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Author: Sarah Emanuel
Publisher: BRILL
ISBN: 9004505806
Category : Religion
Languages : en
Pages : 57
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Book Description
This work offers an overview of trauma theory’s relations to biblical studies. In addition to summarizing the theoretical landscape(s), it provides exegetical forays into Ezekiel and, in part, Exodus and the Eucharist. The analysis will engage these materials’ traumatic ethoi, including their connections to trauma informed eating and queerings, so as to offer entryways into the wider critical conversation. While these exegetical foci may seem arbitrary, that is in part the point. As readers will see, trauma defies sense-making. Akin to postmodernist poststructuralist intertextualities, trauma cannot be flattened into neat narration. Trauma is capricious, leaving survivors to carry with them multivalent and even paradoxical connections to their experiences. This project thus attempts to perform trauma’s plurisignification as much as it tries to explain it, using a set of traditionally unexamined pairings to do so. While not an exhaustive survey on trauma theory and the Bible - such work could fill the space of multiple publications - the following work provides a representation of both the theory of trauma and its applications within the biblical field.
Author: Sarah Emanuel
Publisher: BRILL
ISBN: 9004505806
Category : Religion
Languages : en
Pages : 57
Get Book Here
Book Description
This work offers an overview of trauma theory’s relations to biblical studies. In addition to summarizing the theoretical landscape(s), it provides exegetical forays into Ezekiel and, in part, Exodus and the Eucharist. The analysis will engage these materials’ traumatic ethoi, including their connections to trauma informed eating and queerings, so as to offer entryways into the wider critical conversation. While these exegetical foci may seem arbitrary, that is in part the point. As readers will see, trauma defies sense-making. Akin to postmodernist poststructuralist intertextualities, trauma cannot be flattened into neat narration. Trauma is capricious, leaving survivors to carry with them multivalent and even paradoxical connections to their experiences. This project thus attempts to perform trauma’s plurisignification as much as it tries to explain it, using a set of traditionally unexamined pairings to do so. While not an exhaustive survey on trauma theory and the Bible - such work could fill the space of multiple publications - the following work provides a representation of both the theory of trauma and its applications within the biblical field.
Author: Gert Buelens
Publisher: Routledge
ISBN: 113505309X
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
This collection analyses the future of ‘trauma theory’, a major theoretical discourse in contemporary criticism and theory. The chapters advance the current state of the field by exploring new areas, asking new questions and making new connections. Part one, History and Culture, begins by developing trauma theory in its more familiar post-deconstructive mode and explores how these insights might still be productive. It goes on, via a critique of existing positions, to relocate trauma theory in a postcolonial and globalized world, theoretically, aesthetically and materially, and focuses on non-Western accounts and understandings of trauma, memory and suffering. Part two, Politics and Subjectivity, turns explicitly to politics and subjectivity, focussing on the state and the various forms of subjection to which it gives rise, and on human rights, biopolitics and community. Each chapter, in different ways, advocates a movement beyond the sort of texts and concepts that are the usual focus for trauma criticism and moves this dynamic network of ideas forward. With contributions from an international selection of leading critics and thinkers from the US and Europe, this volume will be a key critical intervention in one of the most important areas in contemporary literary criticism and theory.
Author: M. Balaev
Publisher: Springer
ISBN: 1137365943
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
This edited collection argues that trauma in literature must be read through a theoretical pluralism that allows for an understanding of trauma's variable representations that include yet move beyond the concept of trauma as pathological and unspeakable.
Author: Sonya Andermahr
Publisher: MDPI
ISBN: 3038421952
Category : Political Science
Languages : en
Pages : 219
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Book Description
This book is a printed edition of the Special Issue "Decolonizing Trauma Studies: Trauma and Postcolonialism" that was published in Humanities
Author: Victoria Kuttainen
Publisher: Cambridge Scholars Publishing
ISBN: 1443818127
Category : Literary Criticism
Languages : en
Pages : 398
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Book Description
The first study of the synergies between postcolonialism and the genre of the short story composite, Unsettling Stories considers how the form of the interconnected short story collection is well suited to expressing thematic aspects of postcolonial writing on settler terrain. Unique for its comparative considerations of American, Canadian, and Australian literature within the purview of postcolonial studies, this is also a considered study of the difficult place of the postcolonial settler subject within academic debates and literature. Close readings of work by Tim Winton, Margaret Laurence, William Faulkner, Stephen Leacock, Sherwood Anderson, Olga Masters, Scott R. Sanders, Thea Astley, Tim O’Brien and Sandra Birdsell are positioned alongside critical discussions of postcolonial theory to show how awkward affiliations of individuals to place, home, nation, culture, and history expressed in short story composites can be usefully positioned within the broader context of settler colonialism and its aftermath.
