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Author: Catalina Florina Florescu
Publisher: Cambridge Scholars Publishing
ISBN: 1443828033
Category : Literary Criticism
Languages : en
Pages : 195
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Book Description
This book focuses on liminal bodies and their delicate transaction with themselves and other people’s bodies. More specifically, it explores the spatiality and discourses of the body dying; the body opened in surgery, or through MRIs, CATs, and sometimes in autopsies; the body preserved through computerized images such as those created by the Visual Human Project; the metonymic body that continues to live in another body through organ replacement; and the bodily parts cast in silver, and then abandoned in a museum. This study also analyzes the discourses of the contemporary body commissioned by the vast industry of mass-media. This type of body has started to direct itself toward frugal, almost furtive pleasures; consequently—unlike those seriously affected by illnesses—a body constantly guarded by fear eventually runs on empty, becomes a corps-déjà-vu, and thus moves toward different types of minimal and liminal topology. The primary works examined include memoirs (Marjorie Williams’s “Hit by Lightning: A Cancer Memoir,” Arthur W. Frank’s At the Will of the Body: Reflections on Illness, Audre Lorde’s The Cancer Journals), films (Alejandro Amenábar’s The Sea Inside, Akira Kurosawa’s Ikiru, Pedro Almodóvar’s All about My Mother), stories (Marisa Silver’s “Night Train to Frankfurt”), visual artworks (as accomplished by Jo Spence, David Wojnarowicz, Félix Gonzales-Torres, and Natalie Horne) and plays (Bryony Lavery’s Last Easter, Paula Vogel’s Baltimore Waltz, William Hoffman’s As Is), which are read comparatively, namely as works positioned at the intersection between literature/visual art and social diaries. This book has become part of the collections of the world’s leading universities: Harvard, Princeton, Columbia, the Library of Congress, and more.
Author: Catalina Florina Florescu
Publisher: Cambridge Scholars Publishing
ISBN: 1443828033
Category : Literary Criticism
Languages : en
Pages : 195
Get Book Here
Book Description
This book focuses on liminal bodies and their delicate transaction with themselves and other people’s bodies. More specifically, it explores the spatiality and discourses of the body dying; the body opened in surgery, or through MRIs, CATs, and sometimes in autopsies; the body preserved through computerized images such as those created by the Visual Human Project; the metonymic body that continues to live in another body through organ replacement; and the bodily parts cast in silver, and then abandoned in a museum. This study also analyzes the discourses of the contemporary body commissioned by the vast industry of mass-media. This type of body has started to direct itself toward frugal, almost furtive pleasures; consequently—unlike those seriously affected by illnesses—a body constantly guarded by fear eventually runs on empty, becomes a corps-déjà-vu, and thus moves toward different types of minimal and liminal topology. The primary works examined include memoirs (Marjorie Williams’s “Hit by Lightning: A Cancer Memoir,” Arthur W. Frank’s At the Will of the Body: Reflections on Illness, Audre Lorde’s The Cancer Journals), films (Alejandro Amenábar’s The Sea Inside, Akira Kurosawa’s Ikiru, Pedro Almodóvar’s All about My Mother), stories (Marisa Silver’s “Night Train to Frankfurt”), visual artworks (as accomplished by Jo Spence, David Wojnarowicz, Félix Gonzales-Torres, and Natalie Horne) and plays (Bryony Lavery’s Last Easter, Paula Vogel’s Baltimore Waltz, William Hoffman’s As Is), which are read comparatively, namely as works positioned at the intersection between literature/visual art and social diaries. This book has become part of the collections of the world’s leading universities: Harvard, Princeton, Columbia, the Library of Congress, and more.
Author: Maria-Sabina Draga Alexandru
Publisher: LIT Verlag Münster
ISBN: 3643904487
Category : Literary Collections
Languages : en
Pages : 293
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Book Description
This collection focuses on a variety of fictional and non-fictional East European women's migration narratives, multimodal narratives by migrant artists, and cyber narratives (blogs and personal stories posted on forums). The book negotiates the concept of narrative between conventional literary forms, digital discourses, and the social sciences. It brings together new perspectives on strategies of representation, trauma, dislocation, and gender roles. It also claims a place for Eastern Europe on the map of transnational feminism. (Series: Contributions to Transnational Feminism - Vol. 4) [Subject: Sociology, European Studies, Women's Studies, Feminist Studies, Gender Studies, Migration Studies]
Author: Catalina Florina Florescu
Publisher: Lulu.com
ISBN: 0359513077
Category : Fiction
Languages : en
Pages : 302
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Book Description
THE REBELLED BODY PLAYS by Catalina Florina Florescu. Three Plays: MIA, SUICIDAL DOG AND LAIKA, and THREE AS IN A TRI-ANGLE, OR THE AFTERTASTES OF LIFE. Catalina Florina Florescu holds a Ph.D. in Comparative Literature from Purdue University with a double specialization in medical humanities and comparative theater. This collection is from NoPassport Press.
