Author: Anne Whitehead
Publisher: Edinburgh University Press
ISBN: 074866601X
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
The literary potential of trauma is examined in this book, bringing trauma theory and literary texts together for the first time. Trauma Fiction focuses on the ways in which contemporary novelists explore the theme of trauma and incorporate its structures into their writing. It provides innovative readings of texts by Pat Barker, Jackie Kay, Anne Michaels, Toni Morrison, Caryl Phillips, W. G. Sebald and Binjamin Wilkomirski. It also considers the ways in which trauma has affected fictional form, exploring how novelists have responded to the challenge of writing traumatic narratives, and identifying the key stylistic features associated with the genre. In addition, the book introduces the reader to key critics in the field of trauma theory such as Cathy Caruth, Shoshana Felman and Geoffrey Hartman. The linking of trauma theory and literary texts not only sheds light on works of contemporary fiction, it also points to the inherent connections between trauma theory and the literary which have often been overlooked. The distinction between literary theme and style in the book opens up major questions regarding the nature of trauma itself. Trauma, like the novels discussed, is shown to take an uncertain but productive place between content and form.Key Features*Idenitifes and explores a new and evolving genre in contemporary fiction*Thinks through the relation between trauma and literature*Produces innovative readings of key works of contemporary fiction *Provides an introduction to key ideas in trauma theory
Trauma Fiction
Author: Anne Whitehead
Publisher: Edinburgh University Press
ISBN: 074866601X
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
The literary potential of trauma is examined in this book, bringing trauma theory and literary texts together for the first time. Trauma Fiction focuses on the ways in which contemporary novelists explore the theme of trauma and incorporate its structures into their writing. It provides innovative readings of texts by Pat Barker, Jackie Kay, Anne Michaels, Toni Morrison, Caryl Phillips, W. G. Sebald and Binjamin Wilkomirski. It also considers the ways in which trauma has affected fictional form, exploring how novelists have responded to the challenge of writing traumatic narratives, and identifying the key stylistic features associated with the genre. In addition, the book introduces the reader to key critics in the field of trauma theory such as Cathy Caruth, Shoshana Felman and Geoffrey Hartman. The linking of trauma theory and literary texts not only sheds light on works of contemporary fiction, it also points to the inherent connections between trauma theory and the literary which have often been overlooked. The distinction between literary theme and style in the book opens up major questions regarding the nature of trauma itself. Trauma, like the novels discussed, is shown to take an uncertain but productive place between content and form.Key Features*Idenitifes and explores a new and evolving genre in contemporary fiction*Thinks through the relation between trauma and literature*Produces innovative readings of key works of contemporary fiction *Provides an introduction to key ideas in trauma theory
Publisher: Edinburgh University Press
ISBN: 074866601X
Category : Literary Criticism
Languages : en
Pages : 192
Book Description
The literary potential of trauma is examined in this book, bringing trauma theory and literary texts together for the first time. Trauma Fiction focuses on the ways in which contemporary novelists explore the theme of trauma and incorporate its structures into their writing. It provides innovative readings of texts by Pat Barker, Jackie Kay, Anne Michaels, Toni Morrison, Caryl Phillips, W. G. Sebald and Binjamin Wilkomirski. It also considers the ways in which trauma has affected fictional form, exploring how novelists have responded to the challenge of writing traumatic narratives, and identifying the key stylistic features associated with the genre. In addition, the book introduces the reader to key critics in the field of trauma theory such as Cathy Caruth, Shoshana Felman and Geoffrey Hartman. The linking of trauma theory and literary texts not only sheds light on works of contemporary fiction, it also points to the inherent connections between trauma theory and the literary which have often been overlooked. The distinction between literary theme and style in the book opens up major questions regarding the nature of trauma itself. Trauma, like the novels discussed, is shown to take an uncertain but productive place between content and form.Key Features*Idenitifes and explores a new and evolving genre in contemporary fiction*Thinks through the relation between trauma and literature*Produces innovative readings of key works of contemporary fiction *Provides an introduction to key ideas in trauma theory
The Gothic in Contemporary British Trauma Fiction
Author: Ashlee Joyce
Publisher: Springer Nature
ISBN: 3030267288
Category : Fiction
Languages : en
Pages : 235
Book Description
This book examines the intersection of trauma and the Gothic in six contemporary British novels: Martin Amis’s London Fields, Margaret Drabble’s The Gates of Ivory, Ian McEwan’s Atonement, Pat Barker’s Regeneration and Double Vision, and Kazuo Ishiguro’s Never Let Me Go. In these works, the Gothic functions both as an expression of societal violence at the turn of the twenty-first century and as a response to the related crisis of representation brought about by the contemporary individual’s highly mediated and spectatorial relationship to this violence. By locating these six novels within the Gothic tradition, this work argues that each text, to borrow a term from Jacques Derrida, “participates” in the Gothic in ways that both uphold the paradigm of “unspeakability” that has come to dominate much trauma fiction, as well as push its boundaries to complicate how we think of the ethical relationship between witnessing and writing trauma.
