923X
Category : Biography & Autobiography
Languages : en
Pages : 417
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Book Description
In this richly detailed and prodigiously researched book, jazz scholar and musician Ricky Riccardi reveals for the first time the genius and remarkable achievements of the last 25 years of Louis Armstrong’s life, providing along the way a comprehensive study of one of the best-known and most accomplished jazz stars of our time. Much has been written about Armstrong, but the majority of it focuses on the early and middle stages of his career. During the last third of his career, Armstrong was often dismissed as a buffoonish if popular entertainer. Riccardi shows us instead the inventiveness and depth of his music during this time. These are the years of his highest-charting hits, including “Mack the Knife” and “Hello, Dolly"; the famed collaborations with Ella Fitzgerald and Duke Ellington; and his legendary recordings with the All Stars. An eminently readable and insightful book, What a Wonderful World completes and enlarges our understanding of one of America’s greatest and most beloved musical icons.
Author: Marcia Amidon Lusted
Publisher: Nomad Press
ISBN: 1619302624
Category : Juvenile Nonfiction
Languages : en
Pages : 253
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Book Description
The 1920s is one of the most fascinating decades in American history, when the seeds of modern American life were sown. It was a time of prosperity and recovery from war, when women's roles began to change and advertising and credit made it desirable and easy to acquire a vast array of new products. But there was a dark side of crime and corruption, racial intolerance, hard times for immigrants and farmers, and an impending financial collapse. The Roaring Twenties: Discover the Era of Prohibition, Flappers, and Jazz explores all the different aspects of the time, from literature and music to politics, fashion, economics, and invention. To experience one of the most vibrant eras in US history, readers will debate the pros and cons of prohibition, create an advertising campaign for a new product, and analyze and compare events leading to the stock market crashes of 1929 and 2008. The Roaring Twenties meets common core state standards in language arts for reading informational text and literary nonfiction and is aligned with Next Generation Science Standards. Guided Reading Levels and Lexile measurements indicate grade level and text complexity.
Author: Hans-Jürgen Schaal
Publisher:
ISBN: 9783836545013
Category : Music
Languages : en
Pages : 0
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Book Description
Jazz arrived in New York in the 1920s & caused a riot. Artist Robert Nippoldt has put together a collection of drawings of the leading figures of the time, includes luminaries such as Jelly Roll Morton, Fats Waller, Bessie Smith, Louis Armstrong etc. Jazz expert H-J Schaal provides a short history of the period, and a text on each of the musicians featured.
Author: Robert Rawlins
Publisher: Hal Leonard Corporation
ISBN: 1476840873
Category : Music
Languages : en
Pages : 275
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Book Description
(Jazz Instruction). A one-of-a-kind book encompassing a wide scope of jazz topics, for beginners and pros of any instrument. A three-pronged approach was envisioned with the creation of this comprehensive resource: as an encyclopedia for ready reference, as a thorough methodology for the student, and as a workbook for the classroom, complete with ample exercises and conceptual discussion. Includes the basics of intervals, jazz harmony, scales and modes, ii-V-I cadences. For harmony, it covers: harmonic analysis, piano voicings and voice leading; modulations and modal interchange, and reharmonization. For performance, it takes players through: jazz piano comping, jazz tune forms, arranging techniques, improvisation, traditional jazz fundamentals, practice techniques, and much more!