Author: Keith Wilhite
Publisher: Rowman & Littlefield
ISBN: 1611477190
Category : Literary Criticism
Languages : en
Pages : 301
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Book Description
Charting the intersection of aesthetic representation and the material conditions of urban space, The City Since 9/11 posits that the contemporary metropolis provides a significant context for reassessing theoretical concerns related to narrative, identity, home, and personal precarity. In the years since the September 11 attacks, writers and filmmakers have explored urban spaces as contested sites—shaped by the prevailing discourses of neoliberalism, homeland security, and the war on terror, but also haunted by an absence in the landscape that registers loss and prefigures future menace. In works of literature, film, and television, the city emerges as a paradoxical space of permanence and vulnerability and a convergence point for anxieties about globalization, structural inequality, and apocalyptic violence. Building on previous scholarship addressing trauma and the spectacle of terror, the contributors also draw upon works of philosophy, urban studies, and postmodern geography to theorize how literary and visual representations expose the persistent conflicts that arise as cities rebuild in the shadow of past ruins. Their essays advance new lines of argument that clarify art’s role in contemporary debates about spatial practices, gentrification, cosmopolitanism, memory and history, nostalgia, the uncanny and the abject, postmodern virtuality, the politics of realism, and the economic and social life of cities. The book offers fresh readings of familiar post-9/11 novels, such as Jonathan Safran Foer’s Extremely Loud & Incredibly Close, but it also considers works by Teju Cole, Joseph O’Neill, Silver Krieger, Colum McCann, Ronald Sukenick, Jonathan Lethem, Thomas Pynchon, Colson Whitehead, Paul Auster, William Gibson, Amitav Ghosh, and Katherine Boo. In addition, The City Since 9/11 includes essays on the films Children of Men, Hugo, and the adaptation of Extremely Loud & Incredibly Close, chapters on the television series The Bridge, The Killing, and The Wire, and an analysis of Michael Arad’s Reflecting Absence and the 9/11 Memorial.
Author: Clemens Wischermann
Publisher: Bloomsbury Publishing
ISBN: 1350054054
Category : History
Languages : en
Pages : 259
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Book Description
This book is open access and available on www.bloomsburycollections.com. It is funded by Knowledge Unlatched. Animals are increasingly recognized as fit and proper subjects for historians, yet their place in conventional historical narratives remains contested. This volume argues for a history of animals based on the centrality of liminality - the state of being on the threshold, not quite one thing yet not quite another. Since animals stand between nature and culture, wildness and domestication, the countryside and the city, and tradition and modernity, the concept of liminality has a special resonance for historical animal studies. Assembling an impressive cast of contributors, this volume employs liminality as a lens through which to study the social and cultural history of animals in the modern city. It includes a variety of case studies, such as the horse-human relationship in the towns of New Spain, hunting practices in 17th-century France, the birth of the zoo in Germany and the role of the stray dog in the Victorian city, demonstrating the interrelated nature of animal and human histories. Animal History in the Modern City is a vital resource for scholars and students interested in animal studies, urban history and historical geography.
Author: Patricia Drew
Publisher: Demeter Press
ISBN: 1772582719
Category : Social Science
Languages : en
Pages : 237
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Book Description
Breasts are integral to mothers' bodies; over the life course, they can swell, droop, be judged, be aroused, lactate, be altered, be removed. A woman's own breasts may be foremost in her mind during some life events, only to recede into the background at other times. Breasts are complex; they are enveloped by larger cultural meanings that go far beyond their mammary gland function, and we cannot fully understand breasts without examining the myriad discourses surrounding them. Social policies, cultural norms, and interpersonal interactions all help construct localized breast discourses which, in turn, shape mothers' breast experiences. Through examining commonalities and differences over the lifespan, we can see that women's breast experiences inform us about the social conditions in which women live their lives.
