Author: Edouard Destenay
Publisher:
ISBN:
Category : Trios (Piano, clarinet, oboe)
Languages : en
Pages : 78
Book Description
Trio in B minor, op. 27
Author: Edouard Destenay
Publisher:
ISBN:
Category : Trios (Piano, clarinet, oboe)
Languages : en
Pages : 78
Book Description
Publisher:
ISBN:
Category : Trios (Piano, clarinet, oboe)
Languages : en
Pages : 78
Book Description
Trio in B Minor
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769283593
Category : Music
Languages : en
Pages : 32
Book Description
Publisher: Alfred Music Publishing
ISBN: 9780769283593
Category : Music
Languages : en
Pages : 32
Book Description
Trio No. 1 for Piano, Violin and Cello in B Minor, [i.e. B Major] Op. 8
Author: Johannes Brahms
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 136
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 136
Book Description
Quintet in B minor
Author: David Diamond
Publisher:
ISBN:
Category : Quintets (Piano, flute, violin, viola, cello)
Languages : en
Pages : 100
Book Description
Publisher:
ISBN:
Category : Quintets (Piano, flute, violin, viola, cello)
Languages : en
Pages : 100
Book Description
Trio No. 1
Author: Johannes Brahms
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 120
Book Description
Publisher:
ISBN:
Category : Piano trios
Languages : en
Pages : 120
Book Description
Con Brio
Author: Nat Brandt
Publisher: iUniverse
ISBN: 0595010113
Category :
Languages : en
Pages : 310
Book Description
none given by author
Publisher: iUniverse
ISBN: 0595010113
Category :
Languages : en
Pages : 310
Book Description
none given by author
An Encyclopedia of the Violin
Author: Alberto Bachmann
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508
Book Description
Publisher:
ISBN:
Category : Cellists
Languages : en
Pages : 508
Book Description
Quintet in B Minor for Flute, String Trio, and Piano
Author: David Diamond
Publisher:
ISBN:
Category :
Languages : en
Pages : 54
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 54
Book Description
The Monthly Musical Record
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 424
Book Description
Elements of Sonata Theory
Author: James Hepokoski
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.
Publisher: Oxford University Press
ISBN: 0199890234
Category : Music
Languages : en
Pages : 692
Book Description
Elements of Sonata Theory is a comprehensive, richly detailed rethinking of the basic principles of sonata form in the decades around 1800. This foundational study draws upon the joint strengths of current music history and music theory to outline a new, up-to-date paradigm for understanding the compositional choices found in the instrumental works of Haydn, Mozart, Beethoven, and their contemporaries: sonatas, chamber music, symphonies, overtures, and concertos. In so doing, it also lays out the indispensable groundwork for anyone wishing to confront the later adaptations and deformations of these basic structures in the nineteenth and earlier twentieth centuries. Combining insightful music analysis, contemporary genre theory, and provocative hermeneutic turns, the book brims over with original ideas, bold and fresh ways of awakening the potential meanings within a familiar musical repertory. Sonata Theory grasps individual compositions-and each of the individual moments within them-as creative dialogues with an implicit conceptual background of flexible, ever-changing historical norms and patterns. These norms may be recreated as constellations "compositional defaults," any of which, however, may be stretched, strained, or overridden altogether for individualized structural or expressive purposes. This book maps out the terrain of that conceptual background, against which what actually happens-or does not happen-in any given piece may be assessed and measured. The Elements guides the reader through the standard (and less-than-standard) formatting possibilities within each compositional space in sonata form, while also emphasizing the fundamental role played by processes of large-scale circularity, or "rotation," in the crucially important ordering of musical modules over an entire movement. The book also illuminates new ways of understanding codas and introductions, of confronting the generating processes of minor-mode sonatas, and of grasping the arcs of multimovement cycles as wholes. Its final chapters provide individual studies of alternative sonata types, including "binary" sonata structures, sonata-rondos, and the "first-movement form" of Mozart's concertos.