Author: John E. Eberegbulam Njoku
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 156
Book Description
Describing two differing concepts of death and death rituals - modernism and traditionalism - this text depicts, through the medium of the story, how they wrestle for pre-eminence at funerals.
Traditionalism Versus Modernism at Death
Author: John E. Eberegbulam Njoku
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 156
Book Description
Describing two differing concepts of death and death rituals - modernism and traditionalism - this text depicts, through the medium of the story, how they wrestle for pre-eminence at funerals.
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 156
Book Description
Describing two differing concepts of death and death rituals - modernism and traditionalism - this text depicts, through the medium of the story, how they wrestle for pre-eminence at funerals.
Modernism versus Traditionalism
Author: Gretchen K. McKay
Publisher: UNC Press Books
ISBN: 1469641275
Category : Art
Languages : en
Pages : 79
Book Description
Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the "texts" that form the intellectual heart of every reacting game. Styles include conservative art espoused by the Academy, as well as more avant-garde art created by artists such as Van Gogh and Gauguin. Also included are the Impressionists and American artists in Paris. Students must read paintings as texts and use them as the basis of their positions in advocating for the future of art. In addition to these visual texts, students will read art criticism from the period, which will help form the basis of their own presentations in favor of one art style over another. These discussions are complicated and enriched by secondary debates over the economics of art, the rise of independent art dealers, and the government's role as a patron of the arts. The game culminates at the 1889 World Exposition in Paris.
Publisher: UNC Press Books
ISBN: 1469641275
Category : Art
Languages : en
Pages : 79
Book Description
Modernism vs. Traditionalism: Art in Paris 1888-1889 considers questions surrounding artistic developments at the end of the nineteenth century in Paris. Students will debate principles of artistic design in the context of the revolutionary changes that began shaking the French art world in 1888-1889. Images from the 1888 Salon and the tumultuous year that followed provide some of the "texts" that form the intellectual heart of every reacting game. Styles include conservative art espoused by the Academy, as well as more avant-garde art created by artists such as Van Gogh and Gauguin. Also included are the Impressionists and American artists in Paris. Students must read paintings as texts and use them as the basis of their positions in advocating for the future of art. In addition to these visual texts, students will read art criticism from the period, which will help form the basis of their own presentations in favor of one art style over another. These discussions are complicated and enriched by secondary debates over the economics of art, the rise of independent art dealers, and the government's role as a patron of the arts. The game culminates at the 1889 World Exposition in Paris.
Traditionalism Vs. Modernism
Author: Gesellschaft für die Neuen Englischsprachigen Literaturen. Annual Conference
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 316
Book Description
Tradition vs. Traditionalism
Author: Avi Sagi
Publisher: BRILL
ISBN: 9401206422
Category : Philosophy
Languages : en
Pages : 234
Book Description
This book is a first attempt to examine the thought of key contemporary Jewish thinkers on the meaning of tradition in the context of two models. The classic model assumes that tradition reflects lack of dynamism and reflectiveness, and the present’s unqualified submission to the past. This view, however, is an image that the modernist ethos has ascribed to the tradition so as to remove it from modern existence. In the alternative model, a living tradition emerges as open and dynamic, developing through an ongoing dialogue between present and past. The Jewish philosophers discussed in this work—Joseph B. Soloveitchik, Yeshayahu Leibowitz, David Hartman, and Eliezer Goldman—ascribe compelling canonic status to the tradition, and the analysis of their thought discloses the tension between these two models. The book carefully traces the course they have plotted along the various interpretations of tradition through their approach to Scripture and to Halakhah.
