Transvestism and the Onnagata Traditions in Shakespeare and Kabuki PDF Download
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Author: Minoru Fujita
Publisher: Brill
ISBN:
Category : Drama
Languages : en
Pages : 252
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Book Description
The essays in this collection represent key areas of research by some of the world's most distinguished scholars in their fields. The topics addressed include feminism, transvestism, cross-dressing, cross-gender casting, Elizabethan boy actors and kabuki onnagata.
Author: Minoru Fujita
Publisher: Brill
ISBN:
Category : Drama
Languages : en
Pages : 252
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Book Description
The essays in this collection represent key areas of research by some of the world's most distinguished scholars in their fields. The topics addressed include feminism, transvestism, cross-dressing, cross-gender casting, Elizabethan boy actors and kabuki onnagata.
Author:
Publisher: BRILL
ISBN: 9004213589
Category : Drama
Languages : en
Pages : 239
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Book Description
There is much that is remarkable about this volume. Its roots date back to an international conference on Shakespeare and kabuki with the theme ‘Traditions of Cross-dressing and Cross-gender Casting’, held near Kobe, Japan, in August 1995. In January of that year Kobe had suffered a major earthquake resulting in significant loss of life and great damage to the infrastructure. At last, it is now possible to publish most of the papers that were presented at the Kobe conference (together with some additional contributions), which have been edited, and where necessary, revised for publication; and though so long delayed, the essays continue to represent key areas of research by some of the world’s most distinguished scholars in their fields. The topics addressed include feminism, transvestism, cross-dressing, cross-gender casting, Elizabethan boy actors and kabuki onnagata. Importantly, the volume also contains a full transcription of the Open Forum session which concluded the conference, providing the reader with a quality debate on the main issues. Also included is a plate section featuring images from the 1991 London staging of an 1886 kabuki version of Hamlet, directed by Koji Orita, today Artistic Director of Japan’s National Theatre, along with Orita’s original presentation on the staging of his kabuki Hamlet, with an introductory commentary by Scott Johnson.
Author: M. Fujita
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Samuel L. Leiter
Publisher: Rowman & Littlefield
ISBN: 1442239115
Category : Performing Arts
Languages : en
Pages : 816
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Book Description
Historical Dictionary of Japanese Traditional Theatre is the only dictionary that offers detailed comprehensive coverage of the most important terms, people, and plays in the four principal traditional Japanese theatrical forms—nō, kyōgen, bunraku, and kabuki—supplemented with individual historical essays on each form. This updated edition adds well over 200 plot summaries representing each theatrical form in addition to: a chronology; introductory essay; appendixes; an extensive bibliography; over 1500 cross-referenced entries on important terms; brief biographies of the leading artists and writers; and plot summaries of significant plays. This book is an excellent access point for students, researchers, and anyone wanting to know more about the Japanese theatre.
Author: Michael DeMarco, M.A.
Publisher: Via Media Publishing
ISBN: 1893765288
Category : Sports & Recreation
Languages : en
Pages : 237
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Book Description
This anthology is filled with content specifically selected for readers who have a strong interest in women’s participation in the Asian martial traditions. In addition to combative theory and practice, topics include aspects of theatrical performance, music, dance, gender studies, and insights for embodying philosophical elements into daily life. The twelve chapters that were written by noted authorities will certainly educate and inspire. These focus on the martial traditions of Japan, China, India, Korea, Indonesia, and the Philippines. All of the historical and cultural details add much to the scholarly perspectives on these Asian arts. At the same time they add to the appreciation of how and why martial elements are infused in artistic performances, such as theater, music, and dance. Throughout can be seen the unifying thread of the womans’ role which will increase our appreciation of the feminine presence in Asian martial traditions.
Author: Meera Kosambi
Publisher: Routledge
ISBN: 1351565907
Category : Social Science
Languages : en
Pages : 413
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Book Description
This book presents a lucid, comprehensive, and entertaining narrative of culture and society in late 19th- and early 20th-century Maharashtra through a perceptive study of its theatre and cinema. An intellectual tour de force, it will be invaluable to scholars and researchers of modern Indian history, theatre and film studies, cultural studies, sociology, gender studies as well as the interested general reader.