Publisher: Springer Nature
ISBN: 3030267288
Category : Fiction
Languages : en
Pages : 235
Book Description
This book examines the intersection of trauma and the Gothic in six contemporary British novels: Martin Amis’s London Fields, Margaret Drabble’s The Gates of Ivory, Ian McEwan’s Atonement, Pat Barker’s Regeneration and Double Vision, and Kazuo Ishiguro’s Never Let Me Go. In these works, the Gothic functions both as an expression of societal violence at the turn of the twenty-first century and as a response to the related crisis of representation brought about by the contemporary individual’s highly mediated and spectatorial relationship to this violence. By locating these six novels within the Gothic tradition, this work argues that each text, to borrow a term from Jacques Derrida, “participates” in the Gothic in ways that both uphold the paradigm of “unspeakability” that has come to dominate much trauma fiction, as well as push its boundaries to complicate how we think of the ethical relationship between witnessing and writing trauma.
Ethics and Trauma in Contemporary British Fiction
Author: Susana Onega
Publisher: Rodopi
ISBN: 9401200084
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Preliminary material /Editors Ethics and Trauma in Contemporary British Fiction -- INTRODUCTION /JEAN-MICHEL GANTEAU and SUSANA ONEGA -- READING TRAUMA IN PAT BARKER'S REGENERATION TRILOGY /LENA STEVEKER -- THE ETHICAL CLOCK OF TRAUMA IN EVA FIGES' WINTER JOURNEY /SILVIA PELLICER-ORTÍN -- “NOBODY'SMEAT”: REVISITING RAPE AND SEXUAL TRAUMA THROUGH ANGELA CARTER /CHARLEY BAKER -- “A NEW ALGEBRA”: THE POETICS AND ETHICS OF TRAUMA IN J.G. BALLARD'S THE ATROCITY EXHIBITION /JAKOB WINNBERG -- TRAUMA AS THE NEGATION OF AUTONOMY: MICHAEL MOORCOCK'S MOTHER LONDON /JEAN-MICHEL GANTEAU -- WHERE MADNESS LIES: HOLOCAUST REPRESENTATION AND THE ETHICS OF FORM IN MARTIN AMIS' TIME'S ARROW /MARÍA JESÚS MARTÍNEZ-ALFARO -- WORLDWAR II FICTION AND THE ETHICS OF TRAUMA /GERD BAYER -- A TERRIBLE BEAUTY: ETHICS, AESTHETICS AND THE TRAUMA OF GAYNESS IN ALAN HOLLINGHURST'S THE LINE OF BEAUTY /JOSÉ M. YEBRA -- “THE ETERNAL LOOP OF SELF-TORTURE”: ETHICS AND TRAUMA IN IANMCEWAN'S ATONEMENT /GEORGES LETISSIER -- CONJUNCTURES OF UNEASINESS: TRAUMA IN FAY WELDON'S THE HEART OF THE COUNTRY AND IN IAN MCEWAN'S ON CHESIL BEACH /ANGELA LOCATELLI -- REPRESENTING THE CHILD SOLDIER: TRAUMA, POSTCOLONIALISM AND ETHICS IN DELIA JARRETTMACAULEY'SMOSES, CITIZEN AND ME /ANNE WHITEHEAD -- THE TRAUMA PARADIGM AND THE ETHICS OF AFFECT IN JEANETTE WINTERSON'S THE STONE GODS /SUSANA ONEGA -- NOTES ON CONTRIBUTORS /Editors Ethics and Trauma in Contemporary British Fiction -- INDEX /Editors Ethics and Trauma in Contemporary British Fiction.
