Author: Elizabeth Peters
Publisher: C & R Crime
ISBN: 1780337744
Category : Fiction
Languages : en
Pages : 208
Book Description
More from Vicky Bliss - the new heroine from the creator of the bestselling Amelia Peabody series A picture is worth a thousand words - but the photograph art historian Vicky Bliss has just received gives rise to a thousand questions instead. A quick glance at the blood-stained envelope is all the proof she needs that something is horribly wrong. The photo itself is familiar: a woman adorned in the gold of Troy. Yet this isn't the famous photograph of Frau Schliemann - this photo is contemporary. And the gold, as Vicky and her fellow academics know - disappeared at the end of World War II. And now this circle of experts is gathered for a festive Bavarian Christmas - including a very determined killer.
Trojan Gold
Author: Elizabeth Peters
Publisher: C & R Crime
ISBN: 1780337744
Category : Fiction
Languages : en
Pages : 208
Book Description
More from Vicky Bliss - the new heroine from the creator of the bestselling Amelia Peabody series A picture is worth a thousand words - but the photograph art historian Vicky Bliss has just received gives rise to a thousand questions instead. A quick glance at the blood-stained envelope is all the proof she needs that something is horribly wrong. The photo itself is familiar: a woman adorned in the gold of Troy. Yet this isn't the famous photograph of Frau Schliemann - this photo is contemporary. And the gold, as Vicky and her fellow academics know - disappeared at the end of World War II. And now this circle of experts is gathered for a festive Bavarian Christmas - including a very determined killer.
Publisher: C & R Crime
ISBN: 1780337744
Category : Fiction
Languages : en
Pages : 208
Book Description
More from Vicky Bliss - the new heroine from the creator of the bestselling Amelia Peabody series A picture is worth a thousand words - but the photograph art historian Vicky Bliss has just received gives rise to a thousand questions instead. A quick glance at the blood-stained envelope is all the proof she needs that something is horribly wrong. The photo itself is familiar: a woman adorned in the gold of Troy. Yet this isn't the famous photograph of Frau Schliemann - this photo is contemporary. And the gold, as Vicky and her fellow academics know - disappeared at the end of World War II. And now this circle of experts is gathered for a festive Bavarian Christmas - including a very determined killer.
The Trojan Gold
Author: Sheila Cudahy
Publisher: HarperCollins Publishers
ISBN: 9780060109349
Category : Fiction
Languages : en
Pages : 196
Book Description
Publisher: HarperCollins Publishers
ISBN: 9780060109349
Category : Fiction
Languages : en
Pages : 196
Book Description
Ilios
Author: Heinrich Schliemann
Publisher:
ISBN:
Category : Excavations (Archaeology)
Languages : en
Pages : 876
Book Description
Publisher:
ISBN:
Category : Excavations (Archaeology)
Languages : en
Pages : 876
Book Description
Bulletin
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1376
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1376
Book Description
The Amber Room
Author: Adrian Levy
Publisher: Bloomsbury Publishing USA
ISBN: 0802718094
Category : Art
Languages : en
Pages : 422
Book Description
The history of art has produced few works as ambitious and as valuable as the Amber Room. Famous throughout Europe as "the eighth wonder of the world," its vast and intricately worked amber panels were sent in 1717 by Frederick I of Prussia as a gift to Peter the Great of Russia. Erected some years later, they quickly became a symbol of Russia's imperial might. For more than two hundred years the Amber Room remained in its Russian palace outside St. Petersburg (Leningrad), but when the Nazi army invaded Russia and swept towards Leningrad in 1941, the panels were wrenched from the walls, packed into crates, and disappeared from view, never to be seen again. Dozens of people have tried to trace the whereabouts of the Amber Room, and several of them have died in mysterious circumstances. Adrian Levy and Catherine Scott-Clark have gone further along the trail of this great lost treasure than anyone before them, and have unraveled the jumble of evidence surrounding its fate. Their search catapulted them across eastern Europe and into the menacing world of espionage and counterespionage that still surrounds Russia and the former Soviet bloc. In archives in St. Petersburg and Berlin, amid boxes of hitherto unseen diaries, letters, and classified reports, they have uncovered for the first time an astounding conspiracy to hide the truth. In a gripping climax that is a triumph of detection and narrative journalism, The Amber Room shows incontrovertibly what really happened to the most valuable lost artwork in the world, and why the truth has been withheld for so long.
Publisher: Bloomsbury Publishing USA
ISBN: 0802718094
Category : Art
Languages : en
Pages : 422
Book Description
The history of art has produced few works as ambitious and as valuable as the Amber Room. Famous throughout Europe as "the eighth wonder of the world," its vast and intricately worked amber panels were sent in 1717 by Frederick I of Prussia as a gift to Peter the Great of Russia. Erected some years later, they quickly became a symbol of Russia's imperial might. For more than two hundred years the Amber Room remained in its Russian palace outside St. Petersburg (Leningrad), but when the Nazi army invaded Russia and swept towards Leningrad in 1941, the panels were wrenched from the walls, packed into crates, and disappeared from view, never to be seen again. Dozens of people have tried to trace the whereabouts of the Amber Room, and several of them have died in mysterious circumstances. Adrian Levy and Catherine Scott-Clark have gone further along the trail of this great lost treasure than anyone before them, and have unraveled the jumble of evidence surrounding its fate. Their search catapulted them across eastern Europe and into the menacing world of espionage and counterespionage that still surrounds Russia and the former Soviet bloc. In archives in St. Petersburg and Berlin, amid boxes of hitherto unseen diaries, letters, and classified reports, they have uncovered for the first time an astounding conspiracy to hide the truth. In a gripping climax that is a triumph of detection and narrative journalism, The Amber Room shows incontrovertibly what really happened to the most valuable lost artwork in the world, and why the truth has been withheld for so long.
