Trio Sonata in C minor PDF Download
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Author: Johann Joachim Quantz
Publisher:
ISBN:
Category : Trio sonatas (Flute, oboe, continuo)
Languages : en
Pages : 104
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Book Description
Author: Johann Joachim Quantz
Publisher:
ISBN:
Category : Trio sonatas (Flute, oboe, continuo)
Languages : en
Pages : 104
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Book Description
Author: Mary Oleskiewicz
Publisher: University of Illinois Press
ISBN: 0252050088
Category : Music
Languages : en
Pages : 203
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Book Description
Among his numerous children, Johann Sebastian Bach sired five musically gifted sons. The eleventh volume of Bach Perspectives presents essays that explore these men’s lives and careers via distinctive and, in several cases, alternative and interdisciplinary methodologies. Robert L. Marshall traces how each of the sons grappled with—and at times suffocated beneath—their illustrious father’s legacy. Mary Oleskiewicz’s essay investigates the Bach family’s connections to historical keyboard instruments and musical venues at the Prussian court, while David Schulenberg looks at Carl Philipp Emanuel Bach’s diverse and innovative keyboard works. Evan Cortens digs into everything from performance materials to pay stubs to offer a detailed view of the business of Carl Philipp Emanuel Bach’s liturgical music. Finally, Christine Blanken discusses how the rediscovery of Bach family musical manuscripts in the Breitkopf archive opens up new perspectives on familiar topics. A supplemental companion website is now available for Bach Perspectives 11. This resource features additional images, captions, and short descriptions to provide an essential supplement to the printed text.
Author: David Schulenberg
Publisher: Oxford University Press
ISBN: 0190936320
Category : Music
Languages : en
Pages : 352
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Book Description
Bach has remained a figure of continuous fascination and interest to scholars and readers since the original Master Musicians Bach volume's publication in 1983 - even since its revision in 2000, understanding of Bach and his music's historical and cultural context has shifted substantially. Reflecting new biographical information that has only emerged in recent decades, author David Schulenberg contributes to an ongoing scholarly conversation about Bach with clarity and concision. Bach traces the man's emergence as a startlingly original organist and composer, describing his creative evolution, professional career, and family life from contemporary societal and cultural perspectives in early modern Europe. His experiences as student, music director, and teacher are examined alongside the music he produced in each of these roles, including early compositions for keyboard instruments, the great organ and harpsichord works of later years, vocal music, and other famous instrumental works, including the Brandenburg Concertos. Schulenberg also illuminates how Bach incorporated his contemporary environment into his work: he responded to music by other composers, to his audiences and employment conditions, and to developments in poetry, theology, and even the sciences. The author focuses on Bach's evolution as a composer by ultimately recognizing "Bach's world" in the specific cities, courts, and environments within and for which he composed. Dispensing with biographical minutiae and more closely examining the interplay between his life and his music, Bach presents a unique, grounded, and refreshing new framing of a brilliant composer.
Author: Peter-Lukas Graf
Publisher: Schott Music
ISBN: 3795787726
Category : Music
Languages : en
Pages : 128
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Book Description
Musical interpretation is first and foremost a question of shaping a melody or the melodic line of a setting. Music, like any language, follows its own set of rules and a sufficient knowledge and familiarity with musical 'grammar' is therefore an essential prerequisite of any convincing interpretation. The internationally renowned performer and teacher Peter-Lukas Graf explains in great detail the parameters that have to be taken into account for a successful interpretation: rhythm, metre, agogics, articulation, phrasing, ornamentation and implied polyphony, etc. Numerous examples from the flute repertoire of the 17th–20th century serve as models from which he derives the 'rules' appropriate for an interpretation in keeping with each period. – These rules are not intended to be dogmatic but instead should stimulate the players to form their own opinion.
Author: Johann Mattheson
Publisher: Alfred Music
ISBN: 9781457469749
Category : Music
Languages : en
Pages : 120
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Book Description
Kalmus proudly presents this complete collection of the flute sonatas of Johann Matheson. Included are the piano accompaniment and a separate solo flute part in this new cleanly printed edition.
Author: Georg Philipp Telemann
Publisher: Alfred Music
ISBN: 9781457479625
Category : Music
Languages : en
Pages : 24
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Book Description
Expertly arranged Violin Duets by Georg Philipp Telemann from the Kalmus Edition series. This is from the Baroque era.
Author: Max Reger
Publisher: Alfred Music
ISBN: 9781457470523
Category : Music
Languages : en
Pages : 92
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Book Description
A new Kalmus edition including Reger's two clarinet sonatas. Separate parts included for the clarinet and piano.
Author: Anton Bernhard Fürstenau
Publisher: Alfred Music
ISBN: 9781457469244
Category : Music
Languages : en
Pages : 76
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Book Description
Expertly arranged duets for two flutes.
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1208
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Book Description
Author: Hugh Evans
Publisher: Troubador Publishing Ltd
ISBN: 1783065494
Category : Music
Languages : en
Pages : 104
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Book Description
Many people learn the flute. Most give it up as an adult because they cannot easily find anyone to play with, and a lack of practice makes it less enjoyable to play. This book is aimed at helping such people. The first chapter diagnoses why most amateur flautists give up playing, and sets out a number of remedies. The most important is finding other musicians with whom to play, whether in an orchestra, or more importantly, in chamber groups. The author explores how you might set about finding players for chamber music, and how you might set about finding the music itself. The second chapter gives guidance about the music for all the principal combinations of chamber groups which involve the flute. The most significant ones are flute and piano, two to four flutes, trio sonatas with another melody instrument and piano, and the wind quartet. The author describes the principal works for each of these groups, which are fun and manageable for amateurs, rather than listing everything that is available. Listed are the significant works that are available for free on the internet. The third chapter suggests a short practice regime to counteract the deficiencies in the playing of most amateur flautists, which are poor tone and tuning. Practicing half an hour a few times a week should do the trick.
