Author: Laurent Séraph. Jos. De Bavay
Publisher:
ISBN:
Category :
Languages : fr
Pages : 24
Book Description
Traité élémentaire de l'art d'écrire
Author: Laurent Séraph. Jos. De Bavay
Publisher:
ISBN:
Category :
Languages : fr
Pages : 24
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 24
Book Description
Traité élémentaire de lârt dếcriture
Author: Guillaume Montfort
Publisher:
ISBN:
Category : Writing
Languages : fr
Pages : 32
Book Description
Publisher:
ISBN:
Category : Writing
Languages : fr
Pages : 32
Book Description
Traité élémentaire de l'art d'écrire où l'on a mis en exemples la Déclaration des droits et des devoirs de l'homme et du citoyen à l'usage des elèves du Prytanée français à Paris, par Guillaume Montfort professeur au dit Prytanée et membre de plusieurs sociétés de sciences et arts, gravé par Beaublé et Bariolle
Author: Guillaume Montfort
Publisher:
ISBN:
Category :
Languages : fr
Pages : 40
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 40
Book Description
Traité sur les principes de l'art d'écrire et sur ceux de l'écriture
Author: D' Autrèpe
Publisher:
ISBN:
Category :
Languages : fr
Pages : 108
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 108
Book Description
History of Shorthand
Author: Thomas Anderson
Publisher:
ISBN:
Category : Shorthand
Languages : en
Pages : 332
Book Description
Publisher:
ISBN:
Category : Shorthand
Languages : en
Pages : 332
Book Description
Traité sur l'art d'écrire ou Principes d'écriture, à l'usage des jeunes gens de l'un & de l'autre sexe ; d'après les plus habiles maîtres..
Author: Quevreux (Instituteur).)
Publisher:
ISBN:
Category :
Languages : fr
Pages : 1
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 1
Book Description
Traité sur les principes de l'art d'écrire, et ceux de l'écriture ...
Author: Jean-Etienne d' Autrèpe
Publisher:
ISBN:
Category :
Languages : fr
Pages : 48
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 48
Book Description
Traité sur les principes de l'art d'ecrire, et ceux de l'écritura ...
Author: Autrèpe (d'.)
Publisher:
ISBN:
Category : Copybooks
Languages : fr
Pages : 48
Book Description
Publisher:
ISBN:
Category : Copybooks
Languages : fr
Pages : 48
Book Description
De l'art de penser
Author: Étienne Bonnot de Condillac
Publisher:
ISBN:
Category :
Languages : fr
Pages : 534
Book Description
Publisher:
ISBN:
Category :
Languages : fr
Pages : 534
Book Description
The Grotesque Dancer on the Eighteenth-century Stage
Author: Rebecca Harris-Warrick
Publisher: Univ of Wisconsin Press
ISBN: 9780299203542
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
Italian ballet in the eighteenth century was dominated by dancers trained in the style known as "grotesque"—a virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri’s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for investigating this influential type of ballet and its connections to the operatic and theatrical genres of its day. The Grotesque Dancer on the Eighteenth-Century Stage examines the theatrical world of the ballerino grottesco, Magri’s own career as a dancer in Italy and Vienna, the genre of pantomime ballet as it was practiced by Magri and his colleagues across Europe, the relationships between dance and pantomime in this type of work, the music used to accompany pantomime ballets, and the movement vocabulary of the grotesque dancer. Appendices contain scenarios from eighteenth-century pantomime ballets, including several of Magri’s own devising; an index to the step-vocabulary discussed in Magri’s book; and an index of dancers in Italy known to have performed as grotteschi. Illustrations, music examples, and dance notations also supplement the text.
Publisher: Univ of Wisconsin Press
ISBN: 9780299203542
Category : Biography & Autobiography
Languages : en
Pages : 404
Book Description
Italian ballet in the eighteenth century was dominated by dancers trained in the style known as "grotesque"—a virtuoso style that combined French ballet technique with a vigorous athleticism that made Italian dancers in demand all over Europe. Gennaro Magri’s Trattato teorico-prattico di ballo, the only work from the eighteenth century that explains the practices of midcentury Italian theatrical dancing, is a starting point for investigating this influential type of ballet and its connections to the operatic and theatrical genres of its day. The Grotesque Dancer on the Eighteenth-Century Stage examines the theatrical world of the ballerino grottesco, Magri’s own career as a dancer in Italy and Vienna, the genre of pantomime ballet as it was practiced by Magri and his colleagues across Europe, the relationships between dance and pantomime in this type of work, the music used to accompany pantomime ballets, and the movement vocabulary of the grotesque dancer. Appendices contain scenarios from eighteenth-century pantomime ballets, including several of Magri’s own devising; an index to the step-vocabulary discussed in Magri’s book; and an index of dancers in Italy known to have performed as grotteschi. Illustrations, music examples, and dance notations also supplement the text.