Traité théorique et pratique de la contrefaçon PDF Download
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Author: André Allart
Publisher:
ISBN:
Category : Copyright
Languages : fr
Pages : 358
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Author: Alcide Darras
Publisher:
ISBN:
Category :
Languages : fr
Pages : 126
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Author: André Allart
Publisher:
ISBN:
Category : Copyright
Languages : fr
Pages : 358
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Author: Darras-A
Publisher:
ISBN: 9782011302670
Category :
Languages : fr
Pages :
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Author: Adrien Gastambide
Publisher:
ISBN:
Category :
Languages : fr
Pages : 516
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Author: Acadimie de Droit International de La Haye
Publisher: Martinus Nijhoff Publishers
ISBN: 9789028608924
Category : Law
Languages : en
Pages : 672
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Book Description
The Academy is a prestigious international institution for the study and teaching of Public and Private International Law and related subjects. The work of the Hague Academy receives the support and recognition of the UN. Its purpose is to encourage a thorough and impartial examination of the problems arising from international relations in the field of law. The courses deal with the theoretical and practical aspects of the subject, including legislation and case law. All courses at the Academy are, in principle, published in the language in which they were delivered in the "Collected Courses of the Hague Academy of International Law .
![Traité théorique et pratique de la contrefaçon. Brevets, marques, dessins et modèles, propriété littéraire et artistique, pa[r] André Allart PDF](https://books.google.com/books/content/images/frontcover/TBFO0AEACAAJ?fife=w80-h100)
Author: André Allart
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Joseph Adrien Gastambide
Publisher:
ISBN:
Category : Copyright
Languages : fr
Pages : 512
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Author: Gastambide-A-J
Publisher:
ISBN: 9782013554466
Category :
Languages : fr
Pages :
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Author: Adrien Gastambide
Publisher:
ISBN:
Category :
Languages : fr
Pages : 496
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Author: Lionel Bently
Publisher: Cambridge University Press
ISBN: 1139492225
Category : Law
Languages : en
Pages : 503
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Book Description
An understanding of the changing nature of the law and practice of copyright infringement is a task too big for lawyers alone; it requires additional inputs from economists, historians, technologists, sociologists, cultural theorists and criminologists. Where is the boundary to be drawn between illegal imitation and legal inspiration? Would the answer be different for creators, artists and experts from different disciplines or fields? How have concepts of copyright infringement altered over time and how do such changes relate, if at all, to the cultural norms operating amongst creators in different fields? With such an approach, one might perhaps begin to address the vital and overarching question of whether strong copyright laws, rigorously enforced, impede rather than promote creativity. And what can be done to avoid any such adverse consequences, while maintaining the effectiveness of copyright as an incentive-mechanism for those who need it?
