An Eassay on the Psychology of Invention in the Mathematical Field PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download An Eassay on the Psychology of Invention in the Mathematical Field PDF full book. Access full book title An Eassay on the Psychology of Invention in the Mathematical Field by Jacques Hadamard. Download full books in PDF and EPUB format.
Author: Jacques Hadamard
Publisher: Franklin Classics Trade Press
ISBN: 9780353358430
Category : History
Languages : en
Pages : 164
Get Book Here
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Jacques Hadamard
Publisher: Franklin Classics Trade Press
ISBN: 9780353358430
Category : History
Languages : en
Pages : 164
Get Book Here
Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Vladimir Gilelevič Mazʹâ
Publisher: American Mathematical Soc.
ISBN: 9780821819234
Category : Biography & Autobiography
Languages : en
Pages : 604
Get Book Here
Book Description
This book presents a fascinating story of the long life and great accomplishments of Jacques Hadamard (1865-1963), who was once called 'the living legend of mathematics'. As one of the last universal mathematicians, Hadamard's contributions to mathematics are landmarks in various fields. His life is linked with world history of the 20th century in a dramatic way. This work provides an inspiring view of the development of various branches of mathematics during the 19th and 20th centuries.Part I of the book portrays Hadamard's family, childhood and student years, scientific triumphs, and his personal life and trials during the first two world wars. The story is told of his involvement in the Dreyfus affair and his subsequent fight for justice and human rights. Also recounted are Hadamard's worldwide travels, his famous seminar, his passion for botany, his home orchestra, where he played the violin with Einstein, and his interest in the psychology of mathematical creativity. Hadamard's life is described in a readable and inviting way.The authors humorously weave throughout the text his jokes and the myths about him. They also movingly recount the tragic side of his life. Stories about his relatives and friends, and old letters and documents create an authentic and colorful picture. The book contains over 300 photographs and illustrations. Part II of the book includes a lucid overview of Hadamard's enormous work, spanning over six decades. The authors do an excellent job of connecting his results to current concerns.While the book is accessible to beginners, it also provides rich information of interest to experts. Vladimir Mazya and Tatyana Shaposhnikova were the 2003 laureates of the Insitut de France's Prix Alfred Verdaguer. One or more prizes are awarded each year, based on suggestions from the Academie francaise, the Academie de sciences, and the Academie de beaux-arts, for the most remarkable work in the arts, literature, and the sciences. In 2003, the award for excellence was granted in recognition of Mazya and Shaposhnikova's book, ""Jacques Hadamard, A Universal Mathematician"", which is both an historical book about a great citizen and a scientific book about a great mathematician.
Author: Jillian C. Rogers
Publisher: Oxford University Press
ISBN: 0190658290
Category : Music
Languages : en
Pages : 401
Get Book Here
Book Description
"French Music and Trauma Between the World Wars illustrates that coping with trauma was a central concern for French musicians active after World War I. The losses and violent warfare of World War I shaped how interwar French musicians-from those fighting in the trenches and working in military hospitals to more well-known musicians-engaged with music. Situated at the intersections of musicology, history, sound and performance studies, and psychology and trauma studies, Resonant Recoveries argues that modernists' compositions and musical activities were sonorous locations for managing and performing trauma. Through analysis of archival materials, French medical, philosophical, and literary texts, and the music produced between the wars, this book illuminates how music emerged during World War I as an embodied technology of consolation. Resonant Recoveries demonstrates that music making came to be understood by French interwar musicians as a consolatory practice that enhanced their abilities to remember lost loved ones, gave them opportunities to perform their grief publicly and privately, allowed them to create healing bonds of friendship, and soothed them with sonic vibrations and the rhythmically regular bodily movements required in order to perform many French neoclassical compositions. In revealing the importance music making held for interwar French musicians, this book refigures French modernist music as a therapeutic medium for creators, performers, and audiences, while also underlining the importance of addressing trauma, mourning, and people's emotional lives in music scholarship"--
Author: Steven Moore Whiting
Publisher: Clarendon Press
ISBN: 0191584525
Category : Music
Languages : en
Pages : 610
Get Book Here
Book Description
Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.
Author: Annegret Fauser
Publisher: Boydell & Brewer
ISBN: 1580461859
Category : Music
Languages : en
Pages : 417
Get Book Here
Book Description
The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.
Author: Jacques Hadamard
Publisher: American Mathematical Soc.
ISBN: 9780821890479
Category : Mathematics
Languages : en
Pages : 116
Get Book Here
Book Description
This is the English translation of a volume originally published only in Russian and now out of print. The book was written by Jacques Hadamard on the work of Poincare. Poincare's creation of a theory of automorphic functions in the early 1880s was one of the most significant mathematical achievements of the nineteenth century. It directly inspired the uniformization theorem, led to a class of functions adequate to solve all linear ordinary differential equations, and focused attention on a large new class of discrete groups. It was the first significant application of non-Euclidean geometry. This unique exposition by Hadamard offers a fascinating and intuitive introduction to the subject of automorphic functions and illuminates its connection to differential equations, a connection not often found in other texts.
