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Author: Vanessa Blakeslee
Publisher:
ISBN: 9780984953844
Category : Fiction
Languages : en
Pages : 0
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Book Description
A single mother rents a fundamentalist preacher's carriage house. A pop star contemplates suicide in the hotel where Janis Joplin died. And in the title story, a train engineer, after running over a young girl on his tracks, grapples with the pervasive question-what propels a life toward such a disastrous end?
Author: Vanessa Blakeslee
Publisher:
ISBN: 9780984953844
Category : Fiction
Languages : en
Pages : 0
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Book Description
A single mother rents a fundamentalist preacher's carriage house. A pop star contemplates suicide in the hotel where Janis Joplin died. And in the title story, a train engineer, after running over a young girl on his tracks, grapples with the pervasive question-what propels a life toward such a disastrous end?
Author: Margie Warrell
Publisher: John Wiley & Sons
ISBN: 0730369439
Category : Business & Economics
Languages : en
Pages : 294
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Book Description
What would you do today if you were being brave? Courage begets courage. It's a habit. Doing something brave everyday - no matter how small - unlocks new possibilities, opportunities and pathways to thrive in your work, relationships and life. Drawing on her background in business, psychology and coaching, best-selling author Margie Warrell guides you past the fears that keep you from making the changes to create your ideal life. In today's uncertain times, fear can unconsciously direct our lives. Start small, dare big, and begin today to live with greater purpose, courage and success. Originally published in 2015 as Brave, this book has been reviewed and redesigned to become part of the Wiley Be Your Best series - aimed at helping readers acheive professional and personal success.
Author: Ken Dancyger
Publisher: CRC Press
ISBN: 1136052658
Category : Performing Arts
Languages : en
Pages : 632
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Book Description
First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Tanya Shilina-Conte
Publisher: Oxford University Press
ISBN: 0197511325
Category : Art
Languages : en
Pages : 329
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Book Description
Black Screens, White Frames offers a new understanding of blank screens in cinema. Drawing on Gilles Deleuze's film philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, author Tanya Shilina-Conte shows how absence can be a productive mode that alters the way we study film.
Author: Jean-Pierre Bertin-Maghit
Publisher: Rowman & Littlefield
ISBN: 1442261021
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
In occupied France, the Nazis pursued aggressive, tightly orchestrated measures designed to monopolize the French market and foster agitation against Americans, Jews, Communists, and others. The documentary film was one instrument of propaganda employed by the Nazi occupiers, as well as the Vichy government and collaborationists. Nearly two hundred of those documentaries have been restored by the French Film Archives. Jean-Pierre Bertin-Maghit’s Propaganda Documentaries in France: 1940–1944 is the first volume specifically devoted to nonfiction propaganda films distributed in France during the “dark years” of the German Occupation. This book provides a concise overview of Vichy and German film policies, including the purchase of an extensive network of movie houses, many of which were expropriated from Jewish owners. In addition, popular prewar American and French feature films were banned, while theaters were flooded with propagandist titles. Bertin-Maghit also illustrates how ideological priorities and political negotiations played out in both topical documentaries and weekly newsreels, juxtaposing Vichy’s integrationist propaganda with German-sponsored documentaries of agitation and exclusion. While documentaries are the primary focus of this work, the author also addresses other forms of propaganda, such as newsreels and posters. Appearing in English for the first time—and featuring a filmography of 178 restored works—Propaganda Documentaries in France: 1940–1944 is a provocative and wide-ranging work of history and cinema that will be of interest to film scholars and historians as well as sociologists and political scientists.
