Transnational Horror Across Visual Media PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Transnational Horror Across Visual Media PDF full book. Access full book title Transnational Horror Across Visual Media by Dana Och. Download full books in PDF and EPUB format.
Author: Dana Och
Publisher: Routledge
ISBN: 1136744916
Category : Performing Arts
Languages : en
Pages : 286
Get Book Here
Book Description
This volume investigates the horror genre across national boundaries (including locations such as Africa, Turkey, and post-Soviet Russia) and different media forms, illustrating the ways that horror can be theorized through the circulation, reception, and production of transnational media texts. Perhaps more than any other genre, horror is characterized by its ability to be simultaneously aware of the local while able to permeate national boundaries, to function on both regional and international registers. The essays here explore political models and allegories, questions of cult or subcultural media and their distribution practices, the relationship between regional or cultural networks, and the legibility of international horror iconography across distinct media. The book underscores how a discussion of contemporary international horror is not only about genre but about how genre can inform theories of visual cultures and the increasing permeability of their borders.
Author: Dana Och
Publisher: Routledge
ISBN: 1136744916
Category : Performing Arts
Languages : en
Pages : 286
Get Book Here
Book Description
This volume investigates the horror genre across national boundaries (including locations such as Africa, Turkey, and post-Soviet Russia) and different media forms, illustrating the ways that horror can be theorized through the circulation, reception, and production of transnational media texts. Perhaps more than any other genre, horror is characterized by its ability to be simultaneously aware of the local while able to permeate national boundaries, to function on both regional and international registers. The essays here explore political models and allegories, questions of cult or subcultural media and their distribution practices, the relationship between regional or cultural networks, and the legibility of international horror iconography across distinct media. The book underscores how a discussion of contemporary international horror is not only about genre but about how genre can inform theories of visual cultures and the increasing permeability of their borders.
Author: Sophia Siddique
Publisher: Springer
ISBN: 1137584173
Category : Performing Arts
Languages : en
Pages : 250
Get Book Here
Book Description
This book broadens the frameworks by which horror is generally addressed. Rather than being constrained by psychoanalytical models of repression and castration, the volume embraces M.M. Bakhtin’s theory of the grotesque body. For Bakhtin, the grotesque body is always a political body, one that exceeds the boundaries and borders that seek to contain it, to make it behave and conform. This vital theoretical intervention allows Transnational Horror Cinema to widen its scope to the social and cultural work of these global bodies of excess and the economy of their grotesque exchanges. With this in mind, the authors consider these bodies’ potentials to explore and perhaps to explode rigid cultural scripts of embodiment, including gender, race, and ability.
Author: Samantha Holland
Publisher: Emerald Group Publishing
ISBN: 1787698998
Category : Social Science
Languages : en
Pages : 295
Get Book Here
Book Description
This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed.
Author: Jonathan Risner
Publisher: SUNY Press
ISBN: 1438470754
Category : History
Languages : en
Pages : 278
Get Book Here
Book Description
Examines how recent Argentine horror films engage with the legacies of dictatorship and neoliberalism. Argentina is a dominant player in Latin American film, known for its documentaries, detective films, melodramas, and auteur cinema. In the past twenty years, however, the country has also emerged as a notable producer of horror films. Blood Circuits focuses on contemporary Argentine horror cinema and the various cinematic pleasures it offers national and transnational audiences. Jonathan Risner begins with an overview of horror film culture in Argentina and beyond. He then examines select films grouped according to various criteria: neoliberalism and urban, rural, and suburban spaces; English-language horror films; gore and affect in punk/horror films; and the legacies of the last dictatorship (19761983). While keenly aware of global horror trends, Risner argues that these films provide unprecedented ways of engaging with the consequences of authoritarianism and neoliberalism in Argentina. Blood Circuits is an important and much-needed contribution to the fields of Latin American cinema and popular culture, and genre film studies with a focus on horror cinema. It offers original and innovative directions that will pave the way for new studies in different areas of film studies: the internationalization of horror that unfolds a problematic relationship between the United States and the Global South, the use of punk horror as a form of affect, and the development of new kinds of pleasures and displeasures in the spectator. Victoria Ruétalo, coeditor of Latsploitation, Exploitation Cinemas, and Latin America
Author: Erin Bell
Publisher: Rowman & Littlefield
ISBN: 1498597904
Category : Performing Arts
Languages : en
Pages : 197
Get Book Here
Book Description
Already acknowledged by Metacritic and the Guinness World Records as the highest-rated series in the history of television, Breaking Bad has elicited an unprecedented amount of criticism. Writers both popular and academic, columnists as well as eager commenters, have addressed every imaginable topic, from the show’s characterization and major scenes, to fine details such as Walt’s knack for picking up habits from those he kills, and the symbolism inherent within the cars that characters own. This book considers another perspective, one relatively unexplored to date. By considering the series from the perspective of its interior spaces, two possibilities emerge. Firstly, the spaces become a tangible record of their characters’ inner lives, one that provides something like an objective correlative or photographic negative of their thought processes and approach to the world. They provide more, and richer ways to trace the course of character, action, and themes throughout the series. Secondly, Breaking Bad’s spaces are not simply acted upon or within: they interact with characters as well. Interpreted through the theories of Judith Butler, Michel de Certeau, and many others, the series’ homes, labs, RVs and elevators take on new significance. The collection plumbs the interior spaces of Breaking Bad from many angles. Ultimately, these diverse perspectives enrich an appreciation for the series and its innovative handling of interiors (both literal and metaphorical). They also suggest new ways of reading the series, ensuring it can continue to be explored by academics, students, and fans well into the future.
