Trio Sonata in C minor

Trio Sonata in C minor PDF Author: Johann Joachim Quantz
Publisher:
ISBN:
Category : Trio sonatas (Flute, oboe, continuo)
Languages : en
Pages : 104

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Book Description

Trio Sonata in C minor

Trio Sonata in C minor PDF Author: Johann Joachim Quantz
Publisher:
ISBN:
Category : Trio sonatas (Flute, oboe, continuo)
Languages : en
Pages : 104

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Book Description


Concerto in C Minor for Oboe and Piano

Concerto in C Minor for Oboe and Piano PDF Author: Benedetto Marcello
Publisher: Alfred Music
ISBN: 1457479184
Category : Music
Languages : en
Pages : 18

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Book Description
An Oboe solo, composed by Benedetto Marcello.

School of Music Programs

School of Music Programs PDF Author: University of Michigan. School of Music
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 336

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Book Description


How Sonata Forms

How Sonata Forms PDF Author: Yoel Greenberg
Publisher: Oxford University Press
ISBN: 0197526284
Category : History
Languages : en
Pages : 265

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Book Description
Traditional approaches to musical form have always adopted a top-down perspective whereby a work's form organizes and unifies the individual parts of the work through an overarching logic. How Sonata Forms turns this view on its head, proposing instead that it was the parts that conditioned and enabled the whole. Relying on a corpus of over a thousand works, author Yoel Greenberg illustrates how the elements of sonata form arose independently of one another, with an overarching idea of form only emerging at the tail end of its formative period during the eighteenth century. Appreciation of the bottom-up nature of sonata form's evolution reveals it not as a stable package of features that all serve a common aesthetic or formal goal, but rather as an unstable collection of disparate and sometimes even contradictory common practices. The resolution of these contradictions presents a challenge to composers, rendering form a creative catalyst in itself, rather than as a compositional convenience. More generally, the deeply diachronic perspective of How Sonata Forms offers an alternative to the traditional synchronic outlook that pervades music theory in general and the study of form in particular. Rather than focus on definitions and taxonomies, How Sonata Forms proposes a focus on the motion of the system of form as a whole, suggesting that it is often more productive to appreciate the dynamics of a system than it is to rigorously define its parts.

A Player's Guide to Chamber Music

A Player's Guide to Chamber Music PDF Author: Paul Jeffery
Publisher: The Crowood Press
ISBN: 0719825075
Category : Music
Languages : en
Pages : 291

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Book Description
Chamber music includes some of the world's greatest music. It is widely played in homes, without an audience, by players who are mostly amateurs, and much of the repertoire is playable even by those of quite moderate ability. A Player's Guide to Chamber Music gives advice on what music is available and helps the player to identify what is suitable. It covers chamber music from the seventeenth to the later twentieth century and all instrumental combinations including strings, piano, wind instruments, duet sonatas and baroque ensembles. All the significant composers and musical aspects of playing are covered along with works suitable for inexperienced players. Illustrated with 63 black & white illustrations.

School of Music, Theatre & Dance (University of Michigan) Publications

School of Music, Theatre & Dance (University of Michigan) Publications PDF Author: University of Michigan. School of Music, Theatre & Dance
Publisher: UM Libraries
ISBN:
Category :
Languages : en
Pages :

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Book Description
Includes miscellaneous newsletters (Music at Michigan, Michigan Muse), bulletins, catalogs, programs, brochures, articles, calendars, histories, and posters.

Complete violin sonatas and trio sonatas

Complete violin sonatas and trio sonatas PDF Author: Arcangelo Corelli
Publisher: Courier Corporation
ISBN: 0486272419
Category : Music
Languages : en
Pages : 354

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Book Description
Elegant works of great lyric expressiveness that rank among the glories of Baroque music. This volume, reprinted from the standard edition, contains all 48 of the trio sonatas (including the famous chaconne) of Opp. 1, 2, 3 and 4, along with all twelve solo sonatas, Op. 5.

Sonata No. 3 in C Major

Sonata No. 3 in C Major PDF Author: Beethoven
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986949293
Category :
Languages : en
Pages : 34

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Book Description
Sonata no. 3 in C major is one of the first three Beethoven's sonatas (opus 2) written in 1795 and dedicated to Joseph Haydn. This UTEXT edition is based on early original editions, which Beethoven personally supervised. The fingerings are provided by the editor.

The Faber Pocket Guide to Bach

The Faber Pocket Guide to Bach PDF Author: Sir Nicholas Kenyon
Publisher: Faber & Faber
ISBN: 0571272002
Category : Music
Languages : en
Pages : 508

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Book Description
The music of J.S.Bach has a unique power and attraction some 300 years after it was written. From annual performances of the great Passions and BBC Radio 3's hugely successful Bach Christmas, to its use in adverts, films and popular arrangements, the imaginative strength of Bach's music continues to draw listeners to explore its mysteries. This new Pocket Guide looks at all Bach's music, sacred and secular, and explores why he speaks so profoundly to our age about both the spiritual and the sensual in life. Among the features of this easy-to-use book: The Bach Top Ten Bach: The music work by work Performing Bach today Bach: The life year by year What people said about Bach Accessible and easy to use, Nicholas Kenyon provides for the first time an up-to-date survey of all Bach's major works in the light of the latest research, from Masses to Cantatas, Concertos to Suites, and recommends the best CDs and further reading.

Classical Guitarists

Classical Guitarists PDF Author: Jim Tosone
Publisher: McFarland
ISBN: 0786482427
Category : Music
Languages : en
Pages : 200

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Book Description
Classical Guitarists fills a void in the special world of the classical guitar. Although this realm is inhabited by world-class musicians, much of what they think and feel has never been captured in print. The interviewees, including Julian Bream, John Williams, Sharon Isbin, Eliot Fisk, David Starobin and David Tanenbaum are a select group at the peak of their prowess who speak openly and thoughtfully about their opportunities, accomplishments, and lessons learned. Each has made important contributions from establishing significant academic programs to broadening the audience for the classical guitar. The author shares his reviews of their most important recordings and New York City concerts during the 1990s, as well as discographies of their recordings. There are also interviews with Harold Shaw, the most prominent artist manager in the history of the classical guitar and several of today's most important composers for the guitar, including Pulitzer Prize winners George Crumb and Aaron Jay Kernis. An introductory chapter provides an historical perspective on classical guitar and a postscript explains how to create a basic repertoire of recordings.