Author: Keith Oatley
Publisher: John Wiley & Sons
ISBN: 0470974575
Category : Psychology
Languages : en
Pages : 306
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Book Description
Such Stuff as Dreams: The Psychology of Fiction explores how fiction works in the brains and imagination of both readers and writers. Demonstrates how reading fiction can contribute to a greater understanding of, and the ability to change, ourselves Informed by the latest psychological research which focuses on, for example, how identification with fictional characters occurs, and how literature can improve social abilities Explores traditional aspects of fiction, including character, plot, setting, and theme, as well as a number of classic techniques, such as metaphor, metonymy, defamiliarization, and cues Includes extensive end-notes, which ground the work in psychological studies Features excerpts from fiction which are discussed throughout the text, including works by William Shakespeare, Jane Austen, Kate Chopin, Anton Chekhov, James Baldwin, and others
Author: Stella Bruzzi
Publisher: Routledge
ISBN: 1134739443
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
New Documentary: A Critical Introduction provides a comprehensive account of the last two decades of documentary filmmaking in Britain, the US and Europe. Stella Bruzzi's engaging textbook discusses key genres, filmmakers, and issues for the study of non-fiction film and television, including: * key texts such as the Zapruder film of Kennedy's assassination, Shoah, Hoop Dreams and Michael Apted's 7 Up series * documentary genres, from current affairs programming to 'fly on the wall' documentaries to 'reality tv' series * the work of documentary filmmakers such as Emile de Antonio, Fred Wiseman, Nick Broomfield, Molly Dineen and Paul Watson * the work of avant-garde filmmakers such as Chris Marker, Patrick Keiller, Peter Greenaway and Wim Wenders, whose films challenge conventions of documentary filmmaking * movies based on historical events, such as 'JFK' and 'Nixon' * faux documentaries such as This is Spinal Tap, Bob Roberts and Man Bites Dog * gender identity, queer theory, performance, 'race' and spectatorship. Bruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary.
Author: Tim Harte
Publisher: Univ of Wisconsin Press
ISBN: 0299233235
Category : Literary Criticism
Languages : en
Pages : 341
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Book Description
Life in the modernist era not only moved, it sped. As automobiles, airplanes, and high-speed industrial machinery proliferated at the turn of the twentieth century, a fascination with speed influenced artists—from Moscow to Manhattan—working in a variety of media. Russian avant-garde literary, visual, and cinematic artists were among those striving to elevate the ordinary physical concept of speed into a source of inspiration and generate new possibilities for everyday existence. Although modernism arrived somewhat late in Russia, the increased tempo of life at the start of the twentieth century provided Russia’s avant-garde artists with an infusion of creative dynamism and crucial momentum for revolutionary experimentation. In Fast Forward Tim Harte presents a detailed examination of the images and concepts of speed that permeated Russian modernist poetry, visual arts, and cinema. His study illustrates how a wide variety of experimental artistic tendencies of the day—such as “rayism” in poetry and painting, the effort to create a “transrational” language (zaum’) in verse, and movements seemingly as divergent as neo-primitivism and constructivism—all relied on notions of speed or dynamism to create at least part of their effects. Fast Forward reveals how the Russian avant-garde’s race to establish a new artistic and social reality over a twenty-year span reflected an ambitious metaphysical vision that corresponded closely to the nation’s rapidly changing social parameters. The embrace of speed after the 1917 Revolution, however, paradoxically hastened the movement’s demise. By the late 1920s, under a variety of historical pressures, avant-garde artistic forms morphed into those more compatible with the political agenda of the Russian state. Experimentation became politically suspect and abstractionism gave way to orthodox realism, ultimately ushering in the socialist realism and aesthetic conformism of the Stalin years.
Author: Gabriella Oldham
Publisher: Univ of California Press
ISBN: 0520953991
Category : Performing Arts
Languages : en
Pages : 319
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Book Description
First Cut 2: More Conversations with Film Editors presents a new collection of twelve interviews with award-winning film editors who discuss the art and craft of editing in the twenty-first century. As a follow-up to the successful First Cut: Conversations with Film Editors (now celebrating its 20th anniversary), this new volume explores the transition of editing from the age of celluloid to the digital age. These extraordinarily articulate editors share their passion about film, offer detailed practical examples from their films to explain their process as well as their challenges, and imbue each interview with unique personality, humor, and cinematic insights. First Cut 2 continues the tradition of the first volume by interviewing both fiction and documentary editors, contributing to a rich, holistic appreciation of editing. It also introduces a significant interview with an independent filmmaker/editor to emphasize today’s multiple opportunities for aspiring filmmakers to make their own "small films" and achieve success. Together with the first volume, First Cut 2 offers a panoramic survey of film editing and preserves its history through the voices of its practitioners. The stories told will engage students, inform general filmgoers, and even enlighten industry professionals.
Author:
Publisher:
ISBN:
Category : Law reports, digests, etc
Languages : en
Pages : 1168
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Book Description
Includes the decisions of the Supreme Courts of Alabama, Florida, Louisiana, and Mississippi, the Appellate Courts of Alabama and, Sept. 1928/Jan. 1929-Jan./Mar. 1941, the Courts of Appeal of Louisiana.