Publisher: Rodopi
ISBN: 9401200084
Category : Literary Criticism
Languages : en
Pages : 324
Book Description
Preliminary material /Editors Ethics and Trauma in Contemporary British Fiction -- INTRODUCTION /JEAN-MICHEL GANTEAU and SUSANA ONEGA -- READING TRAUMA IN PAT BARKER'S REGENERATION TRILOGY /LENA STEVEKER -- THE ETHICAL CLOCK OF TRAUMA IN EVA FIGES' WINTER JOURNEY /SILVIA PELLICER-ORTÍN -- “NOBODY'SMEAT”: REVISITING RAPE AND SEXUAL TRAUMA THROUGH ANGELA CARTER /CHARLEY BAKER -- “A NEW ALGEBRA”: THE POETICS AND ETHICS OF TRAUMA IN J.G. BALLARD'S THE ATROCITY EXHIBITION /JAKOB WINNBERG -- TRAUMA AS THE NEGATION OF AUTONOMY: MICHAEL MOORCOCK'S MOTHER LONDON /JEAN-MICHEL GANTEAU -- WHERE MADNESS LIES: HOLOCAUST REPRESENTATION AND THE ETHICS OF FORM IN MARTIN AMIS' TIME'S ARROW /MARÍA JESÚS MARTÍNEZ-ALFARO -- WORLDWAR II FICTION AND THE ETHICS OF TRAUMA /GERD BAYER -- A TERRIBLE BEAUTY: ETHICS, AESTHETICS AND THE TRAUMA OF GAYNESS IN ALAN HOLLINGHURST'S THE LINE OF BEAUTY /JOSÉ M. YEBRA -- “THE ETERNAL LOOP OF SELF-TORTURE”: ETHICS AND TRAUMA IN IANMCEWAN'S ATONEMENT /GEORGES LETISSIER -- CONJUNCTURES OF UNEASINESS: TRAUMA IN FAY WELDON'S THE HEART OF THE COUNTRY AND IN IAN MCEWAN'S ON CHESIL BEACH /ANGELA LOCATELLI -- REPRESENTING THE CHILD SOLDIER: TRAUMA, POSTCOLONIALISM AND ETHICS IN DELIA JARRETTMACAULEY'SMOSES, CITIZEN AND ME /ANNE WHITEHEAD -- THE TRAUMA PARADIGM AND THE ETHICS OF AFFECT IN JEANETTE WINTERSON'S THE STONE GODS /SUSANA ONEGA -- NOTES ON CONTRIBUTORS /Editors Ethics and Trauma in Contemporary British Fiction -- INDEX /Editors Ethics and Trauma in Contemporary British Fiction.
Trauma, Gender and Ethics in the Works of E.L. Doctorow
Author: María Ferrández San Miguel
Publisher: Routledge
ISBN: 100003822X
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
This project approaches four of E. L. Doctorow’s novels—Welcome to Hard Times (1960), The Book of Daniel (1971), Ragtime (1975), and City of God (2000)—from the perspectives of feminist criticism and trauma theory. The study springs from the assumption that Doctorow’s literary project is eminently ethical and has an underlying social and political scope. This crops up through the novels’ overriding concern with injustice and their engagement with the representation of human suffering in a variety of forms. The book puts forward the claim that E.L. Doctorow’s literary project—through its representation of psychological trauma and its attitude towards gender—may be understood as a call to action against both each individual’s indifference and the wider social and political structures and ideologies that justify and/or facilitate the injustices and oppression to which those who are situated at the margins of contemporary US society are subjected.
