Troilus and Criseyde, with Facing-page Il Filostrato PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Troilus and Criseyde, with Facing-page Il Filostrato PDF full book. Access full book title Troilus and Criseyde, with Facing-page Il Filostrato by Geoffrey Chaucer. Download full books in PDF and EPUB format.
Author: Geoffrey Chaucer
Publisher: Norton Paperbacks
ISBN: 9780393927559
Category : Poetry
Languages : en
Pages : 628
Get Book Here
Book Description
The editor's lucid introduction, marginal glosses, and explanatory annotations make Troilus and Criseyde easily accessible to students with no prior knowledge of Chaucer or Middle English. Also included is Robert Henryson's Testament of Cresseid, the poignant "sequel" to Troilus and Criseyde from fifteenth-century Scotland. "Criticism" includes ten essays by a diverse group of distinguished Chaucerians, among them C. S. Lewis, E. Talbot Donaldson, Karla Taylor, Lee Patterson, and Jill Mann, that illuminate the major scholarly issues raised by this complex and challenging poem. A Glossary and Selected Bibliography are also included
Author: Geoffrey Chaucer
Publisher: Norton Paperbacks
ISBN: 9780393927559
Category : Poetry
Languages : en
Pages : 628
Get Book Here
Book Description
The editor's lucid introduction, marginal glosses, and explanatory annotations make Troilus and Criseyde easily accessible to students with no prior knowledge of Chaucer or Middle English. Also included is Robert Henryson's Testament of Cresseid, the poignant "sequel" to Troilus and Criseyde from fifteenth-century Scotland. "Criticism" includes ten essays by a diverse group of distinguished Chaucerians, among them C. S. Lewis, E. Talbot Donaldson, Karla Taylor, Lee Patterson, and Jill Mann, that illuminate the major scholarly issues raised by this complex and challenging poem. A Glossary and Selected Bibliography are also included
Author: Geoffrey Chaucer
Publisher: Hackett Publishing
ISBN: 1624661955
Category : Poetry
Languages : en
Pages : 296
Get Book Here
Book Description
This fast-moving Modern English version of Chaucer's greatest tragic romance highlights the poem's rapid shifts in register and diction as well as its subtle and elusive characterizations, while preserving the enchanting rhyme-royal stanza of the Middle English original. Christine Chism's Introduction illuminates the work's historical context, poetic devices, first audiences, sources, and non-traditional re-conception of a traditional female protagonist "whose faults," as Criseyde says, "are rolled on every tongue."
Author: Jenni Nuttall
Publisher: Cambridge University Press
ISBN: 0521191440
Category : Literary Criticism
Languages : en
Pages : 217
Get Book Here
Book Description
A scene-by-scene reader's guide to Geoffrey Chaucer's Trojan War poem specifically designed for student readers.
Author: Kara Gaston
Publisher: Oxford University Press
ISBN: 0192594311
Category : Literary Collections
Languages : en
Pages : 215
Get Book Here
Book Description
The monograph series Oxford Studies in Medieval Literature and Culture showcases the plurilingual and multicultural quality of medieval literature and actively seeks to promote research that not only focuses on the array of subjects medievalists now pursue in literature, theology, and philosophy, in social, political, jurisprudential, and intellectual history, the history of art, and the history of science but also that combines these subjects productively. It offers innovative studies on topics that may include, but are not limited to, manuscript and book history; languages and literatures of the global Middle Ages; race and the post-colonial; the digital humanities, media and performance; music; medicine; the history of affect and the emotions; the literature and practices of devotion; the theory and history of gender and sexuality, ecocriticism and the environment; theories of aesthetics; medievalism. Reading for form can mean reading for formation. Understanding processes through which a text was created can help us in characterizing its form. But what is involved in bringing a diachronic process to bear upon a synchronic work? When does literary formation begin and end? When does form happen? These questions emerge with urgency in the interactions between English poet Geoffrey Chaucer and Italian trecento authors Dante Alighieri, Giovanni Boccaccio, and Francis Petrarch. In fourteenth-century Italy, new ways were emerging of configuring the relation between author and reader. Previously, medieval reading was often oriented around the significance of the text to the individual reader. In Italy, however, reading was beginning to be understood as a way of getting back to a work's initial formation. This book tracks how concepts of reading developed within Italian texts, including Dante's Vita nova, Boccaccio's Filostrato and Teseida, and Petrarch's Seniles, impress themselves upon Chaucer's Troilus and Criseyde and Canterbury Tales. It argues that Chaucer's poetry reveals the implications of reading for formation: above all, that it both depends upon and effaces the historical perspective and temporal experience of the individual reader. Problems raised within Chaucer's poetry thus inform this book's broader methodological argument: that there is no one moment at which the formation of Chaucer's poetry ends; rather its form emerges in and through process of reading within time.
