Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1290

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Author: Richard Marks
Publisher: Routledge
ISBN: 1134967500
Category : History
Languages : en
Pages : 356

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First published in 1993. The first modern study of the medium, this book considers stained glass in relation to architecture and other arts, and by examining contemporary documents, it throws valuable light on workshop organisation, prices and patronage.

Author: Irvine Egerton Gray
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 224

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Author: Gordon M. Rushforth
Publisher:
ISBN:
Category : Inscriptions, Latin
Languages : la
Pages : 190

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Author: Amara Thornton
Publisher: UCL Press
ISBN: 1787352595
Category : Literary Collections
Languages : en
Pages : 308

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Archaeologists in Print is a history of popular publishing in archaeology in the nineteenth and twentieth centuries, a pivotal period of expansion and development in both archaeology and publishing. It examines how British archaeologists produced books and popular periodical articles for a non-scholarly audience, and explores the rise in archaeologists’ public visibility. Notably, it analyses women’s experiences in archaeology alongside better known male contemporaries as shown in their books and archives. In the background of this narrative is the history of Britain’s imperial expansion and contraction, and the evolution of modern tourism in the Eastern Mediterranean and Middle East. Archaeologists exploited these factors to gain public and financial support and interest, and build and maintain a reading public for their work, supported by the seasonal nature of excavation and tourism. Reinforcing these publishing activities through personal appearances in the lecture hall, exhibition space and site tour, and in new media – film, radio and television – archaeologists shaped public understanding of archaeology. It was spadework, scripted. The image of the archaeologist as adventurous explorer of foreign lands, part spy, part foreigner, eternally alluring, solidified during this period. That legacy continues, undimmed, today. Praise for Archaeologists in Print This beautifully written book will be valued by all kinds of readers: you don't need to be an archaeologist to enjoy the contents, which take you through different publishing histories of archaeological texts and the authors who wrote them. From the productive partnership of travel guide with archaeological interest, to the women who feature so often in the history of archaeological publishing, via closer analysis of the impact of John Murray, Macmillan and Co, and Penguin, this volume excavates layers of fascinating facts that reveal much of the wider culture of the late nineteenth and twentieth centuries. The prose is clear and the stories compulsive: Thornton brings to life a cast of people whose passion for their profession lives again in these pages. Warning: the final chapter, on Archaeological Fictions, will fill your to-be-read list with stacks of new titles to investigate! This is a highly readable, accessible exploration into the dynamic relationships between academic authors, publishers, and readers. It is, in addition, an exemplar of how academic research can attract a wide general readership, as well as a more specialised one: a stellar combination of rigorous scholarship with lucid, pacy prose. Highly recommended!' Samantha Rayner, Director of UCL Centre for Publishing; Deputy Head of Department and Director of Studies, Department of Information Studies, UCL

Author: Henry Balfour
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 160

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Author: British Archaeological Association
Publisher: Routledge
ISBN:
Category : Architecture
Languages : en
Pages : 178

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Contents: The Historiography of Tewkesbury (Eric Fernie); The Architecture of the Abbey of St.Mary at Tewkesbury in the Eleventh and Twelfth Centuries (Peter Kidson); Tewkesbury Abbey: Some Recent Observations (Richard Halsey); The Elevations of the Romanesque Abbey Churches of St Mary at Tewkesbury and St Peter at Gloucester (Malcolm Thurlby); Abbot Serlo's Church at Gloucester, 1089 - 1100: Its Place in Romanesque Architecture (Christopher Wilson); The Gloucester Candlestick (Alan Borg); Early Gothic Architecture at Tewkesbury Abbey (Richard K. Morris); Ballflower work in Gloucester and its Vicinity (Richard K. Morris); The East Window at Gloucester Cathedral (Jill Kerr); Bishop Benson and his Restoration of Gloucester Cathedral 1735-1752 (T. H. Cocke).

Author: Jens M Daehner
Publisher: Getty Publications
ISBN: 1606065424
Category : Art
Languages : en
Pages : 920

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The papers in this volume derive from the proceedings of the nineteenth International Bronze Congress, held at the Getty Center and Villa in October 2015 in connection with the exhibition Power and Pathos: Bronze Sculpture of the Hellenistic World. The study of large-scale ancient bronzes has long focused on aspects of technology and production. Analytical work of materials, processes, and techniques has significantly enriched our understanding of the medium. Most recently, the restoration history of bronzes has established itself as a distinct area of investigation. How does this scholarship bear on the understanding of bronzes within the wider history of ancient art? How do these technical data relate to our ideas of styles and development? How has the material itself affected ancient and modern perceptions of form, value, and status of works of art? www.getty.edu/publications/artistryinbronze

Author: John Creighton
Publisher: Cambridge University Press
ISBN: 1139431722
Category : Social Science
Languages : en
Pages : 269

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Book Description
Cunobelin, Shakespeare's Cymbeline, ruled much of south-east Britain in the years before Claudius' legions arrived, creating the Roman province of Britannia. But what do we know of him and his rule, and that of competing dynasties in south-east Britain? This book examines the background to these, the first individuals in British history. It explores the way in which rulers bolstered their power through the use of imagery on coins, myths, language and material culture. After the visit of Caesar in 55 and 54 BC, the shadow of Rome played a fundamental role in this process. Combining the archaeological, literary and numismatic evidence, John Creighton paints a vivid picture of how people in late Iron Age Britain reacted to the changing world around them.

Author: Christopher Woodforde
Publisher:
ISBN:
Category : Glass painting and staining
Languages : en
Pages : 420

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