Publisher: Routledge
ISBN: 100003822X
Category : Literary Criticism
Languages : en
Pages : 221
Book Description
This project approaches four of E. L. Doctorow’s novels—Welcome to Hard Times (1960), The Book of Daniel (1971), Ragtime (1975), and City of God (2000)—from the perspectives of feminist criticism and trauma theory. The study springs from the assumption that Doctorow’s literary project is eminently ethical and has an underlying social and political scope. This crops up through the novels’ overriding concern with injustice and their engagement with the representation of human suffering in a variety of forms. The book puts forward the claim that E.L. Doctorow’s literary project—through its representation of psychological trauma and its attitude towards gender—may be understood as a call to action against both each individual’s indifference and the wider social and political structures and ideologies that justify and/or facilitate the injustices and oppression to which those who are situated at the margins of contemporary US society are subjected.
Transnational Crime Fiction
Author: Maarit Piipponen
Publisher: Springer Nature
ISBN: 3030534138
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Focusing on contemporary crime narratives from different parts of the world, this collection of essays explores the mobility of crimes, criminals and investigators across social, cultural and national borders. The essays argue that such border crossings reflect on recent sociocultural transformations and geopolitical anxieties to create an image of networked and interconnected societies where crime is not easily contained. The book further analyses crime texts’ wider sociocultural and affective significance by examining the global mobility of the genre itself across cultures, languages and media. Underlining the global reach and mobility of the crime genre, the collection analyses types and representations of mobility in literary and visual crime narratives, inviting comparisons between texts, crimes and mobilities in a geographically diverse context. The collection ultimately understands mobility as an object of study and a critical lens through which transformations in our globalised world can be examined.
Publisher: Springer Nature
ISBN: 3030534138
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
Focusing on contemporary crime narratives from different parts of the world, this collection of essays explores the mobility of crimes, criminals and investigators across social, cultural and national borders. The essays argue that such border crossings reflect on recent sociocultural transformations and geopolitical anxieties to create an image of networked and interconnected societies where crime is not easily contained. The book further analyses crime texts’ wider sociocultural and affective significance by examining the global mobility of the genre itself across cultures, languages and media. Underlining the global reach and mobility of the crime genre, the collection analyses types and representations of mobility in literary and visual crime narratives, inviting comparisons between texts, crimes and mobilities in a geographically diverse context. The collection ultimately understands mobility as an object of study and a critical lens through which transformations in our globalised world can be examined.
Literary Aesthetics of Trauma
Author: Reina Van der Wiel
Publisher: Springer
ISBN: 1137311010
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Literary Aesthetics of Trauma: Virginia Woolf and Jeanette Winterson investigates a fundamental shift, from the 1920s to the present day, in the way that trauma is aesthetically expressed. Modernism's emphasis on impersonality and narrative abstraction has been replaced by the contemporary trauma memoir and an ethical imperative to bear witness.
Publisher: Springer
ISBN: 1137311010
Category : Literary Criticism
Languages : en
Pages : 231
Book Description
Literary Aesthetics of Trauma: Virginia Woolf and Jeanette Winterson investigates a fundamental shift, from the 1920s to the present day, in the way that trauma is aesthetically expressed. Modernism's emphasis on impersonality and narrative abstraction has been replaced by the contemporary trauma memoir and an ethical imperative to bear witness.