Author: Geoffrey Chaucer
Publisher: Georg Olms Verlag
ISBN: 3487156113
Category : Language Arts & Disciplines
Languages : en
Pages : 364
Get Book Here
Book Description
Band 16.1 der zehnbändige KWIC-Konkordanz zum Gesamtwerk Geoffrey Chaucers. Diese ermöglicht der Forschung erstmals, vollständige und systematische Untersuchungen an Chaucers Sprache und Texten durchzuführen. Mediävisten und Historiker der englischen Sprache erhalten damit ein Standardwerk wissenschaftlicher Arbeit. Die Konkordanz zu Chaucer basiert auf der Ausgabe „The Riverside Chaucer“, hrsg. von Larry Dean Benson (Boston, 1987 und Oxford, 1988), der heute international verbindlichen Ausgabe. Diese computer-gestützte Chaucer-Konkordanz ersetzt das von Hand erstellte Werk von Tatlock und Kennedy (1927), dem die heute veraltete „Globe-Edition“ zugrunde liegt.
Author: William Shakespeare
Publisher:
ISBN:
Category : Troilus (Legendary character)
Languages : en
Pages : 204
Get Book Here
Book Description
Author: Giovanni Boccaccio
Publisher: Routledge
ISBN: 9780367111182
Category :
Languages : en
Pages : 512
Get Book Here
Book Description
Originally published in 1986, this translated version of Giovanni Boccaccio's Il Filostrato is of particular interest as the principal source for Chaucer's great work, the Troilus. This edition includes the original Italian alongside the translation, so that even the English reader with no knowledge of Italian will be able to make out a good deal of the original assisted by a close translation.
Author: Geoffrey Chaucer
Publisher: Oxford University Press
ISBN: 0199555079
Category : Fiction
Languages : en
Pages : 255
Get Book Here
Book Description
Chaucer's masterpiece and one of the greatest narrative poems in English, the story of the lovers Troilus and Criseyde is renowned for its deep humanity and penetrating psychological insight. This new translation into modern English by a major Chaucerian scholar includes an index of the names relating to the Trojan War and an Index of Proverbs.
Author: Richard Danson Brown
Publisher: Manchester University Press
ISBN: 1526134632
Category : Literary Criticism
Languages : en
Pages : 214
Get Book Here
Book Description
The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
Author: Katherine C. Little
Publisher: Oxford University Press
ISBN: 0192883216
Category : Literary Criticism
Languages : en
Pages : 241
Get Book Here
Book Description
This book explores sixteenth-century humanism as an origin for the idea of literature as good, even great, books. It argues that humanists located the value of books not only in the goodness of their writing-their eloquence—but also in their capacity to shape readers in good and bad behavior, thoughts, and feelings, in other words, in their morality. To approach humanism in this way, by attending to its moral interests, is to provide a new perspective on periodization, the transition from the Middle Ages to the Renaissance / early modern. That is, humanists did not so much rupture with medieval ideas about literature or with medieval models as they adapted and altered them, offering a new confidence about an old idea: the moral instructiveness of pagan, classical texts for Christian readers. This revaluation of literature was a double-edged sword. On the one hand, humanist confidence inspired authors to invent their own good books—good in style and morals—in morality plays such as Everyman and the Christian Terence tradition and in educational treatises such as Sir Thomas Elyot's Boke of the Governour. On the other hand, humanism placed a new burden on authors, requiring their work to teach and delight. In the wake of humanism, authors struggled to articulate the value of their work for readers, returning to a pre-humanist path that they associated with Geoffrey Chaucer. This medieval-inflected doubt pervades the late sixteenth-century writings of the most prolific and influential Elizabethans-Robert Greene, George Gascoigne, and Edmund Spenser.