Publisher: BRILL
ISBN: 9401206422
Category : Philosophy
Languages : en
Pages : 234
Book Description
This book is a first attempt to examine the thought of key contemporary Jewish thinkers on the meaning of tradition in the context of two models. The classic model assumes that tradition reflects lack of dynamism and reflectiveness, and the present’s unqualified submission to the past. This view, however, is an image that the modernist ethos has ascribed to the tradition so as to remove it from modern existence. In the alternative model, a living tradition emerges as open and dynamic, developing through an ongoing dialogue between present and past. The Jewish philosophers discussed in this work—Joseph B. Soloveitchik, Yeshayahu Leibowitz, David Hartman, and Eliezer Goldman—ascribe compelling canonic status to the tradition, and the analysis of their thought discloses the tension between these two models. The book carefully traces the course they have plotted along the various interpretations of tradition through their approach to Scripture and to Halakhah.
Tradition Vs. Traditionalism
Author: Abraham Sagi
Publisher: Rodopi
ISBN: 904202478X
Category : Philosophy
Languages : en
Pages : 236
Book Description
This book is a first attempt to examine the thought of key contemporary Jewish thinkers on the meaning of tradition in the context of two models. The classic model assumes that tradition reflects lack of dynamism and reflectiveness, and the present¿s unqualified submission to the past. This view, however, is an image that the modernist ethos has ascribed to the tradition so as to remove it from modern existence. In the alternative model, a living tradition emerges as open and dynamic, developing through an ongoing dialogue between present and past. The Jewish philosophers discussed in this work¿Joseph B. Soloveitchik, Yeshayahu Leibowitz, David Hartman, and Eliezer Goldman¿ascribe compelling canonic status to the tradition, and the analysis of their thought discloses the tension between these two models. The book carefully traces the course they have plotted along the various interpretations of tradition through their approach to Scripture and to Halakhah. Contents Editorial Foreword Introduction Returning to Tradition: Paradox or Challenge The Tense Encounter with Modernity Soloveitchik: Jewish Thought Confronts Modernity Compartmentalization: From Ernst Simon to Yeshayahu Leibowitz The Harmonic Encounter with Modernity Religious Commitment in a Secularized World: Eliezer Goldman David Hartman: Renewing the Covenant Between Old and New: Judaism as Interpretation Scripture in the Thought of Leibowitz and Soloveitchik Halakhah in the Thought of Leibowitz and Soloveitchik Eliezer Goldman: Judaism as Interpretation Epilogue ¿My Name¿s my Donors¿ Name¿ Notes Bibliography About the Author Index
Publisher: Rodopi
ISBN: 904202478X
Category : Philosophy
Languages : en
Pages : 236
Book Description
This book is a first attempt to examine the thought of key contemporary Jewish thinkers on the meaning of tradition in the context of two models. The classic model assumes that tradition reflects lack of dynamism and reflectiveness, and the present¿s unqualified submission to the past. This view, however, is an image that the modernist ethos has ascribed to the tradition so as to remove it from modern existence. In the alternative model, a living tradition emerges as open and dynamic, developing through an ongoing dialogue between present and past. The Jewish philosophers discussed in this work¿Joseph B. Soloveitchik, Yeshayahu Leibowitz, David Hartman, and Eliezer Goldman¿ascribe compelling canonic status to the tradition, and the analysis of their thought discloses the tension between these two models. The book carefully traces the course they have plotted along the various interpretations of tradition through their approach to Scripture and to Halakhah. Contents Editorial Foreword Introduction Returning to Tradition: Paradox or Challenge The Tense Encounter with Modernity Soloveitchik: Jewish Thought Confronts Modernity Compartmentalization: From Ernst Simon to Yeshayahu Leibowitz The Harmonic Encounter with Modernity Religious Commitment in a Secularized World: Eliezer Goldman David Hartman: Renewing the Covenant Between Old and New: Judaism as Interpretation Scripture in the Thought of Leibowitz and Soloveitchik Halakhah in the Thought of Leibowitz and Soloveitchik Eliezer Goldman: Judaism as Interpretation Epilogue ¿My Name¿s my Donors¿ Name¿ Notes Bibliography About the Author Index
Ideology and Power in the Middle East
Author: Peter J. Chelkowski
Publisher: Duke University Press
ISBN: 0822381508
Category : History
Languages : en
Pages : 544
Book Description
Scholars from the United States, Canada, Europe, and the Middle East combine their talents and expertise to honor George Lenczowski, whose studies of the Middle East over two generations have made him a foremost expert on contemporary affairs in this most volatile and complex region.
