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Author: Spencer W. Kimball
Publisher:
ISBN:
Category : Electronic books
Languages : en
Pages :
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Book Description
As only Spencer W. Kimball could. From the heart, from the scriptures, from history he guides us through the answer to this question: Why do bad things happen to good people?
Author: Spencer W. Kimball
Publisher:
ISBN:
Category : Electronic books
Languages : en
Pages :
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Book Description
As only Spencer W. Kimball could. From the heart, from the scriptures, from history he guides us through the answer to this question: Why do bad things happen to good people?
Author: Richard Kuhns
Publisher: University of Chicago Press
ISBN: 9780226458267
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Drawing on philosophical and psychoanalytic methods of interpretation, Richard Kuhns explores modern transformations of an ancient poetic genre, tragedy. Recognition of the philosophical problems addressed in tragedy, and of their presence up through eighteenth- and nineteenth-century philosophical texts, novels, and poetry, establishes a continuity between classical and modern enactments. Psychoanalytic theory in both its original formulations and post-Freud developments provides a means to enlarge upon and inform philosophical analyses that have dominated modern discussions. From Aeschylus' classic drama The Persians to the hidden tragic themes in The Merchant of Venice, from the aesthetic writings of Kant to Kleist's narrative Michael Kohlhaas, Kuhns traces the writing and rewriting of the themes of ancient tragedy through modern texts. A culture's concept of fate, Kuhns argues, evolves along with its concepts and forms of tragedy. Examining the deep philosophical concerns of tragedy, he shows how the genre has changed from loss and mourning to contradiction and repression. He sees the fact that tragedy went underground during the optimism of the Enlightenment as a repression that continues into the American consciousness. Turning to Melville's The Confidence Man as an example of Old World despair giving way to New World nihilism, Kuhns indicates how psychoanalytic understanding of tragedy provides a method of interpretation that illuminates the continuous tradition from the ancient to the modern world. The study concludes with reflections on the poetry of Walt Whitman and Emily Dickinson. Each poet's celebration of the body, and the contribution of the senses to reason, perception, and poetic intuition, is seen as an embodiment of the modern tragic sensibility.
Author: John Drakakis
Publisher: Routledge
ISBN: 1317894197
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
This wide-ranging and unique collection of documents on one of the most enduring of literary genres, Tragedy, offers a radical revaluation of its significance in the light of the critical attention that it has received during the past one-hundred and fifty years. The foundations of much contemporary thinking about Tragedy are to be found in the writings of Hegel, Nietzsche, and Kierkegaard; in addition, the dialectical tradition emanating from Marxism, and the psycho-analytical writings of Freud, have extended significantly the horizons of the subject. With the explosion of interest in the areas of post-structuralism, sociology of culture, social anthropology, feminism, deconstruction, and the study of ritual, new questions are being asked about this persistent artistic exploration of human experience. This book seeks to represent a full selection of these divergent interests, in a series of substantial extracts which display the continuing richness of the debate about a genre which has provoked, and challenged categorical discussion since the appearance of Aristotle's Poetics.
Author: Russell Galbraith
Publisher: Trafalgar Square
ISBN: 9781851581795
Category : Ocean liners
Languages : en
Pages : 176
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Book Description
Author: Julian Young
Publisher: Cambridge University Press
ISBN: 1107067464
Category : Philosophy
Languages : en
Pages : 295
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Book Description
This book is a full survey of the philosophy of tragedy from antiquity to the present. From Aristotle to Žižek the focal question has been: why, in spite of its distressing content, do we value tragic drama? What is the nature of the 'tragic effect'? Some philosophers point to a certain kind of pleasure that results from tragedy. Others, while not excluding pleasure, emphasize the knowledge we gain from tragedy - of psychology, ethics, freedom or immortality. Through a critical engagement with these and other philosophers, the book concludes by suggesting an answer to the question of what it is that constitutes tragedy 'in its highest vocation'. This book will be of equal interest to students of philosophy and of literature.
Author: Blair Hoxby
Publisher: Oxford University Press
ISBN: 0191065994
Category : Literary Criticism
Languages : en
Pages : 377
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Book Description
Twentieth century critics have definite ideas about tragedy. They maintain that in a true tragedy, fate must feel the resistance of the tragic hero's moral freedom before finally crushing him, thus generating our ambivalent sense of terrible waste coupled with spiritual consolation. Yet far from being a timeless truth, this account of tragedy only emerged in the wake of the French Revolution. What Was Tragedy? demonstrates that this account of the tragic, which has been hegemonic from the early nineteenth century to the present despite all the twists and turns of critical fashion in the twentieth century, obscured an earlier poetics of tragedy that evolved from 1515 to 1795. By reconstructing that poetics, Blair Hoxby makes sense of plays that are "merely pathetic, not truly tragic," of operas with happy endings, of Christian tragedies, and of other plays that advertised themselves as tragedies to early modern audiences and yet have subsequently been denied the palm of tragedy by critics. In doing so, Hoxby not only illuminates masterpieces by Shakespeare, Calderón, Corneille, Racine, Milton, and Mozart, he also revivifies a vast repertoire of tragic drama and opera that has been relegated to obscurity by critical developments since 1800. He suggests how many of these plays might be reclaimed as living works of theater. And by reconstructing a lost conception of tragedy both ancient and modern, he illuminates the hidden assumptions and peculiar blind-spots of the idealist critical tradition that runs from Schelling, Schlegel, and Hegel, through Wagner, Nietzsche, and Freud, up to modern post-structuralism.
