Treasures of Impressionism and Post-impressionism National Gallery of Art PDF Download
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Author: Florence E. Coman
Publisher:
ISBN: 9781558595613
Category : Art
Languages : en
Pages : 318
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Book Description
This delightful compendium presents the National Gallery's superb collection of much-loved Impressionist and Post-Impressionist paintings, sculpture, prints, and drawings. 300 full-color illus.
Author: Florence E. Coman
Publisher:
ISBN: 9781558595613
Category : Art
Languages : en
Pages : 318
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Book Description
This delightful compendium presents the National Gallery's superb collection of much-loved Impressionist and Post-Impressionist paintings, sculpture, prints, and drawings. 300 full-color illus.
Author: Florence Coman
Publisher: Abbeville Press
ISBN: 9788437614205
Category : Art
Languages : es
Pages : 320
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Book Description
This delightful compendium presents the National Gallery's superb collection of much-loved Impressionist and Post-Impressionist paintings, sculpture, prints, and drawings. 300 full-color illus.
Author: Florence E. Coman
Publisher: Abbeville Publishing Group
ISBN: 9780789204912
Category : Art
Languages : en
Pages : 324
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Book Description
As one of the Tiny Folio Great Museum series, this book is designed as a tour of the National Gallery's collection of Impressionist and post-Impressionist paintings, drawings, prints and sculpture. Visitors to the National Gallery in Washington usually make straight for the rooms holding the museum's works by the greatest Impressionist artists, including Degas, Renoir, Van Gogh, Gauguin, Cezanne and many others. This miniature compendium includes all the favourites, along with many less-familiar works photographed especially for this volume.
Author: Nathalia Brodskaïa
Publisher: Parkstone International
ISBN: 1783105046
Category : Art
Languages : en
Pages : 969
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Book Description
Impressionism is the most famous artistic movement. But what appears today as a charming and exquisite landscape painting, was actually one of the first avant-garde movements whose members had decided to fight the values of traditional art. The impressionist outdoor paintings shocked the public by the technique used, but also by their apparent banality. As Monet, Sisley, Pissarro and many others sought to capture the ephemeral nature of light, the next generation would reject naturalism. Indeed, post-impressionists such as Gauguin, Van Gogh, Cézanne and Seurat favored the subjective rather than the objective and the eternal rather than the concrete. In doing so, they laid the formal foundations of 20th-century modern art. This book is a visual guide through the crucial moments in the history of art and the progression of the 19th-century to modernity.
Author: Альберт Григорьевич Костеневич
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 296
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Book Description
Seventy-four masterpieces of French painting, long believed lost in World War II, by many of the greatest artists of the nineteenth and twentieth centuries.
Author: Carol Sabbeth
Publisher: Chicago Review Press
ISBN: 156976882X
Category : Juvenile Nonfiction
Languages : en
Pages : 162
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Book Description
A collection of artwork for children by Vincent van Gogh and other French artists.
Author: Nathalia Brodskaïa
Publisher: Parkstone International
ISBN: 1783103892
Category : Art
Languages : en
Pages : 200
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Book Description
Whilst Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Eugène Chevreul, Georges Seurat transcribed the chemist’s theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the midday sun, whilst Cézanne renounced perspective. Rich in its variety and in the singularity of its artists, Post-Impressionism was a passage taken by all the well-known figures of 20th century painting - it is here presented, for the great pleasure of the reader, by Nathalia Brodskaïa.
Author: John I. Clancy
Publisher: Nova Publishers
ISBN: 9781590335451
Category : Art
Languages : en
Pages : 242
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Book Description
Defining an artistic era or movement is often a difficult task, as one tries to group individualistic expressions and artwork under one broad brush. Such is the case with impressionism, which culls together the art of a multitude of painters in the mid-19th century, including Monet, Cézanne, Renoir, Degas, and van Gogh. Basically, impressionism involved the shedding of traditional painting methods. The subjects of art were taken from everyday life, as opposed to the pages of mythology and history. In addition, each artist painted to express feelings of the moment instead of hewing to time-honoured standards. This description of impressionism, obviously, is quite broad and can apply to a wide array of styles. Nonetheless, it remains a very important school in the annals of art. Any current or budding art aficionado should become familiar with the impressionist movement and its impact on the art world. This book presents a sweeping study of this artistic period, from its origins to its manifestations in the works of some of art history's most revered painters. Following this overview is a substantial and selective bibliography, featuring access through author, title, and subject indexes.
Author: Natalʹi͡a Valentinovna Brodskai͡a
Publisher:
ISBN: 9781859956021
Category : Impressionism (Art)
Languages : en
Pages : 264
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Book Description
Author: Mary Tompkins Lewis
Publisher: Univ of California Press
ISBN: 052094044X
Category : Art
Languages : en
Pages : 368
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Book Description
The essays in this wide-ranging, beautifully illustrated volume capture the theoretical range and scholarly rigor of recent criticism that has fundamentally transformed the study of French Impressionist and Post-Impressionist art. Readers are invited to consider the profound issues and penetrating questions that lie beneath this perennially popular body of work as the contributors examine the art world of late nineteenth-century France—including detailed looks at Monet, Manet, Pissarro, Degas, Cézanne, Morisot, Seurat, Van Gogh, and Gauguin. The authors offer fascinating new perspectives, placing the artworks from this period in wider social and historical contexts. They explore these painters' pictorial and market strategies, the critical reception and modern criteria the paintings engendered, and the movement's historic role in the formation of an avant-garde tradition. Their research reflects the wealth of new documents, critical approaches, and scholarly exhibitions that have fundamentally altered our understanding of Impressionism and Post-Impressionism. These essays, several of which have previously been familiar only to scholars, provide instructive models of in-depth critical analysis and of the competing art historical methods that have crucially reshaped the field. Contributors: Carol Armstrong, T. J. Clark, Stephen F. Eisenman, Tamar Garb, Nicholas Green, Robert L. Herbert, John House, Mary Tompkins Lewis, Michel Melot, Linda Nochlin, Richard Shiff, Debora Silverman, Paul Tucker, Martha Ward