Author: Kathy J. Ogren
Publisher: Oxford University Press
ISBN: 0195360621
Category : Music
Languages : en
Pages : 240
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Book Description
Born of African rhythms, the spiritual "call and response," and other American musical traditions, jazz was by the 1920s the dominant influence on this country's popular music. Writers of the Harlem Renaissance (Langston Hughes, Claude McKay, Zora Neale Hurston) and the "Lost Generation" (Malcolm Cowley, F. Scott Fitzgerald, and Gertrude Stein), along with many other Americans celebrated it--both as an expression of black culture and as a symbol of rebellion against American society. But an equal number railed against it. Whites were shocked by its raw emotion and sexuality, and blacks considered it "devil's music" and criticized it for casting a negative light on the black community. In this illuminating work, Kathy Ogren places this controversy in the social and cultural context of 1920s America and sheds new light on jazz's impact on the nation as she traces its dissemination from the honky-tonks of New Orleans, New York, and Chicago, to the clubs and cabarets of such places as Kansas City and Los Angeles, and further to the airwaves. Ogren argues that certain characteristics of jazz, notably the participatory nature of the music, its unusual rhythms and emphasis, gave it a special resonance for a society undergoing rapid change. Those who resisted the changes criticized the new music; those who accepted them embraced jazz. In the words of conductor Leopold Stowkowski, "Jazz [had] come to stay because it [was] an expression of the times, of the breathless, energetic, superactive times in which we [were] living, it [was] useless to fight against it." Numerous other factors contributed to the growth of jazz as a popular music during the 1920s. The closing of the Storyville section of New Orleans in 1917 was a signal to many jazz greats to move north and west in search of new homes for their music. Ogren follows them to such places as Chicago, New York, and San Francisco, and, using the musicians' own words as often as possible, tells of their experiences in the clubs and cabarets. Prohibition, ushered in by the Volstead Act of 1919, sent people out in droves to gang-controlled speak-easies, many of which provided jazz entertainment. And the 1920s economic boom, which made music readily available through radio and the phonograph record, created an even larger audience for the new music. But Ogren maintains that jazz itself, through its syncopated beat, improvisation, and blue tonalities, spoke to millions. Based on print media, secondary sources, biographies and autobiographies, and making extensive use of oral histories, The Jazz Revolution offers provocative insights into both early jazz and American culture.
Author: George Cole
Publisher: University of Michigan Press
ISBN: 9780472032600
Category : Biography & Autobiography
Languages : en
Pages : 570
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Book Description
The story of the final recordings of one of the greatest jazz musicians of the twentieth century
Author: Floyd Grave
Publisher: Oxford University Press
ISBN: 0199883912
Category : Music
Languages : en
Pages : 393
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Book Description
Renowned music historians Floyd and Margaret Grave present a fresh perspective on a comprehensive survey of the works. This thorough and unique analysis offers new insights into the creation of the quartets, the wealth of musical customs and conventions on which they draw, the scope of their innovations, and their significance as reflections of Haydn's artistic personality. Each set of quartets is characterized in terms of its particular mix of structural conventions and novelties, stylistic allusions, and its special points of connection with other opus groups in the series. Throughout the book, the authors draw attention to the boundless supply of compositional strategies by which Haydn appears to be continually rethinking, reevaluating, and refining the quartet's potentials. They also lucidly describe Haydn's famous penchant for wit, humor, and compositional artifice, illuminating the unexpected connections he draws between seemingly unrelated ideas, his irony, and his lightning bolts of surprise and thwarted expectation. Approaching the quartets from a variety of vantage points, the authors correct many prevailing assumptions about convention, innovation, and developing compositional technique in the music of Haydn and his contemporaries.
Author: Paul McCann
Publisher: Associated University Presse
ISBN: 9780838641408
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
Race, Music, and National Identity is the first book-length study to examine closely the portrayal of jazz in American fiction during the most critical and dynamic years of the music's development. The principal argument suggests that the discourse on jazz was informed largely by a broad range of anxieties endemic to the turbulent decades of the mid-twentieth century. As the United States faced a new crisis in either foreign or domestic policy, writers and intellectuals often used jazz as a forum to change both the public's understanding of the musical tradition as well as the nation's understanding of itself. In many ways, the rise of jazz from low to high art was a product of this discourse. The study relies on a close reading of several notable authors including F. Scott Fitzgerald, Langston Hughes, Eudora Welty, Ralph Ellison, and Jack Kerouac but also responds to a broad range of popular writers from the decade whose contribution to the discourse on jazz has been largely forgotten. This book provides an insightful glimpse into how the United States negotiates and ultimately understands its own cultural artifacts. Paul McCann is an English Professor at Del Mar College.