Author: Robert R. Williams
Publisher: Oxford University Press
ISBN: 0199656053
Category : History
Languages : en
Pages : 423
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Book Description
Robert R. Williams offers a bold new account of divergences and convergences in the work of Hegel and Nietzsche. He explores four themes - the philosophy of tragedy; recognition and community; critique of Kant; and the death of God - and explicates both thinkers' critiques of traditional theology and metaphysics.
Author: Robert Orlando
Publisher: Humanix Books
ISBN: 163006176X
Category : Biography & Autobiography
Languages : en
Pages : 184
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Book Description
"Better to fight for something than live for nothing." — General George S. Patton It is 75 years since the end of WW II and the strange, mysterious death of General George S. Patton, but as in life, Patton sets off a storm of controversy. The Tragedy of Patton: A Soldier's Date With Destiny asks the question: Why was General Patton silenced during his service in World War II? Prevented from receiving needed supplies that would have ended the war nine months earlier, freed the death camps, prevented Russian invasion of the Eastern Bloc, and Stalin's murderous rampage. Why was he fired as General of the Third Army and relegated to a governorship of post-war Bavaria? Who were his enemies? Was he a threat to Eisenhower, Montgomery, and Bradley? And is it possible as some say that the General's freakish collision with an Army truck, on the day before his departure for US, was not really an accident? Or was Patton not only dismissed by his peers, but the victim of an assassin's bullet at their behest? Was his personal silence necessary? General George S. Patton was America's antihero of the Second World War. Robert Orlando explores whether a man of such a flawed character could have been right about his claim that because the Allied troops, some within 200 miles of Berlin, or just outside Prague, were held back from capturing the capitals to let Soviet troops move in, the Cold War was inevitable. Patton said it loudly and often enough that he was relieved of command and silenced. Patton had vowed to “take the gag off” after the war and tell the intimate truth and inner workings about controversial decisions and questionable politics that had cost the lives of his men. Was General Patton volatile, bombastic, self-absorbed, reckless? Yes, but he was also politically astute and a brilliant military strategist who delivered badly needed wins. Questions still abound about Patton’s rise and fall. The Tragedy of Patton seeks to answer them.
Author: William Pfaff
Publisher: Bloomsbury Publishing USA
ISBN: 0802719678
Category : History
Languages : en
Pages : 237
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Book Description
"For years there has been little or no critical reexamination of how and why the ultimately successful postwar American policy of 'patient but firm and vigilant containment of Soviet expansionist tendencies...and pressure against the free institutions of the western world' (as George Kennan formulated it at the time) has over six decades turned into a vast project for ending tyranny in the world. We defend this position by making the claim that the United States possesses an exceptional status among nations that confers upon it special international responsibilities, and exceptional privileges in meeting those responsibilities. This is where the problem lies. It has become somewhat of a national heresy to suggest the U.S. does not have a unique moral status and role to play in the history of nations and therefore in the affairs of the contemporary world. In fact it does not." Cogently, thoughtfully, powerfully, William Pfaff--whose columns and commentary over the past 40-odd years have given him the widest international influence of any American commentator--lays out the historical roots behind the American exceptionalism that has animated our politics and foreign relations for decades, and makes clear why it is flawed and bound to fail. Those roots lie in the secularization of western society brought about by the Enlightenment. "My proposition in this book is that the United States' spearation from 1800 to 1941 from the common history of the west has disqualified it from the mandate it has assumed as the society that embodies the future"...and in many ways is responsible for the impasse in which it finds itself at the end of the disastrous events of the last 8 years. "It has failed to learn from experience because it lacks the indispensable experience Europeans have acquired of modern ideological folly and national tragedy."
Author: Arthur Cools
Publisher: BRILL
ISBN: 9004166254
Category : Social Science
Languages : en
Pages : 357
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Book Description
Ask for the tragic and Europe will answer. Leaving behind the philosophersa (TM) enthusiasm of the nineteenth century, a ~tragedya (TM) and a ~the tragica (TM) now seem little more than vague containers. However, it appears that we still discover a tragic essence in our personal lives. Time and again tragedy is being registered, written down and staged. This book wants to open a contemporary philosophical perspective on the tragic. What is the locus of tragedy? Does it relate to metaphysics, the gods, destiny, and chance? Or is it a matter of ethics, of the Law and its transgression? Does man himself occupy the locus of tragedy, because of his unreasonable and boundless desires, as many philosophers have suggested? Is man today still able to account for his tragic condition? Or do we locate the tragic first and foremost in the esthetic imagination? Is not the theatrical genre of tragedy the locus authenticus of all things tragic? Is there more to the tragic than drama and play?
