Treatise on Melody PDF Download
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Author: Anton Reicha
Publisher:
ISBN: 9781576470312
Category : Music
Languages : en
Pages : 198
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Book Description
Anton Reicha's Treatise on Melody (1814) was one of the most widely read and influential treatises of the early to mid 19th century. Reicha systematically lays out a theory of melodic phraseology examines factors of cadential closure and prolongation and provides and early classification of musical forms.
Author: Anton Reicha
Publisher:
ISBN: 9781576470312
Category : Music
Languages : en
Pages : 198
Get Book Here
Book Description
Anton Reicha's Treatise on Melody (1814) was one of the most widely read and influential treatises of the early to mid 19th century. Reicha systematically lays out a theory of melodic phraseology examines factors of cadential closure and prolongation and provides and early classification of musical forms.
Author: Chilly Gonzales
Publisher: Rough Trade Books
ISBN: 1912722879
Category : Music
Languages : en
Pages : 55
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Book Description
Chilly Gonzales is one of the most exciting, original, hard-to-pin-down musicians of our time. Filling halls worldwide at the piano in his slippers and a bathrobe—in any one night he can be dissecting the musicology of an Oasis hit, giving a sublime solo recital, and displaying his lyrical dexterity as a rapper. In his book about Enya, he asks: Does music have to be smart or does it just have to go to the heart? In dazzling, erudite prose Gonzales delves beyond her innumerable gold discs and millions of fans to excavate his own enthusiasm for Enya's singular music as well as the mysterious musician herself, and along the way uncovers new truths about the nature of music, fame, success and the artistic endeavour.
Author: Stewart Macpherson
Publisher: London : Joseph Williams Limited
ISBN:
Category : Harmony
Languages : en
Pages : 326
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Book Description
Author: David Trippett
Publisher: Cambridge University Press
ISBN: 1107067286
Category : Music
Languages : en
Pages : 463
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Book Description
Since the 1840s, critics have lambasted Wagner for lacking the ability to compose melody. But for him, melody was fundamental - 'music's only form'. This incongruity testifies to the surprising difficulties during the nineteenth century of conceptualizing melody. Despite its indispensable place in opera, contemporary theorists were unable even to agree on a definition for it. In Wagner's Melodies, David Trippett re-examines Wagner's central aesthetic claims, placing the composer's ideas about melody in the context of the scientific discourse of his age: from the emergence of the natural sciences and historical linguistics to sources about music's stimulation of the body and inventions for 'automatic' composition. Interweaving a rich variety of material from the history of science, music theory, music criticism, private correspondence and court reports, Trippett uncovers a new and controversial discourse that placed melody at the apex of artistic self-consciousness and generated problems of urgent dimensions for German music aesthetics.
Author: Ian Bent
Publisher: Cambridge University Press
ISBN: 9780521259699
Category : Music
Languages : en
Pages : 404
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Book Description
This book demonstrates, in fascinating diversity, how musicians in the nineteenth century thought about and described music. The analysis of music took many forms (verbal, diagrammatic, tabular, notational, graphic), was pursued for many different purposes (educational, scholarly, theoretical, promotional) and embodied very different approaches. This, the first volume, is concerned with writing on fugue, form and questions of style in the music of Palestrina, Handel, Bach, Mozart, Beethoven and Wagner and presents analyses of complete works or movements by the most significant theorists and critics of the century. The analyses are newly translated into English and are introduced and thoroughly annotated by Ian Bent, making this a volume of enormous importance to our understanding of the nature of music reception in the nineteenth century.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 408
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Book Description
Author: Leopold Mozart
Publisher: Early Music
ISBN: 9780193185135
Category : Music
Languages : en
Pages : 276
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Book Description
Leopold Mozart's Treatise on the Fundamental Principles of Violin Playing was the major work of its period on the violin and comparable in importance to Quantz's treatise on the flute and P.E. Bach's on the piano. This translation by Editha Knocker was the first to appear in English and remains scholarly and eminently readable.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 214
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Book Description
Author: William Ayrton
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 408
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Book Description
Author: Alexander Rehding
Publisher: Oxford University Press
ISBN: 0190077603
Category : Music
Languages : en
Pages : 849
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Book Description
Music Theory has a lot of ground to cover. Especially in introductory classes a whole range of fundamental concepts are introduced at fast pace that can never be explored in depth or detail, as other new topics become more pressing. The short time we spend with them in the classroom belies the complexity (and, in many cases, the contradictions) underlying these concepts. This book takes the time to tarry over these complexities, probe the philosophical assumptions on which these concepts rest, and shine a light on all their iridescent facets. This book presents music-theoretical concepts as a register of key terms progressing outwards from smallest detail to discussions of the music-theoretical project on the largest scale. The approaches individual authors take range from philosophical, historical, or analytical to systematic, cognitive, and critical-theorical-covering the whole diverse spectrum of contemporary music theory. In some cases authors explore concepts that have not yet been widely added to the theorist's toolkit but deserve to be included; in other cases concepts are expanded beyond their core repertory of application. This collection does not shy away from controversy. Taken in their entirety, the essays underline that music theory is on the move, exploring new questions, new repertories, and new approaches. This collection is an invitation to take stock of music theory in the early twenty-first century, to look back and to encourage discussion about its future directions. Its chapters open up a panoramic view of the contemporary music-theoretical landscape with its expanding repertories and changing guiding questions, and offers suggestions as to where music theory is headed in years to come.