Author: Jann Pasler
Publisher: Univ of California Press
ISBN: 0520257405
Category : History
Languages : en
Pages : 812
Get Book Here
Book Description
"Jann Pasler's remarkable Composing the Citizen reaches well beyond what any book concerned with music in society has ever attempted. Concentrating on France of the Third Republic, from the 1870s through the early 1900s, she demonstrates convincingly how music--whether new, old, popular, or élite, whether performed at institutions of state (such as the Opéra), the Folies Bergère, concert halls, or the zoo--helped to redefine what it meant to be French under evolving political circumstances. Equally adept in the languages of history, sociology, political science, reception history, and music analysis, Pasler establishes music's cultural significance and implicitly illuminates the role it can still play in countries like the United States."--Philip Gossett, The University of Chicago and University of Rome, La Sapienza "Composing the Citizen offers nothing less than a new paradigm for the study of musical cultures. Rather than forcing French music into the moulds developed for the Austro-German canon, Pasler simply studies the social uses of music in fin-de-siècle France. Her painstaking archival research allows her to present an astonishingly detailed account of musical practices, tastes, and activities; new names and genres come to the fore to engage in a variety of dynamic artistic scenes most of us never knew--or only thought we did by virtue of having read Proust. A masterwork of a scholar at the very peak of her career."--Susan McClary, MacArthur Fellow 1995 and author of Georges Bizet: Carmen and Modal Subjectivities: Self-Fashioning in the Italian Madgrigal "Utilité publique: a common-sense republican notion of sweeping consequence. In this greatly anticipated volume Jann Pasler uses it as touchstone, showing how and why musical life so mattered in Third-Republic France: layer after layer of it, in a journey that takes us past the Opéra and Conservatoire to the pops concerts, department stores, the zoo, the world's fairs, the overseas colonies. Companionable as a well-worn Baedeker, seductive as Roger Shattuck's The Banquet Years, this exquisitely styled and paced achievement is also a compelling read."--D. Kern Holoman, author of Berlioz and The Société des Concerts du Conservatoire, 1828-1967
Author: Barbara L. Kelly
Publisher: University Rochester Press
ISBN: 9781580462723
Category : History
Languages : en
Pages : 300
Get Book Here
Book Description
Heroism, art, and new media : France and identity formation. Unifying the French nation : Savorgnan de Brazza and the Third Republic / Edward Berenson ; New media, source-bonding, and alienation : listening at the 1889 Exposition Universelle / Annegret Fauser ; Debussy and the making of a musicien français : Pelléas, the press, and World War I / Barbara L. Kelly ; A bas Wagner! : the French press campaign against Wagner during World War I / Marion Schmid -- Canon, style, and political alignment. D'Indy's Beethoven / Steven Huebner ; Messidor : republican patriotism and the French revolutionary tradition in Third Republic opera / James Ross ; The symphony and national identity in early twentieth-century France / Brian Hart ; Transcending the word? : religion and music in Gauguin's quest for abstraction / Debora Silverman ; Jolivet's search for a new French voice : spiritual otherness in Mana (1935) / Deborah Mawer -- Regionalism. Rameau in late nineteenth-century Dijon : memorial, festival, fiasco / Katharine Ellis ; Becoming Alsatian : anti-German and pro-French cultural propaganda in Alsace, 1898-1914 / Detmar Klein ; National identity and the double border in Lorraine, 1870-1914 / Didier Francfort.
Author: Steven Huebner
Publisher: Oxford University Press
ISBN: 9780199719921
Category : Music
Languages : en
Pages : 552
Get Book Here
Book Description
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.
Author: Stefan Jarociński
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 200
Get Book Here
Book Description
From the first, Debussy's music lent itself to all kinds of convenient critical labels, of which the most fashionable has always been 'impressionist'. In this book the doyen of Polish musicologists examines Debussy's output against the twin backgrounds of his upbringing and of contemporary movements in the other arts besides music. He concludes that the 'impressionist' analogy between music and painting has been too deceptively obvious, and that the movement with which Debussy's art is most deeply impregnated is Symbolism. This he shows by a review of the general aesthetic ferments of this age, by close analysis of Debussy's music, his early works in particular, and by well-directed quotation from Debussy's own many writings on the subject. In the course of his argument he leads the reader down many unexpected bypaths in aesthetics; his book is both an original contribution to musicology and a philosophical meditation on the whole of the art of this unusually fertile and adventurous period.