Author: David Desser
Publisher: Lexington Books
ISBN: 0739196537
Category : Social Science
Languages : en
Pages : 319
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Book Description
Small Cinemas in Global Markets addresses aspects such as identity, revisiting the past, internationalized genres, new forms of experimental cinema, markets and production, as well as technological developments of alternative small screens that open new perspectives into small cinema possibilities. Small and big markets for small industries reveal an unimagined diversification of the cultural product and consequently the need to analyze the impact at local, regional, and global levels. Much needed to continue and expand the existing scholarship in the field, this volume is based on research by authors who approach their subject from Western theoretical perspectives with a professional (mostly native) knowledge of the language, cultural realities, and film industry practices. It covers aspects from fifteen different countries, including Bolivia, Brazil, China (Hong Kong), Croatia, East Africa (Kenya, Tanzania, and Uganda), Greece, Indonesia, Lithuania, Bulgaria, Poland, Romania, Morocco, and the United States. Since both film and documentary distribution from certain areas of the globe on international markets remains problematic, it is important for the academic field to discuss and circulate them as much as possible, and to create the basis for further exploration. Documenting and reflecting on the role, state, and reception of the film industry provides scholarly understanding to the industry’s wide range of seemingly chaotic technological transformations.
Author: Catalina Florina Florescu
Publisher: Lexington Books
ISBN: 0739183184
Category : Literary Criticism
Languages : en
Pages : 265
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Book Description
Disjointed Perspectives on Motherhood seeks to reevaluate the concept of unconditional maternal love and the global emancipation of motherhood as recorded from 17th century onward and as analyzed in various genres: cinema, poetry, novel, drama, and mystery fiction series. By using unprecedented comparative critical approaches such as phenomenological, medical, feminist, and re-enchantment theories, and by analyzing works from literature, cinema, and visual arts, this collection attempts to reestablish and redefine a canonical concept with the intention to revitalize an otherwise taken-for-granted image and role.
Author: Cătălina Florina Florescu
Publisher: Taylor & Francis
ISBN: 1003855806
Category : Performing Arts
Languages : en
Pages : 149
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Book Description
In this collection, the author focuses on several contemporary Romanian female playwrights with residencies in Europe and the U.S.: Alexandra Badea, Carmen Francesca Banciu, Alexa Băcanu, Ana Sorina Corneanu, Mihaela Drăgan, Dr. Cătălina Florina Florescu, Dr. Mihaela Michailov, Dr. Domnica Rădulescu, Saviana Stănescu, and Dr. Elise Wilk. In their bold works, written by female playwrights who are academics, activists, and performers, we are invited to discover variations in the modus operandi of the dramatic language itself from metaphorical to matter-of-fact approaches. Furthermore, while all these playwrights speak Romanian, they also think and operate in various other languages, such as Romani, German, French, Italian, and American English. This book facilitates scholars and students to discover contemporary issues related to Romanian society as presented heavily from a feminine angle and to reveal intersectional issues as seen and applied to dramatic characters in a post-communist country from some authors who experienced communism firsthand. The book is also an invitation to reinvent how we teach dramatic literature by offering 20 interactive, exploratory activities.
Author: Marcel Cornis-Pope
Publisher: John Benjamins Publishing Company
ISBN: 9027269335
Category : Literary Criticism
Languages : en
Pages : 464
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Book Description
Begun in 2010 as part of the “Histories of Literatures in European Languages” series sponsored by the International Comparative Literature Association, the current project on New Literary Hybrids in the Age of Multimedia Expression recognizes the global shift toward the visual and the virtual in all areas of textuality: the printed, verbal text is increasingly joined with the visual, often electronic, text. This shift has opened up new domains of human achievement in art and culture. The international roster of 24 contributors to this volume pursue a broad range of issues under four sets of questions that allow a larger conversation to emerge, both inside the volume’s sections and between them. The four sections cover, 1) Multimedia Productions in Theoretical and Historical Perspective; 2) Regional and Intercultural Projects; 3) Forms and Genres; and, 4) Readers and Rewriters in Multimedia Environments. The essays included in this volume are examples of the kinds of projects and inquiries that have become possible at the interface between literature and other media, new and old. They emphasize the extent to which hypertextual, multimedia, and virtual reality technologies have enhanced the sociality of reading and writing, enabling more people to interact than ever before. At the same time, however, they warn that, as long as these technologies are used to reinforce old habits of reading/ writing, they will deliver modest results. One of the major tasks pursued by the contributors to this volume is to integrate literature in the global informational environment where it can function as an imaginative partner, teaching its interpretive competencies to other components of the cultural landscape.