Author: Poonam Trivedi
Publisher: Routledge
ISBN: 1135272247
Category : Literary Criticism
Languages : en
Pages : 695
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Book Description
In this critical volume, leading scholars in the field examine the performance of Shakespeare in Asia. Emerging out of the view that it is in "play" or performance, and particularly in intercultural / multicultural performance, that the cutting edge of Shakespeare studies is to be found, the essays in this volume pay close attention to the modes of transference of the language of the text into the alternative languages of Asian theatres; to the history and politics of the performance of Shakespeare in key locations in Asia; to the new Asian experimentation with indigenous forms via Shakespeare and the consequent revitalizing and revising of the traditional boundaries of genre and gender; and to Shakespeare as a cultural capital world wide. Focusing specifically on the work of major directors in the central and emerging areas of Asia – Japan, China, India, Korea, Taiwan, Singapore, Indonesia and the Philippines - the chapters in this volume encompass a broader and more representative swath of Asian performances and locations in one book than has been attempted till now.
Author: Maki Isaka
Publisher: University of Washington Press
ISBN: 0295806249
Category : History
Languages : en
Pages : 273
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Book Description
Kabuki is well known for its exaggerated acting, flamboyant costumes and makeup, and unnatural storylines. The onnagata, usually male actors who perform the roles of women, have been an important aspect of kabuki since its beginnings in the 17th century. In a “labyrinth” of gendering, the practice of men playing women’s roles has affected the manifestations of femininity in Japanese society. In this case study of how gender has been defined and redefined through the centuries, Maki Isaka examines how the onnagata’s theatrical gender “impersonation” has shaped the concept and mechanisms of femininity and gender construction in Japan. The implications of the study go well beyond disciplinary and geographic cloisters.
Author: Francesca R. Sborgi Lawson
Publisher: Routledge
ISBN: 1315307855
Category : Music
Languages : en
Pages : 293
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Book Description
Why has the female voice—as the resonant incarnation of the female body—inspired both fascination and ambivalence? Why were women restricted from performing on the Chinese public stage? How have female roles and voices been appropriated by men throughout much of the history of Chinese theatre? Why were the women of quyi—a community of Chinese female singers in Republican Tianjin—able to become successful, respected artists when other female singers and actors in competing performance traditions struggled for acceptance? Drawing substantially on original ethnographic fieldwork conducted in the 1980s and 1990s, Francesca R. Sborgi Lawson offers answers to these questions and demonstrates how the women of quyi successfully negotiated their sexuality and vocality in performance. Owing to their role as third-person narrators, the women of quyi bridged the gender gap, creating an androgynous persona that de-emphasized their feminine appearance and, at the same time, allowed them to showcase their female voices on public stages—places that had been previously unwelcoming to female artists. This is a story about female storytellers who sang their way to respectability and social change in the early decades of the twentieth century by minimizing their bodies in order to allow their voices to be heard.
Author: Hideaki Fujiki
Publisher: BRILL
ISBN: 168417063X
Category : History
Languages : en
Pages : 435
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Book Description
The film star is not simply an actor but a historical phenomenon that derives from the production of an actor’s attractiveness, the circulation of his or her name and likeness, and the support of media consumers. This book analyzes the establishment and transformation of the transnational film star system and the formations of historically important film stars—Japanese and non-Japanese—and casts new light on Japanese modernity as it unfolded between the 1910s and 1930s. Hideaki Fujiki illustrates how film stardom and the star system emerged and evolved, touching on such facets as the production, representation, circulation, and reception of performers’ images in films and other media. Examining several individual performers—particularly benshi narrators, Onoe Matsunosuke, Tachibana Teijirō, Kurishima Sumiko, Clara Bow, and Natsukawa Shizue—as well as certain aspects of different star systems that bolstered individual stardom, this study foregrounds the associations of contradictory, multivalent social factors that constituted modernity in Japan, such as industrialization, capitalism, colonialism, nationalism, and consumerism. Through its nuanced treatment of the production and consumption of film stars, this book shows that modernity is not a simple concept, but an intricate, contested, and paradoxical nexus of diverse social elements emerging in their historical contexts.