Author: Shelley M. Griffin
Publisher: Springer Nature
ISBN: 9819962773
Category : Education
Languages : en
Pages : 216
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Book Description
This book focuses on the traumatic experiences within and through music that individuals and collectives face, while considering ways in which they (re)engage with their traumas in educational settings. The chapters delve into the physical, psychological, philosophical, sociological, and political aspects, as they relate to the reciprocal influences of trauma on musical practices and education. Readers are immersed in topics related to societal violence, physical injuries, grief, separation, loss, death, and ways of working through these in educational and artistic situations. In the introductory chapter, the co-editors draw attention to theoretical matters related to trauma through narrative inquiry in music education. The first section of the book, Separation Revisited, brings together notions of separation, focusing on how loss is emotionally and physically manifested when death, grief, and bodily injury are experienced. In the second section, (Re)Engaging with Lost and Found, readers are encouraged to imagine new possibilities considering trauma and loss in educational and musical spaces. These pieces offer deliberate ruminations moving the discourse toward (re)engagement in and through music education and artistic contexts. The co-editors conclude the book by drawing attention to narrative inquiry’s double-edged nature in stories of trauma and how the retelling of lost and found narratives offers a way to imagine lives otherwise—lives not smothered by grief and horror—through the conceivable reliving of unfathomable stories of experience. This book emerges from the 7th International Conference on Narrative Inquiry in Music Education (NIME7), October 2020, co-hosted by Brock University, Faculty of Education and the University of Toronto, Faculty of Music, Ontario, Canada.
Author: Rosemary Jane Jolly
Publisher: Liverpool University Press
ISBN: 1846312132
Category : Social Science
Languages : en
Pages : 193
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Book Description
Cultured Violence explores contemporary South African culture as a test case for the achievement of democracy by constitutional means in the wake of prolonged and violent cultural conflict. Drawing on and juxtaposing narratives of profoundly different kinds—the fiction of J. M. Coetzee, public testimony form the Truth and Reconciliation Commission, documents from former Deputy President Jacob Zuma's rape trial, and personal interviews among them—in order to illuminate different cultural senses of the “state of the nation” and retrieve otherwise elusive descriptions of South African subjects taken from accounts of their individual lives.
Author: Heather Hillsburg
Publisher: Routledge
ISBN: 1000606546
Category : Literary Criticism
Languages : en
Pages : 149
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Book Description
Evolving from a rigorous study of post-9/11 women's writing, Dr. Heather Hillsburg's new monograph identifies an emerging genre, which she names Urban Captivity Narratives. Using examples ranging from memoir to young adult fiction, each of the texts examined in the study follows a female protagonist who has survived abduction, been held captive for months or even years, and subjected to sexual, emotional, and physical abuse by their captor. Hillsburg contextualizes these narratives, and takes into consideration our current political atmosphere, the role of patriarchy, and various social anxieties that come into play when discussing the kind of oppression seen in these narratives.
Author: Marjorie Worthington
Publisher: University of Nebraska Press
ISBN: 1496208757
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Autofiction, or works in which the eponymous author appears as a fictionalized character, represents a significant trend in postwar American literature, when it proliferated to become a kind of postmodern cliché. The Story of “Me” charts the history and development of this genre, analyzing its narratological effects and discussing its cultural implications. By tracing autofiction’s conceptual issues through case studies and an array of texts, Marjorie Worthington sheds light on a number of issues for postwar American writing: the maleness of the postmodern canon—and anxieties created by the supposed waning of male privilege—the relationship between celebrity and authorship, the influence of theory, the angst stemming from claims of the “death of the author,” and the rise of memoir culture. Worthington constructs and contextualizes a bridge between the French literary context, from which the term originated, and the rise of autofiction among various American literary movements, from modernism to New Criticism to New Journalism. The Story of “Me” demonstrates that the burgeoning of autofiction serves as a barometer of American literature, from modernist authorial effacement to postmodern literary self-consciousness.
Author: Pedro Moura
Publisher: Leuven University Press
ISBN: 9462703035
Category : Comics & Graphic Novels
Languages : en
Pages : 237
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Book Description
Cultural history of contemporary Portuguese comics and their creative responses to trauma Portugal's vibrant comics scene originated as early as the 19th century, bringing forth brilliant individual artists, but has remained mostly unknown beyond Portugal’s borders to this day. Now a new generation employs this medium to put into question hegemonic views on the economy, politics, and society. Following the experience of the financial crisis of the past decades and its impact on social policies, access to and rules of public discourse, and civil strife, comics have questioned what constitutes a traumatogenic situation and what can act as a creative response. By looking at established graphic novels by Marco Mendes and Miguel Rocha, fanzine-level, and even experimental productions, Visualising Small Traumas is the first English-language book that addresses Portuguese contemporary comics and investigates how trauma studies can both shed a light on comics making and be informed by that very same practice. This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
