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Author: Alexander Williams Mueller
Publisher:
ISBN:
Category :
Languages : en
Pages : 692
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Book Description
Author: Alexander Williams Mueller
Publisher:
ISBN:
Category :
Languages : en
Pages : 692
Get Book Here
Book Description
Author: Karen L. Fresco
Publisher: Routledge
ISBN: 1317007204
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
Drawing on approaches from literary studies, history, linguistics, and art history, and ranging from Late Antiquity to the sixteenth century, this collection views 'translation' broadly as the adaptation and transmission of cultural inheritance. The essays explore translation in a variety of sources from manuscript to print culture and the creation of lexical databases. Several essays look at the practice of textual translation across languages, including the vernacularization of Latin literature in England, France, and Italy; the translation of Greek and Hebrew scientific terms into Arabic; and the use of Hebrew terms in anti-Jewish and anti-Muslim polemics. Other essays examine medieval translators' views and performance of translation, looking at Lydgate's translation of Greek myths through mental images rendered through rhetorical figures or at how printing transformed the rhetoric of intervernacular translation of chivalric romances. This collection also demonstrates translation as a key element in the construction of cultural and political identity in the Fet des Romains and Chester Whitsun Plays, and in the papacy's efforts to compete with Byzantium by controlling the translation of Greek writings.
Author: Alex Mueller
Publisher: Interventions: New Studies Med
ISBN: 9780814212219
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Explores Middle English alliterative romances that challenge this genealogical fantasy and decentralize Troy as the eastern origin of western authority.
Author: Brian Gastle
Publisher: Rowman & Littlefield
ISBN: 1611496772
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
The essays in this volume consider the ways in which material and intellectual culture both shaped and were shaped by the literature of late medieval England. The first section, “Textual Material,” reflects on cultural and social issues generally referred to as the History of Ideas, and how those ideas manifest in later medieval English texts. Essays address, for example, affect in The Book of Margery Kempe, rhetoric in Sir Gawain and the Green Knight, anarchy in late medieval political texts, and temporality in Gower’s Confessio Amantis. The essays in the second section, “Material Texts,” examine physical objects – from pilgrim badges, to manuscripts, to money, to early printed editions – and the cultural behaviors associated with them, interpreting these objects and exploring their connections to the important literary and political texts of the age such as Piers Plowman, Lydgate’s Troy Book, and Chaucer’s Canterbury Tales. All of the essays in this collection emerge from the relationships and connections between the issues that characterize Jim Dean’s work: the cultural, material, and aesthetic aspects of later medieval English literature. So too do they reflect a movement in medieval literary studies presaged by Dean’s career of scholarship and teaching, that critical approaches to literary texts are best undertaken with an understanding of the complex cultural and historical milieu that defines both the production of those texts and the production of our own work on those texts.
Author: Alex Davis
Publisher:
ISBN: 0198851421
Category : Drama
Languages : en
Pages : 312
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Book Description
In this work, Alex Davis explores how inheritance was imagined between the lifetimes of Chaucer and Shakespeare.
Author: Susan Nakley
Publisher: University of Michigan Press
ISBN: 0472123041
Category : Literary Criticism
Languages : en
Pages : 283
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Book Description
Nationalism, like medieval romance literature, recasts history as a mythologized and seamless image of reality. Living in the Future analyzes how the anachronistic nationalist fantasies in Geoffrey Chaucer’s Canterbury Tales create a false sense of England’s historical continuity that in turn legitimized contemporary political ambitions. This book spells out the legacy of the Tales that still resonates throughout English literature, exploring the idea of England in the medieval literary imagination as well as critiquing more recent centuries’ conceptions of Chaucer’s nationalism. Chaucer uses two extant national ideals, sovereignty and domesticity, to introduce the concept of an English nation into the contemporary popular imagination and reinvent an idealized England as a hallowed homeland. For nationalist thinkers, sovereignty governs communities with linguistic, historical, cultural, and religious affinities. Chaucerian sovereignty appears primarily in romantic and household contexts that function as microcosms of the nation, reflecting a pseudo-familial love between sovereign and subjects and relying on a sense of shared ownership and judgment. This notion also has deep affinities with popular and political theories flourishing throughout Europe. Chaucer’s internationalism, matched with his artistic use of the vernacular and skillful distortions of both time and space, frames a discrete sovereign English nation within its diverse interconnected world. As it opens up significant new points of resonance between postcolonial theories and medieval ideas of nationhood, Living in the Future marks an important contribution to medieval literary studies. It will be essential for scholars of Middle English literature, literary history, literary political and postcolonial theory, and literary transnationalism.