Publisher: Duke University Press
ISBN: 0822381508
Category : History
Languages : en
Pages : 544
Book Description
Scholars from the United States, Canada, Europe, and the Middle East combine their talents and expertise to honor George Lenczowski, whose studies of the Middle East over two generations have made him a foremost expert on contemporary affairs in this most volatile and complex region.
The Athenian Sun in an African Sky
Author: Kevin J. Wetmore, Jr.
Publisher: McFarland
ISBN: 9780786410934
Category : Performing Arts
Languages : en
Pages : 244
Book Description
Western literature has become more influential in Africa since the independence of many of that continent's countries in the early 1960s. In particular, Greek tragedy has grown as model and inspiration for African theatre artists. This work begins with a discussion of the affinity that modern-day African playwrights have for ancient Greek tragedy and the factors that determine their choice of classical texts and topics. The study concentrates on how African playwrights transplant the dramatic action and narrative of the Greek texts by rewriting both the performance codes and the cultural context. The methods by which African playwrights have adapted Greek tragedy and the ways in which the plays satisfy the prevailing principles of both cultures are examined. The plays are The Bacchae of Euripides by Wole Soyinka, Song of a Goat by J.P. Clark, The Gods Are Not to Blame by Ola Rotimi, Guy Butler's Demea, Efua Sutherland's Edufa, Orestes by Athol Fugard, The Song of Jacob Zulu by Tug Yourgrau, Femi Osofisan's Tegonni, Edward Kamau Brathwaite's Odale's Choice, The Island by Fugard, John Kani, and Winston Ntshona, and Sylvain Bemba's Black Wedding Candles for Blessed Antigone.
Publisher: McFarland
ISBN: 9780786410934
Category : Performing Arts
Languages : en
Pages : 244
Book Description
Western literature has become more influential in Africa since the independence of many of that continent's countries in the early 1960s. In particular, Greek tragedy has grown as model and inspiration for African theatre artists. This work begins with a discussion of the affinity that modern-day African playwrights have for ancient Greek tragedy and the factors that determine their choice of classical texts and topics. The study concentrates on how African playwrights transplant the dramatic action and narrative of the Greek texts by rewriting both the performance codes and the cultural context. The methods by which African playwrights have adapted Greek tragedy and the ways in which the plays satisfy the prevailing principles of both cultures are examined. The plays are The Bacchae of Euripides by Wole Soyinka, Song of a Goat by J.P. Clark, The Gods Are Not to Blame by Ola Rotimi, Guy Butler's Demea, Efua Sutherland's Edufa, Orestes by Athol Fugard, The Song of Jacob Zulu by Tug Yourgrau, Femi Osofisan's Tegonni, Edward Kamau Brathwaite's Odale's Choice, The Island by Fugard, John Kani, and Winston Ntshona, and Sylvain Bemba's Black Wedding Candles for Blessed Antigone.
Modernist Transitions
Author: Subhadeep Ray
Publisher: Bloomsbury Publishing
ISBN: 9356405409
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
This volume is a critical reader, focusing on the continuities and discontinuities, confirmations and confrontations, crossovers and collisions, appropriations, adaptations and assimilations in the cultural transitions between British and Bangla vernacular modernist fiction within the context of the imperial modernity of the first half of the 20th century. The volume, consisting of critical essays aspires to illuminate, from multiple but intersecting perspectives, those thematic and structural areas where these two kinds of literary modernism, each aesthetically diverse, historically segmented by onslaughts of wars and other outbreaks of suffering and violence, and ideologically convoluted, but conditioned in many ways by common socio-historical catastrophes and promises, interact with each other to constitute an 'aesthetics of motion and dissonance'. Essays cut across literary criticism to employ interdisciplinary approaches, as they blur the boundaries between histories, biographies and fictional narratives, between individual ethics in and outside the fictional world, between imagined and living communities, between real and generic politics, between the home and the world, and between the corporeal and the cultural. These essays interrogate the mastery in literary techniques, narrative motives and dualities, 'major' and 'minor' genres, (de)formations of canons in respect of the 'worldliness' formed by the textual incorporation of the intricate imperial relationships between the United Kingdom and Bangla.