Author: Xavier Aldana Reyes
Publisher: University of Wales Press
ISBN: 1783160934
Category : Literary Criticism
Languages : en
Pages : 243
Get Book Here
Book Description
The gothic, particularly in its contemporary incarnations, is often constructed around largely disembodied concepts such as spectrality or the haunted. Body Gothic offers a counter-narrative that reinstates the importance of viscerality to the gothic mode. It argues that contemporary discourses surrounding our bodies are crucial to our understanding of the social messages in fictional mutilation and of the pleasures we may derive from it. This book considers a number of literary and cinematic movements that have, over the past three decades, purposely turned the body into a meaningful gothic topos. Each chapter in Body Gothic is dedicated to a different corporeal subgenre: splatterpunk, body horror, the new avant-pulp, the slaughterhouse novel, torture porn and surgical horror are all covered in its pages. Close readings of key texts by Clive Barker, Richard Laymon, Joseph D'Lacey, Matthew Stokoe, Tony White or Stanley Manly are provided alongside in-depth analyses of landmark films such as Re-Animator (1985), The Fly (1986), Saw (2004), Hostel (2005), The Human Centipede (2011) and American Mary (2012). Contents Introduction: From Gothic Bodies to Body Gothic Chapter 1 – Splatterpunk Chapter 2 – Body Horror Chapter 3 – The New Avant-Pulp Chapter 4 – The Slaughterhouse Novel Chapter 5 – Torture Porn Chapter 6 – Surgical Horror Conclusion: The Gothic and the Body Notes Works Cited Filmography
Author: Amanda Howell
Publisher: Bloomsbury Publishing USA
ISBN: 1501394428
Category : Performing Arts
Languages : en
Pages : 281
Get Book Here
Book Description
Haunted Histories and Troubled Pasts speaks to how a transnational array of recent screen entertainments participate, through horror, in public discourses of history, the social and creative work of reshaping popular understanding of our world through the lens of the past. Contemporary film and television – and popular screen cultures more generally – are distinguished by their many and varied engagements with history, including participation in worldwide movements to reconcile past losses and injuries with present legacies. The chapters in this collection address themselves to 21st-century screen horror's participation in this widespread fascination with and concern for the historical - its recurrent reimagining of the relation between the past and present, which is part of its inheritance from the Gothic. They are concerned with the historical work of horror's spectral occupations, its visceral threats of violence and its capacity for exploring repressed social identities, as well as the ruptures and impositions of colonization and nationhood. Trauma is a key theme in this book, examined through themes of war and genocide, ghostly invasions, institutionalized abuse, apocalyptic threat and environmental destruction. These persistent, fearful reimaginings of the past can take many lurid – sometimes tritely generic – forms. Together, these chapters explore and reflect upon horror's ability to speak through them to the unspoken of history, to push the boundaries and probe the fault-lines and ideological impositions of received historical narratives – while reminding us that history and the historical imagination persist as sites of contention.
Author: Karen A. Ritzenhoff
Publisher: Rowman & Littlefield
ISBN: 1442253541
Category : Performing Arts
Languages : en
Pages : 283
Get Book Here
Book Description
Whether in mainstream or independent films, depictions of female prostitution and promiscuity are complicated by their intersection with male fantasies. In such films, issues of exploitation, fidelity, and profitability are often introduced into the narrative, where sex and power become commodities traded between men and women. In Selling Sex on Screen: From Weimar Cinema to Zombie Porn, Karen A. Ritzenhoff and Catriona McAvoy have assembled essays that explore the representation of women and sexual transactions in film and television. Included in these discussions are the films Breakfast at Tiffany’s, Eyes Wide Shut, L.A. Confidential, Pandora’s Box, and Shame and such programs as Buffy the Vampire Slayer and Gigolos. By exploring the themes of class differences and female economic independence, the chapters go beyond textual analysis and consider politics, censorship, social trends, laws, race, and technology, as well as sexual and gender stereotypes. By exploring this complex subject, Selling Sex on Screen offers a spectrum of representations of desire and sexuality through the moving image. This volume will be of interest not only to students and scholars of film but also researchers in gender studies, women’s studies, criminology, sociology, film studies, adaptation studies, and popular culture.
Author: Eddie Falvey
Publisher: University of Wales Press
ISBN: 1786836351
Category : Performing Arts
Languages : en
Pages : 322
Get Book Here
Book Description
This book signifies innovative developments in horror cinema research, as well as the current state of the genre within the film and media industries. It is an injection of fresh insights into horror cinema scholarship. This is a book that includes academic studies from established scholars and early career researchers, as well as fans of horror cinema.
Author: Allen Meek
Publisher: Routledge
ISBN: 1317500903
Category : Performing Arts
Languages : en
Pages : 175
Get Book Here
Book Description
This book presents an historical account of media and catastrophe that engages with theories of biopolitics in the work of Michel Foucault, Giorgio Agamben, Michael Hardt, Antonio Negri and others. It explains how responses to catastrophe in media and cultural criticism over the past 150 years are embedded in biological conceptions of life and death, contamination and immunity, race and species. Mediated catastrophe is often understood today in terms of collective memory and according to therapeutic or redemptive accounts of trauma. In contrast to these approaches this book emphasizes the use of media to record, archive and analyze physical appearance and movement; to capture viewer attention through shock; to monitor and control bodies in economies of production and consumption; to enmesh social relations in information networks; and situate subjects in discourses of victimhood, immunity, survival and resilience. Chapters are focused on historical case studies of early photography, Nazi propaganda, colonial stereotypes, Hiroshima, the Holocaust, the Cold War and the war on terror.