Author: Susanna Braund
Publisher: Oxford University Press
ISBN: 0192538837
Category : Literary Collections
Languages : en
Pages : 531
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Book Description
This is the first volume to offer a critical overview of the long and complicated history of translations of Virgil from the early modern period to the present day, transcending traditional studies of single translations or particular national traditions in isolation to offer an insightful comparative perspective. The twenty-nine essays in the collection cover numerous European languages - from English, French, and German, to Greek, Irish, Italian, Norwegian, Slovenian, and Spanish - but also look well beyond Europe to include discussion of Brazilian, Chinese, Esperanto, Russian, and Turkish translations of Virgil. While the opening two contributions lay down a broad theoretical and comparative framework, the majority conduct comparisons within a particular language and combine detailed case studies with in-depth contextualization and theoretical background, showing how the translations discussed are embedded in their own cultures and historical moments. The final two essays are written from the perspective of contemporary translators, closing out the volume with a profound assessment not only of the influence exerted by the major Roman poet on later literature, but also why translation of a canonical author such as Virgil matters, not only as a national and transnational cultural phenomenon, but as a personal engagement with a literature of enduring power and relevance.
Author: Desmond Keenan
Publisher: Xlibris Corporation
ISBN: 1465318682
Category : History
Languages : en
Pages : 476
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Book Description
Anyone studying or teaching Irish history, or who likely to be involved in discussions on the subject, should first get the facts straight. It is my aim to provide, as far as possible, the truth, the whole truth, and nothing but the truth, about one particular period. This book is an addition to my other books Pre-Famine Ireland: Social Structure and Ireland 1800 to 1850. When writing these books I accumulated such a vast quantity of material, often from untouched sources and put it in these two volumes, one dealing with the history of the period and the other dealing with the social and economic aspects of the country at the time. But there was another story which emerged from the newspapers of the time and that was the struggle for Catholic Emancipation between the Catholic Relief Acts of 1793 and 1829. Invariably, in the post-Reformation period in Europe and in the European colonies laws were passed to enforce the religion of the state, and to extirpate if possible dissenting views. To a greater or lesser extent, the religious dissidents were excluded from all offices of state, all positions of importance in the armed forces, from all offices in towns and counties. In some places, though not in all, the very practice of the religion was prohibited. This was the case in England, though not in Ireland. The dissident religion could be attacked in a different way, namely by prohibiting endowments to be made for its institutions. So, for example, Catholic schools could not be endowed. Above all, laws concerning succession to real property or estate could be made to benefit those conforming to the states religion. Though this book is dealing with the repeal of laws against Catholics in a Protestant country, it should be remembered that there was nothing in Ireland comparable to the Inquisition in Spain or the revocation of the Edict of Nantes in France. The policies of the mother country were faithfully followed in their colonies, both in North and South America. In the course of the eighteenth century, the old intolerance began to decline, and many of the laws against religion were relaxed or abolished. In Ireland, by 1793, most of the laws concerning the practice of religion and the tenure of land had been removed. But they were still excluded from the major offices of state, from the Established Churches, from the higher ranks in the armed forces, from the higher positions in the law courts, from the executive positions in towns and counties, and above all from Parliament. When the Catholic Relief Act was passed in 1793, many thought that it would be only a few years until the remaining disabilities were removed. But the next Relief Act was not passed until 1829. This book describes the twists and turns of the story of the Grail, the object of an extended or difficult quest, with all its ups and downs, and twists and turns, its successes and its reverses. This story is not the simplified one of Irish Catholic nationalist mythology showing