Trauma Novels in Postcolonial Literatures: Tsitsi Dangarembga, Nervous Conditions, and Tomson Highway, Kiss of the Fur Queen
Author: Milena Bubenechik
Publisher: diplom.de
ISBN: 3842843208
Category : Literary Criticism
Languages : en
Pages : 111
Book Description
Inhaltsangabe:Introduction: This study will depict the traumatic condition of the formerly colonised indigenous peoples of Africa and Canada. The postcolonial trauma novels, Tomson Highway s Kiss of the Fur Queen (1998) and Tsitsi Dangarembga s Nervous Conditions (1988), are first-hand accounts of colonial experience under the governance of the British Empire of the second half of the twentieth century. The semi-autobiographical novels bring up the voices of the formerly silenced natives and are pioneering accounts of the native perception of Western intrusion. The narratives portray the upsetting experiences of the era of colonisation and explore the insidious consequences of living in the midst of historical change. The novels, written in English, speak back to the canon and expose the suffering of its subjects. They depict the grim atmosphere of the colonial project and show the effects of the domination, oppression, diaspora and discrimination suffered by the natives. The novels are life narratives and as such reveal facts not recorded in history books. The trauma novels enrich and challenge the discourse on (post)colonial trauma. The native authors, Dangarembga and Highway, explore the questions of identity, trauma and resistance in the context of colonization. Their approach queries traditional notions of identity formation and the common understanding of trauma and trauma healing. With their portrayal of unique means for resistance and survival, the novelists offer a challenge to the existing beliefs and theories. In the study of the novels Nervous Conditions and Kiss of the Fur Queen, which allow silenced, repressed individuals to speak out about the unspeakable events of their lives, I will explore the formation of colonial and postcolonial identities, the nature and impact of colonial trauma and the possibility of resistance on the side of the colonised. I will work towards identifying the discrepancies between indigenous and Western notions of trauma and identity, and study the challenges of postcolonial literatures. I will explore the concept of cultural hybridity as presented in the novels and study the impact of trauma on identity construction. In the process of this study, I intend to find out to what extent trauma influences and shapes identity. Moreover, I will reconsider the Western notions of trauma and identity and examine their integrity in the colonial discourse. With the help of the novels, I will study the differences [...]
Publisher: diplom.de
ISBN: 3842843208
Category : Literary Criticism
Languages : en
Pages : 111
Book Description
Inhaltsangabe:Introduction: This study will depict the traumatic condition of the formerly colonised indigenous peoples of Africa and Canada. The postcolonial trauma novels, Tomson Highway s Kiss of the Fur Queen (1998) and Tsitsi Dangarembga s Nervous Conditions (1988), are first-hand accounts of colonial experience under the governance of the British Empire of the second half of the twentieth century. The semi-autobiographical novels bring up the voices of the formerly silenced natives and are pioneering accounts of the native perception of Western intrusion. The narratives portray the upsetting experiences of the era of colonisation and explore the insidious consequences of living in the midst of historical change. The novels, written in English, speak back to the canon and expose the suffering of its subjects. They depict the grim atmosphere of the colonial project and show the effects of the domination, oppression, diaspora and discrimination suffered by the natives. The novels are life narratives and as such reveal facts not recorded in history books. The trauma novels enrich and challenge the discourse on (post)colonial trauma. The native authors, Dangarembga and Highway, explore the questions of identity, trauma and resistance in the context of colonization. Their approach queries traditional notions of identity formation and the common understanding of trauma and trauma healing. With their portrayal of unique means for resistance and survival, the novelists offer a challenge to the existing beliefs and theories. In the study of the novels Nervous Conditions and Kiss of the Fur Queen, which allow silenced, repressed individuals to speak out about the unspeakable events of their lives, I will explore the formation of colonial and postcolonial identities, the nature and impact of colonial trauma and the possibility of resistance on the side of the colonised. I will work towards identifying the discrepancies between indigenous and Western notions of trauma and identity, and study the challenges of postcolonial literatures. I will explore the concept of cultural hybridity as presented in the novels and study the impact of trauma on identity construction. In the process of this study, I intend to find out to what extent trauma influences and shapes identity. Moreover, I will reconsider the Western notions of trauma and identity and examine their integrity in the colonial discourse. With the help of the novels, I will study the differences [...]
