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Author: Jon Klancher
Publisher: Cambridge University Press
ISBN: 1107029104
Category : History
Languages : en
Pages : 325
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Book Description
This book discusses how Romantic-age writers and new cultural institutions transformed ideas of knowledge inherited from the early-modern period.
Author: Jon Klancher
Publisher: Cambridge University Press
ISBN: 1107029104
Category : History
Languages : en
Pages : 325
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Book Description
This book discusses how Romantic-age writers and new cultural institutions transformed ideas of knowledge inherited from the early-modern period.
Author: Adriana Craciun
Publisher: Springer
ISBN: 1137443790
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
In this book the eighteenth century Enlightenment receives an important reassessment, using an astonishing range of materials and objects drawn from Europe and beyond, including artefacts from India and China, West Africa and Polynesia. A series of authoritative essays written by experts in the field explores the full range of material culture in the long eighteenth century, raising crucial questions about notions of property and invention, homely and commercial lives. The book also includes a series of well-illustrated exhibits, a startling and provocative assemblage of objects from the Enlightenment world, each accompanied by expert commentaries. The collection of essays and exhibits is the result of collaborative debate by scholars from Europe and north America, who have together worked on the cross-disciplinary importance of material history in making sense of how past society was fundamentally transformed through the world of goods.
Author: Steven Meyer
Publisher: Cambridge University Press
ISBN: 1108548075
Category : Literary Criticism
Languages : en
Pages : 354
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Book Description
In 1959, C. P. Snow lamented the presence of what he called the 'two cultures': the apparently unbridgeable chasm of understanding and knowledge between modern literature and modern science. In recent decades, scholars have worked diligently and often with great ingenuity to interrogate claims like Snow's that represent twentieth- and twenty-first-century literature and science as radically alienated from each other. The Cambridge Companion to Literature and Science offers a roadmap to developments that have contributed to the demonstration and emergence of reciprocal connections between the two domains of inquiry. Weaving together theory and empiricism, individual chapters explore major figures - Shakespeare, Bacon, Emerson, Darwin, Henry James, William James, Whitehead, Einstein, Empson, and McClintock; major genres and modes of writing - fiction, science fiction, non-fiction prose, poetry, and dramatic works; and major theories and movements - pragmatism, critical theory, science studies, cognitive science, ecocriticism, cultural studies, affect theory, digital humanities, and expanded empiricisms. This book will be a key resource for scholars, graduate students, and undergraduate students alike.
Author: Stephanie O'Rourke
Publisher: Cambridge University Press
ISBN: 1009019155
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Can we really trust the things our bodies tell us about the world? This work reveals how deeply intertwined cultural practices of art and science questioned the authority of the human body in the late eighteenth and early nineteenth centuries. Focusing on Henry Fuseli, Anne-Louis Girodet and Philippe de Loutherbourg, it argues that romantic artworks participated in a widespread crisis concerning the body as a source of reliable scientific knowledge. Rarely discussed sources and new archival material illuminate how artists drew upon contemporary sciences and inverted them, undermining their founding empiricist principles. The result is an alternative history of romantic visual culture that is deeply embroiled in controversies around electricity, mesmerism, physiognomy and other popular sciences. This volume reorients conventional accounts of romanticism and some of its most important artworks, while also putting forward a new model for the kinds of questions that we can ask about them.
Author: Howard Jason Rogers
Publisher:
ISBN:
Category : Art and science
Languages : en
Pages : 684
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Book Description
Author: Mark Bevir
Publisher: Cambridge University Press
ISBN: 1316738949
Category : Political Science
Languages : en
Pages : 281
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Book Description
Historicism and the Human Sciences in Victorian Britain explores the rise and nature of historicist thinking about such varied topics as life, race, character, literature, language, economics, empire, and law. The contributors show that the Victorians typically understood life and society as developing historically in a way that made history central to their intellectual inquiries and their public culture. Although their historicist ideas drew on some Enlightenment themes, they drew at least as much on organic ideas and metaphors in ways that lent them a developmental character. This developmental historicism flourished alongside evolutionary motifs and romantic ideas of the self. The human sciences were approached through narratives, and often narratives of reason and progress. Life, individuals, society, government, and literature all unfolded gradually in accord with underlying principles, such as those of rationality, nationhood, and liberty. This book will appeal to those interested in Victorian Britain, historiography, and intellectual history.
Author: Philipp Erchinger
Publisher: Edinburgh University Press
ISBN: 1474438989
Category : Literary Criticism
Languages : en
Pages : 389
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Book Description
Reads Victorian literature and science as artful practices that surpass the theories and discourses supposed to contain them
Author: Kevis Goodman
Publisher: Yale University Press
ISBN: 0300243960
Category : SCIENCE
Languages : en
Pages : 318
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Book Description
An original study of late Enlightenment aesthetics, poetics, and environmental medicine as overlapping ways of comprehending the dislocations of historical existence lodged in the movements of bodies and minds This book studies later eighteenth-century medicine, aesthetics, and poetics as overlapping forms of knowledge increasingly concerned about the relationship between the geographical movements of persons displaced from home and the physiological or nervous "motions" within their bodies and minds. Looking beyond familiar narratives about medicine and art's shared therapeutic and harmonizing ideals, this book explores Enlightenment and Romantic-era aesthetics and poetics in relation to a central but less well known area of eighteenth-century environmental medicine: pathology. No mere system of diagnosis or classification, philosophical pathology was an art of interpretation, offering sophisticated ways of reading the multiple conditions and causes of disease, however absent from perception, in their palpable, embodied effects. For medical, anthropological, environmental, and literary authors alike, it helped to locate the dislocations of modern mobility when a full view of their causes and conditions remained imperfectly understood or still unfolding. Goodman traces the surprising afterlife of the period's exemplary but unexplained pathology of motion, medical nostalgia, within aesthetic theory and poetics, arguing that nostalgia persisted there not as a named condition but as a set of formal principles and practices, perturbing claims about the harmony, freedom, and free play of the mind.
Author: Gillian Russell
Publisher: Cambridge University Press
ISBN: 1108487580
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
This history of printed ephemera's rise as an eighteenth-century cultural category transforms understanding of 'disposable' printed items.
Author: Jon Mee
Publisher: Cambridge University Press
ISBN: 1108905013
Category : Language Arts & Disciplines
Languages : en
Pages : 319
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Book Description
This collection provides students and researchers with a new and lively understanding of the role of institutions in the production, reception, and meaning of literature in the period 1700–1900. The period saw a fundamental transition from a patronage system to a marketplace in which institutions played an important mediating role between writers and readers, a shift with consequences that continue to resonate today. Often producers themselves, institutions processed and claimed authority over a variety of cultural domains that never simply tessellated into any unified system. The collection's primary concerns are British and imperial environments, with a comparative German case study, but it offers encouragement for its approaches to be taken up in a variety of other cultural contexts. From the Post Office to museums, from bricks and mortar to less tangible institutions like authorship and genre, this collection opens up a new field for literary studies.
