Tudor Church Music PDF Download
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Author: Denis Stevens
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 104
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Book Description
Author: Denis Stevens
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 104
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Book Description
Author: Judith Blezzard
Publisher: A-R Editions, Inc.
ISBN: 0895791471
Category : Anthems
Languages : en
Pages : 146
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Book Description
Contains 29 pieces from mid 16th century, edited from part books in British Library, Royal Appendix 74-76.
Author:
Publisher:
ISBN:
Category : Church music
Languages : en
Pages : 694
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Book Description
Author: Robin A. Leaver
Publisher: Liturgical Press
ISBN: 9780814625019
Category : Music
Languages : en
Pages : 470
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Book Description
Liturgy and Music: Lifetime Learning is not only for pastoral music majors but also for professional pastoral musicians, pastors, and liturgical practitioners. This volume should help those involved with liturgy - especially its music - gain a basic knowledge of liturgy / worship and an introduction to the scope and role of liturgical music and musicians in various Christian denominations.
Author: Sampson Low
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1900
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Book Description
Volumes for 1898-1968 include a directory of publishers.
Author: Richard Taruskin
Publisher: Oxford University Press
ISBN: 0199813698
Category : Music
Languages : en
Pages : 6390
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Book Description
The Oxford History of Western Music is a magisterial survey of the traditions of Western music by one of the most prominent and provocative musicologists of our time. This text illuminates, through a representative sampling of masterworks, those themes, styles, and currents that give shape and direction to each musical age. Taking a critical perspective, this text sets the details of music, the chronological sweep of figures, works, and musical ideas, within the larger context of world affairs and cultural history. Written by an authoritative, opinionated, and controversial figure in musicology, The Oxford History of Western Music provides a critical aesthetic position with respect to individual works, a context in which each composition may be evaluated and remembered. Taruskin combines an emphasis on structure and form with a discussion of relevant theoretical concepts in each age, to illustrate how the music itself works, and how contemporaries heard and understood it. It also describes how the c
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 444
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Book Description
Author:
Publisher:
ISBN:
Category : Compact discs
Languages : en
Pages : 598
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Book Description
Author: J. G. Williamson
Publisher: Liverpool University Press
ISBN: 1781386889
Category : Music
Languages : en
Pages : 272
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Book Description
Word and music studies is a relatively young discipline that has nonetheless generated a substantial amount of work. Recent studies in the field have embraced music in literature (word music, formal parallels to music in literature, verbal music), music and literarature (vocal music) and literature in music (programme music). Other positions have been defined in which song exists as an analysable category distinct from words and music and requiring its own grammar. Much of the literature has tended to focus on readings of the literary text, pushing theoretical and analytical concerns in music to one side, a trend that is as apparent among musicologists as among literary historians. The essays presented here from the third Liverpool Music Symposium seek accordingly to redress this situation. Contributors tackle the study of words and music from a number of standpoints, examining artists as diverse as Eminem, Patti Smith and Arnold Schoenberg.
Author: Dr T E Muir
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409493830
Category : Music
Languages : en
Pages : 318
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Book Description
Roman Catholic church music in England served the needs of a vigorous, vibrant and multi-faceted community that grew from about 70,000 to 1.7 million people during the long nineteenth century. Contemporary literature of all kinds abounds, along with numerous collections of sheet music, some running to hundreds, occasionally even thousands, of separate pieces, many of which have since been forgotten. Apart from compositions in the latest Classical Viennese styles and their successors, much of the music performed constituted a revival or imitation of older musical genres, especially plainchant and Renaissance Polyphony. Furthermore, many pieces that had originally been intended to be performed by professional musicians for the benefit of privileged royal, aristocratic or high ecclesiastical elites were repackaged for rendition by amateurs before largely working or lower middle class congregations, many of them Irish. However, outside Catholic circles, little attention has been paid to this subject. Consequently, the achievements and widespread popularity of many composers (such as Joseph Egbert Turner, Henry George Nixon or John Richardson) within the English Catholic community have passed largely unnoticed. Worse still, much of the evidence is rapidly disappearing, partly because it no longer seems relevant to the needs of the modern Catholic Church in England. This book provides a framework of the main aspects of Catholic church music in this period, showing how and why it developed in the way it did. Dr Muir sets the music in its historical, liturgical and legal context, pointing to the ways in which the music itself can be used as evidence to throw light on the changing character of English Catholicism. As a result the book will appeal not only to scholars and students working in the field, but also to church musicians, liturgists, historians, ecclesiastics and other interested Catholic and non-Catholic parties.
