Author: John Fyvie
Publisher:
ISBN:
Category : Actresses
Languages : en
Pages : 408
Book Description
Tragedy Queens of the Georgian Era
Author: John Fyvie
Publisher:
ISBN:
Category : Actresses
Languages : en
Pages : 408
Book Description
Publisher:
ISBN:
Category : Actresses
Languages : en
Pages : 408
Book Description
Tragedy Queens of the Georgian Era
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Tragedy queens of the Georgian era
Author: John Fyvie
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
Book Description
Tragedy Queens of the Georgian Era (Classic Reprint)
Author: John Fyvie
Publisher: Forgotten Books
ISBN: 9780483075733
Category : Biography & Autobiography
Languages : en
Pages : 400
Book Description
Excerpt from Tragedy Queens of the Georgian Era HE famous Madam Barry, as she was generally called by her contemporaries, first appeared on the stage in the thirteenth year of the reign of Charles the Second, and she died three months before the first of our Georges ascended the throne; but she is included here because she dominated the stage for over thirty years, and by her manner and methods profoundly influenced succeeding tragic actresses; because she acted in most of the tragedies of Dryden, Otway, Lee, and Rowe; because She created (in many cases out of very poor dramatic material) over one hundred characters, several Of which, owing to the vogue which she imparted to them, held the stage to the end of the eighteenth century; and (what is even more to our present biographical purpose), because in her private life' she carried on the licentious tradition Of the Restoration, and was a Shining example for succeeding frail ones to allege in support of their apologetic contention that performers who represent evil passions on the stage can only succeed in proportion to their practical experience of such passions in real life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9780483075733
Category : Biography & Autobiography
Languages : en
Pages : 400
Book Description
Excerpt from Tragedy Queens of the Georgian Era HE famous Madam Barry, as she was generally called by her contemporaries, first appeared on the stage in the thirteenth year of the reign of Charles the Second, and she died three months before the first of our Georges ascended the throne; but she is included here because she dominated the stage for over thirty years, and by her manner and methods profoundly influenced succeeding tragic actresses; because she acted in most of the tragedies of Dryden, Otway, Lee, and Rowe; because She created (in many cases out of very poor dramatic material) over one hundred characters, several Of which, owing to the vogue which she imparted to them, held the stage to the end of the eighteenth century; and (what is even more to our present biographical purpose), because in her private life' she carried on the licentious tradition Of the Restoration, and was a Shining example for succeeding frail ones to allege in support of their apologetic contention that performers who represent evil passions on the stage can only succeed in proportion to their practical experience of such passions in real life. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Tragedy Queens of the Georgian Era
Author: John Fyvie
Publisher: Palala Press
ISBN: 9781355244318
Category :
Languages : en
Pages : 394
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Palala Press
ISBN: 9781355244318
Category :
Languages : en
Pages : 394
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Literary Year-book
Author: Frederick George Aflalo
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 616
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 616
Book Description
England's Weak Points and Germany's Position in Europe To-day
Author: Mariano Herggelet
Publisher:
ISBN:
Category : English
Languages : en
Pages : 288
Book Description
Publisher:
ISBN:
Category : English
Languages : en
Pages : 288
Book Description
Bulletin
Author: Enoch Pratt Free Library of Baltimore City
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 376
Book Description
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 376
Book Description
Author-catalogue of printed books in European languages. With a supplementary list of newspapers. 1904. 2 v
Author: Imperial Library, Calcutta
Publisher:
ISBN:
Category : India
Languages : en
Pages : 382
Book Description
Publisher:
ISBN:
Category : India
Languages : en
Pages : 382
Book Description
Romantic Actors, Romantic Dramas
Author: James Armstrong
Publisher: Springer Nature
ISBN: 3031137108
Category : Performing Arts
Languages : en
Pages : 237
Book Description
This book reinterprets British dramas of the early-nineteenth century through the lens of the star actors for whom they were written. Unlike most playwrights of previous generations, the writers of British Romantic dramas generally did not work in the theatre themselves. However, they closely followed the careers of star performers. Even when they did not directly know actors, they had what media theorists have dubbed "para-social interactions" with those stars, interacting with them through the mediation of mass communication, whether as audience members, newspaper and memoir readers, or consumers of prints, porcelain miniatures, and other manifestations of "fan" culture. This study takes an in-depth look at four pairs of performers and playwrights: Sarah Siddons and Joanna Baillie, Julia Glover and Samuel Taylor Coleridge, Edmund Kean and Lord Byron, and Eliza O'Neill and Percy Bysshe Shelley. These charismatic performers, knowingly or not, helped to guide the development of a character-based theatre—from the emotion-dominated plays made popular by Baillie to the pinnacle of Romantic drama under Shelley. They shepherded in a new style of writing that had verbal sophistication and engaged meaningfully with the moral issues of the day. They helped to create not just new modes of acting, but new ways of writing that could make use of their extraordinary talents.
Publisher: Springer Nature
ISBN: 3031137108
Category : Performing Arts
Languages : en
Pages : 237
Book Description
This book reinterprets British dramas of the early-nineteenth century through the lens of the star actors for whom they were written. Unlike most playwrights of previous generations, the writers of British Romantic dramas generally did not work in the theatre themselves. However, they closely followed the careers of star performers. Even when they did not directly know actors, they had what media theorists have dubbed "para-social interactions" with those stars, interacting with them through the mediation of mass communication, whether as audience members, newspaper and memoir readers, or consumers of prints, porcelain miniatures, and other manifestations of "fan" culture. This study takes an in-depth look at four pairs of performers and playwrights: Sarah Siddons and Joanna Baillie, Julia Glover and Samuel Taylor Coleridge, Edmund Kean and Lord Byron, and Eliza O'Neill and Percy Bysshe Shelley. These charismatic performers, knowingly or not, helped to guide the development of a character-based theatre—from the emotion-dominated plays made popular by Baillie to the pinnacle of Romantic drama under Shelley. They shepherded in a new style of writing that had verbal sophistication and engaged meaningfully with the moral issues of the day. They helped to create not just new modes of acting, but new ways of writing that could make use of their extraordinary talents.