Daniel OConnell, aided only by the priests, overthrowing the so-called Protestant Ascendancy in Ireland. Indeed this book raises questions whether OConnells incessant interventions did more harm than good, and whether emancipation would have been granted more speedily if he had not tried to help. But it does throw an interesting light on the character of OConnell himself, who was, for good or evil, one of the outstanding characters in Ireland in the first half of the nineteenth century. Of the secondary characters who played their role in this struggle the first mention must go to Sir Edward Bellew. He was just an ordinary country gentleman, never a leader, but he played his part from the start to almost the end. He was noted for his good judgement and moderation, and was never driven away by the abuse heaped on him by the more unruly elements. The part played by Edward Hay who did his best to serve the fractious Catholic leaders should not be forgotte
Author: Joanna Bellis
Publisher: Boydell & Brewer
ISBN: 1783271558
Category : History
Languages : en
Pages : 236
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Book Description
An examination of written and other responses to conflict in a variety of forms and genres, from the thirteenth to the seventeenth century. War and violence took many forms in medieval and early modern Europe, from political and territorial conflict to judicial and social spectacle; from religious persecution and crusade to self-mortification and martyrdom; from comedic brutality to civil and domestic aggression. Various cultural frameworks conditioned both the acceptance of these forms of violence, and the protest that they met with: the elusive concept of chivalry, Christianity and just wartheory, political ambition and the machinery of propaganda, literary genres and the expectations they generated and challenged. The essays here, from the disciplines of history, art history and literature, explore how violence and conflict were documented, depicted, narrated and debated during this period. They consider manuals created for and addressed directly to kings and aristocratic patrons; romances whose affective treatments of violence invitedprofoundly empathetic, even troublingly pleasurable, responses; diaries and "autobiographies" compiled on the field and redacted for publication and self-promotion. The ethics and aesthetics of representation, as much as the violence being represented, emerge as a profound and constant theme for writers and artists grappling with this most fundamental and difficult topic of human experience. JOANNA BELLIS is the Fitzjames Research Fellow in Oldand Middle English at Merton College, Oxford; LAURA SLATER holds a Postdoctoral Fellowship from The Paul Mellon Centre for Studies in British Art in London. Contributors: Anne Baden-Daintree, Anne Curry, David Grummitt, Richard W. Kaeuper, Andrew Lynch, Christina Normore, Laura Slater, Sara V. Torres, Matthew Woodcock,
Author: Helen Cooper
Publisher: Oxford University Press
ISBN: 0192886738
Category : Literary Criticism
Languages : en
Pages : 668
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Book Description
The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesizes existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the fourteen volumes. This volume occupies both a foundational and a revolutionary place. Its opening date--1100--marks the re-emergence of a vernacular poetic record in English after the political and cultural disruption of the Norman Conquest. By its end date--1400--English poetry had become an established, if still evolving, literary tradition. The period between these dates sees major innovations and developments in language, topics, poetic forms, and means of expression. Middle English poetry reflects the influence of multiple contexts--history, social institutions, manuscript production, old and new models of versification, medieval poetic theory, and the other literary languages of England. It thus emphasizes the aesthetic, imaginative treatment of new and received materials by medieval writers and the formal craft required for their verse. Individual chapters treat the representation of national history and mythology, contemporary issues, and the shared doctrine and learning provided by sacred and secular sources, including the Bible. Throughout the period, lyric and romance figure prominently as genres and poetic modes, while some works hover enticingly on the boundary of genre and discursive forms. The volume ends with chapters on the major writers of the late fourteenth-century (Langland, the Gawain-poet, Chaucer, and Gower) and with a look forward to the reception of something like a national literary tradition in fifteenth-century literary culture.
