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Author: William Fagg
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
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Book Description
Author: William Fagg
Publisher:
ISBN:
Category :
Languages : en
Pages : 268
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Book Description
Author: Alexandre Marc
Publisher: World Bank Publications
ISBN: 0821341952
Category : Art
Languages : en
Pages : 114
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Book Description
African artistic expression has helped to construct culture, form social identity, and support spiritual communication. The choice of the World Bank's African collection for a catalogue stems from the recognition by many art experts that the Bank is home to a rich and valuable collection that deserves to be better known by staff, representatives from member countries, and the public at large. The book displays African art from past to present, African art at the World Bank, and African art and society.
Author: Peter Probst
Publisher: University of Chicago Press
ISBN: 022679329X
Category : Art
Languages : en
Pages : 282
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Book Description
A history of the evolving field of African art. This book examines the invention and development of African art as an art historical category. It starts with a simple question: What do we mean when we talk about African art? By confronting the historically shifting answers to this question, Peter Probst identifies “African art” as a conceptual vessel that manifests wider societal transformations. What Is African Art? covers three key stages in the field’s history. Starting with the late nineteenth through the mid-twentieth centuries, the book first discusses the colonial formation of the field by focusing on the role of museums, collectors, and photography in disseminating visual cultures as relations of power. It then explores the remaking of the field at the dawn of African independence with the shift toward contemporary art and the rise of Black Atlantic studies in the 1970s and 1980s. Finally, it examines the post- and decolonial reconfiguration of the field driven by questions of representation, repair, and restitution.
Author: Howard Morphy
Publisher: John Wiley & Sons
ISBN: 1405155329
Category : Social Science
Languages : en
Pages : 576
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Book Description
This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art. Provides the basis for the appreciation of art of different cultures and times. Enhances readers’ appreciation of the aesthetics of art and of the important role it plays in human society.
Author:
Publisher: Univ of California Press
ISBN:
Category :
Languages : en
Pages : 332
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Book Description
Author: Daniel Biebuyck
Publisher: Univ of California Press
ISBN: 0520324145
Category : Non-Classifiable
Languages : en
Pages : 422
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Book Description
Author: Daniel P. Biebuyck
Publisher: Univ of California Press
ISBN: 9780520020856
Category : Social Science
Languages : en
Pages : 370
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Book Description
A young Highland boy discovers he has the gift of Second Sight.
Author: Sotheby's (Firm)
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 258
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Book Description
Author: Geoffrey Williams
Publisher: Courier Corporation
ISBN: 0486227529
Category : Social Science
Languages : en
Pages : 254
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Book Description
Black-and-white linocut prints of geometric and abstract motifs, textual patterns, masks, and mythical figures provide a pictorial presentation of African designs
Author: Moyo Okediji
Publisher: Taylor & Francis
ISBN: 1003848893
Category : Art
Languages : en
Pages : 327
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Book Description
This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism. Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The Ìwà (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or Ìwà of African art studies. The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.
