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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 225
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 225
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Book Description
Author: Brian Lee
Publisher:
ISBN: 9781472554444
Category : Criticism
Languages : en
Pages :
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Book Description
Author: Thomas Stearns Eliot
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 184
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Book Description
Author: Giovanni Cianci
Publisher: Cambridge University Press
ISBN: 9780521121439
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
T. S. Eliot's reformulation of the idea of literary tradition has been one of the key critical concepts of the twentieth century. In this reappraisal of tradition, an international team of scholars explores the concept from a variety of theoretical and historical perspectives, including a series of illuminating case studies evaluating Eliot's version of tradition alongside the theories of other major twentieth-century critics. This 2007 volume will be of great interest to students of literary theory, modernist studies and intellectual history, initiating a dialogue between Continental and Anglo-American investigations into the nature of literary traditions. Tradition is a concept often viewed by contemporary critics with misunderstanding or even hostility. This book powerfully reaffirms the continuing importance of our artistic and cultural traditions in shaping the past and creating the future.
Author: Kabrinda Nath Phukan
Publisher:
ISBN:
Category :
Languages : en
Pages : 660
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Book Description
Author: Richard Badenhausen
Publisher: Cambridge University Press
ISBN: 1139442805
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
Richard Badenhausen examines the crucial role that collaboration with other writers played in the development of T. S. Eliot's works from the earliest poetry and unpublished prose to the late plays. He demonstrates Eliot's dependence on collaboration in order to create, but also his struggle to accept the implications of the process. In case-studies of Eliot's collaborations, Badenhausen reveals the complexities of Eliot's theory and practice of collaboration. Examining a wide range of familiar and uncollected materials, Badenhausen explores Eliot's social, psychological, textual encounters with collaborators such as Ezra Pound, John Hayward, Martin Browne, and Vivienne Eliot, among others. Finally, this study shows how Eliot's later work increasingly accommodates his audience as he attempted to apply his theories of collaboration more broadly to social, cultural, and political concerns.
Author: Allen Austin
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 154
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Book Description
Author: Krishan Lal Sharma
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 142
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Book Description
Author: Eugenia M. Gunner
Publisher: Routledge
ISBN: 1317308220
Category : Literary Criticism
Languages : en
Pages : 180
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Book Description
The fact that Eliot disapproved of Romanticism is clear from his critical essays, where he often appears to reject it absolutely. However, Eliot’s understanding of the term and his appreciation of literature developed and altered greatly from his adolescence to his years of scholarly study, yet he was never unable to dismiss Romanticism entirely as a critical issue. This study, first published in 1985, analyses Eliot’s approach and criticism to Romanticism, with an analysis of The Waste Land, adding to the layers of its meaning, context and content to the poem. This title will be of interest to students of literature.
Author: Kenneth Asher
Publisher: Cambridge University Press
ISBN: 9780521627603
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
Setting out to demonstrate the effect of politics on the work of T. S. Eliot, T. S. Eliot and Ideology charts first of all the influence of French reactionary thinking on Eliot's prose and poetry, and further argues that this political inheritance provided the intellectual framework he employed throughout his career. Asher's concentration on the specifically ideological separates this book from previous works on Eliot, and sheds light on Eliot's celebrated mid-career conversion to Catholicism. What results is a re-estimation of Eliot's view of literary history and literary theory, and new appraisals of several major poems and plays. Finally, the book discusses at length how Eliot's ideology profoundly influenced the study of literature in the English-speaking world for several decades.