Publisher: Bloomsbury Publishing
ISBN: 9356405409
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
This volume is a critical reader, focusing on the continuities and discontinuities, confirmations and confrontations, crossovers and collisions, appropriations, adaptations and assimilations in the cultural transitions between British and Bangla vernacular modernist fiction within the context of the imperial modernity of the first half of the 20th century. The volume, consisting of critical essays aspires to illuminate, from multiple but intersecting perspectives, those thematic and structural areas where these two kinds of literary modernism, each aesthetically diverse, historically segmented by onslaughts of wars and other outbreaks of suffering and violence, and ideologically convoluted, but conditioned in many ways by common socio-historical catastrophes and promises, interact with each other to constitute an 'aesthetics of motion and dissonance'. Essays cut across literary criticism to employ interdisciplinary approaches, as they blur the boundaries between histories, biographies and fictional narratives, between individual ethics in and outside the fictional world, between imagined and living communities, between real and generic politics, between the home and the world, and between the corporeal and the cultural. These essays interrogate the mastery in literary techniques, narrative motives and dualities, 'major' and 'minor' genres, (de)formations of canons in respect of the 'worldliness' formed by the textual incorporation of the intricate imperial relationships between the United Kingdom and Bangla.
Culture Wars
Author: Roger Chapman
Publisher: M.E. Sharpe
ISBN: 0765622505
Category : Business & Economics
Languages : en
Pages : 768
Book Description
A collection of letters from a cross-section of Japanese citizens to a leading Japanese newspaper, relating their experiences and thoughts of the Pacific War.
Publisher: M.E. Sharpe
ISBN: 0765622505
Category : Business & Economics
Languages : en
Pages : 768
Book Description
A collection of letters from a cross-section of Japanese citizens to a leading Japanese newspaper, relating their experiences and thoughts of the Pacific War.
Middlebrow Modernism
Author: Christopher Chowrimootoo
Publisher: Univ of California Press
ISBN: 0520970705
Category : Music
Languages : en
Pages : 244
Book Description
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Situated at the intersections of twentieth-century music history, historiography, and aesthetics, Middlebrow Modernism uses Benjamin Britten’s operas to illustrate the ways in which composers, critics, and audiences mediated the “great divide” between modernism and mass culture. Reviving mid-century discussions of the middlebrow, Christopher Chowrimootoo demonstrates how Britten’s works allowed audiences to have their modernist cake and eat it: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on moments when reigning aesthetic oppositions and hierarchies threatened to collapse, this study offers a powerful model for recovering shades of grey in the traditionally black-and-white historiographies of twentieth-century music.
Publisher: Univ of California Press
ISBN: 0520970705
Category : Music
Languages : en
Pages : 244
Book Description
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. Situated at the intersections of twentieth-century music history, historiography, and aesthetics, Middlebrow Modernism uses Benjamin Britten’s operas to illustrate the ways in which composers, critics, and audiences mediated the “great divide” between modernism and mass culture. Reviving mid-century discussions of the middlebrow, Christopher Chowrimootoo demonstrates how Britten’s works allowed audiences to have their modernist cake and eat it: to revel in the pleasures of consonance, lyricism, and theatrical spectacle even while enjoying the prestige that came from rejecting them. By focusing on moments when reigning aesthetic oppositions and hierarchies threatened to collapse, this study offers a powerful model for recovering shades of grey in the traditionally black-and-white historiographies of twentieth-century music.