In-between Fact and Fiction. Representing the Traumatization of Child Soldiers in Uzodinma Iweala's "Beasts of No Nation" and Emmanuel "Jal's Warchild"
Author: Anne-Karen Fischer
Publisher: GRIN Verlag
ISBN: 3668595305
Category : Foreign Language Study
Languages : en
Pages : 82
Book Description
Examination Thesis from the year 2017 in the subject Didactics for the subject English - Literature, Works, grade: 1,0, University of Constance (Anglistik/Amerikanistik), language: English, abstract: Although the use of children in warfare is not a recent issue, child soldiering has received increasing attention throughout the past two decades. This trend led to a rapid increase of literary works that deal with the topic of child soldiers, both fictional and autobiographical. The topic of child soldiers often goes hand in hand with the topic of trauma and traumatization. Repeated exposure to overwhelming danger and life-threatening experiences can leave children with severe mental ill-health such as Post Traumatic Stress Disorder and personality changes. Literary works draw attention to the relationship between child soldiers and trauma as well as to the difficult relationship between trauma and representability in this context. This analysis attempts to contribute to the literary research of how trauma is represented in child soldier literature and to increase awareness of this topic on an academic level. As this analysis is meant to make a small contribution to the literary research on child soldier literature, it merely focuses on two narrations: Uzodinma Iweala's Beasts of No Nation (2006) and Emmanuel Jal's Warchild (2009). These two books were chosen based on the great differences of both the narrations and the authors'background. Beasts of No Nation (BoNN) tells a fictional story, whereas Warchild is an autobiography. Uzodinma Iweala is an African American writer with Nigerian roots and BoNN can be seen as a postmodern novel as it uses various postmodern and experimental narrative techniques. Emmanuel Jal (Jal), in contrast, was born and raised in Sudan and fought as a child soldier. Warchild is an autobiography about his life as a child soldier, before and afterwards. It mostly uses traditional narrative forms to recount Jal's experiences. Based on these differences, the two books can serve as good examples of how trauma can be represented in child soldier literature...
Publisher: GRIN Verlag
ISBN: 3668595305
Category : Foreign Language Study
Languages : en
Pages : 82
Book Description
Examination Thesis from the year 2017 in the subject Didactics for the subject English - Literature, Works, grade: 1,0, University of Constance (Anglistik/Amerikanistik), language: English, abstract: Although the use of children in warfare is not a recent issue, child soldiering has received increasing attention throughout the past two decades. This trend led to a rapid increase of literary works that deal with the topic of child soldiers, both fictional and autobiographical. The topic of child soldiers often goes hand in hand with the topic of trauma and traumatization. Repeated exposure to overwhelming danger and life-threatening experiences can leave children with severe mental ill-health such as Post Traumatic Stress Disorder and personality changes. Literary works draw attention to the relationship between child soldiers and trauma as well as to the difficult relationship between trauma and representability in this context. This analysis attempts to contribute to the literary research of how trauma is represented in child soldier literature and to increase awareness of this topic on an academic level. As this analysis is meant to make a small contribution to the literary research on child soldier literature, it merely focuses on two narrations: Uzodinma Iweala's Beasts of No Nation (2006) and Emmanuel Jal's Warchild (2009). These two books were chosen based on the great differences of both the narrations and the authors'background. Beasts of No Nation (BoNN) tells a fictional story, whereas Warchild is an autobiography. Uzodinma Iweala is an African American writer with Nigerian roots and BoNN can be seen as a postmodern novel as it uses various postmodern and experimental narrative techniques. Emmanuel Jal (Jal), in contrast, was born and raised in Sudan and fought as a child soldier. Warchild is an autobiography about his life as a child soldier, before and afterwards. It mostly uses traditional narrative forms to recount Jal's experiences. Based on these differences, the two books can serve as good examples of how trauma can be represented in child soldier literature...