Prohibiting Plunder
Author: Wayne Sandholtz
Publisher: Oxford University Press
ISBN: 0199725470
Category : Art
Languages : en
Pages : 352
Book Description
For much of history, the rules of war decreed that "to the victor go the spoils." The winners in warfare routinely seized for themselves the artistic and cultural treasures of the defeated; plunder constituted a marker of triumph. By the twentieth century, international norms declared the opposite, that cultural monuments should be shielded from destruction or seizure. Prohibiting Plunder traces and explains the emergence of international rules against wartime looting of cultural treasures, and explores how anti-plunder norms have developed over the past 200 years. The book covers highly topical events including the looting of thousands of antiquities from the Iraqi National Museum in Baghdad, and the return of "Holocaust Art" by prominent museums, including the highly publicized return of five Klimt paintings from the Austrian Gallery to a Holocaust survivor. The historical narrative includes first-hand reports, official documents, and archival records. Equally important, the book uncovers the debates and negotiations that produced increasingly clear and well-defined anti-plunder norms. The historical accounts in Prohibiting Plunder serve as confirming examples of an important dynamic of international norm change. Rules evolve in cycles; in each cycle, specific actions trigger arguments about the meaning and application of rules, and those arguments in turn modify the rules. International norms evolve through a succession of such cycles, each one drawing on previous developments and each one reshaping the normative context for subsequent actions and disputes. Prohibiting Plunder shows how historical episodes interlinked to produce modern, treaty-based rules against wartime plunder of cultural treasures.
Publisher: Oxford University Press
ISBN: 0199725470
Category : Art
Languages : en
Pages : 352
Book Description
For much of history, the rules of war decreed that "to the victor go the spoils." The winners in warfare routinely seized for themselves the artistic and cultural treasures of the defeated; plunder constituted a marker of triumph. By the twentieth century, international norms declared the opposite, that cultural monuments should be shielded from destruction or seizure. Prohibiting Plunder traces and explains the emergence of international rules against wartime looting of cultural treasures, and explores how anti-plunder norms have developed over the past 200 years. The book covers highly topical events including the looting of thousands of antiquities from the Iraqi National Museum in Baghdad, and the return of "Holocaust Art" by prominent museums, including the highly publicized return of five Klimt paintings from the Austrian Gallery to a Holocaust survivor. The historical narrative includes first-hand reports, official documents, and archival records. Equally important, the book uncovers the debates and negotiations that produced increasingly clear and well-defined anti-plunder norms. The historical accounts in Prohibiting Plunder serve as confirming examples of an important dynamic of international norm change. Rules evolve in cycles; in each cycle, specific actions trigger arguments about the meaning and application of rules, and those arguments in turn modify the rules. International norms evolve through a succession of such cycles, each one drawing on previous developments and each one reshaping the normative context for subsequent actions and disputes. Prohibiting Plunder shows how historical episodes interlinked to produce modern, treaty-based rules against wartime plunder of cultural treasures.
American Druggist
Author:
Publisher:
ISBN:
Category : Materia medica
Languages : en
Pages : 1478
Book Description
Publisher:
ISBN:
Category : Materia medica
Languages : en
Pages : 1478
Book Description
The Athenaeum
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1072
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1072
Book Description
Virgil's Gaze
Author: J. D. Reed
Publisher: Princeton University Press
ISBN: 0691170916
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.
Publisher: Princeton University Press
ISBN: 0691170916
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
Virgil's Aeneid invites its reader to identify with the Roman nation whose origins and destiny it celebrates. But, as J. D. Reed argues in Virgil's Gaze, the great Roman epic satisfies this identification only indirectly--if at all. In retelling the story of Aeneas' foundational journey from Troy to Italy, Virgil defines Roman national identity only provisionally, through oppositions to other ethnic identities--especially Trojan, Carthaginian, Italian, and Greek--oppositions that shift with the shifting perspective of the narrative. Roman identity emerges as multivalent and constantly changing rather than unitary and stable. The Roman self that the poem gives us is capacious--adaptable to a universal nationality, potentially an imperial force--but empty at its heart. However, the incongruities that produce this emptiness are also what make the Aeneid endlessly readable, since they forestall a single perspective and a single notion of the Roman. Focusing on questions of narratology, intertextuality, and ideology, Virgil's Gaze offers new readings of such major episodes as the fall of Troy, the pageant of heroes in the underworld, the death of Turnus, and the disconcertingly sensual descriptions of the slain Euryalus, Pallas, and Camilla. While advancing a highly original argument, Reed's wide-ranging study also serves as an ideal introduction to the poetics and principal themes of the Aeneid.
Oil-shale: an Historical, Technical, and Economic Study
Author: Martin Joseph Gavin
Publisher:
ISBN:
Category : Oil-shales
Languages : en
Pages : 116
Book Description
Publisher:
ISBN:
Category : Oil-shales
Languages : en
Pages : 116
Book Description