Contemporary British Fiction
Author: Nick Bentley
Publisher: Bloomsbury Publishing
ISBN: 1350309028
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
This essential guide provides a comprehensive survey of the most important debates in the criticism and research of contemporary British fiction. Nick Bentley analyses the criticism surrounding a range of British novelists including Monica Ali, Martin Amis, Pat Barker, Alan Hollinghurst, Kazuo Ishiguro, Ian McEwan, David Mitchell, Ali Smith, Zadie Smith, Sarah Waters and Jeanette Winterson. Exploring experiments with literary form, this authoritative book considers cutting-edge concerns relating to the neo-historical novel, the relationship between literature and science, literary geographies, and trauma narratives. Engaging with key literary theories, and identifying present trends and future directions in the literary criticism of contemporary British fiction, this is an invaluable resource for undergraduate and postgraduate students of English literature, teachers, researchers and scholars.
Publisher: Bloomsbury Publishing
ISBN: 1350309028
Category : Literary Criticism
Languages : en
Pages : 232
Book Description
This essential guide provides a comprehensive survey of the most important debates in the criticism and research of contemporary British fiction. Nick Bentley analyses the criticism surrounding a range of British novelists including Monica Ali, Martin Amis, Pat Barker, Alan Hollinghurst, Kazuo Ishiguro, Ian McEwan, David Mitchell, Ali Smith, Zadie Smith, Sarah Waters and Jeanette Winterson. Exploring experiments with literary form, this authoritative book considers cutting-edge concerns relating to the neo-historical novel, the relationship between literature and science, literary geographies, and trauma narratives. Engaging with key literary theories, and identifying present trends and future directions in the literary criticism of contemporary British fiction, this is an invaluable resource for undergraduate and postgraduate students of English literature, teachers, researchers and scholars.
The Routledge Companion to Literature and Trauma
Author: Colin Davis
Publisher: Routledge
ISBN: 1351025201
Category : Education
Languages : en
Pages : 599
Book Description
Literary trauma studies is a rapidly developing field which examines how literature deals with the personal and cultural aspects of trauma and engages with such historical and current phenomena as the Holocaust and other genocides, 9/11, climate catastrophe or the still unsettled legacy of colonialism. The Routledge Companion to Literature and Trauma is a comprehensive guide to the history and theory of trauma studies, including key concepts, consideration of critical perspectives and discussion of future developments. It also explores different genres and media, such as poetry, life-writing, graphic narratives, photography and post-apocalyptic fiction, and analyses how literature engages with particular traumatic situations and events, such as the Holocaust, the Occupation of France, the Rwandan genocide, Hurricane Katrina and transgenerational nuclear trauma. Forty essays from top thinkers in the field demonstrate the range and vitality of trauma studies as it has been used to further the understanding of literature and other cultural forms across the world. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Publisher: Routledge
ISBN: 1351025201
Category : Education
Languages : en
Pages : 599
Book Description
Literary trauma studies is a rapidly developing field which examines how literature deals with the personal and cultural aspects of trauma and engages with such historical and current phenomena as the Holocaust and other genocides, 9/11, climate catastrophe or the still unsettled legacy of colonialism. The Routledge Companion to Literature and Trauma is a comprehensive guide to the history and theory of trauma studies, including key concepts, consideration of critical perspectives and discussion of future developments. It also explores different genres and media, such as poetry, life-writing, graphic narratives, photography and post-apocalyptic fiction, and analyses how literature engages with particular traumatic situations and events, such as the Holocaust, the Occupation of France, the Rwandan genocide, Hurricane Katrina and transgenerational nuclear trauma. Forty essays from top thinkers in the field demonstrate the range and vitality of trauma studies as it has been used to further the understanding of literature and other cultural forms across the world. Chapter 2 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.