Tradition & Revolution in French Art 1700-1880 PDF Download
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Languages : en
Pages : 8
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 8
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Book Description
Author: Kelvingrove Art Gallery and Museum
Publisher: Yale University Press
ISBN: 0300097808
Category : Art
Languages : en
Pages : 234
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Book Description
The City of Glasgow possesses an internationally renowned collection of Impressionist and Post-Impressionist paintings. This magnificent book, the catalogue for a major exhibition, features sixty-four of the finest paintings in this collection, including important works by Rousseau, Corot, Monet, Renoir, Cézanne, Gauguin, Van Gogh, Picasso, Derain, Matisse, and Rouault. The lavishly illustrated book provides a short essay on each work as well as full catalogue details. There are also four introductory essays by prominent scholars that set the paintings in context. Irene Maver examines the social, political, and economic environment of Glasgow from its beginnings until the First World War; Frances Fowle charts the taste for French art in the west of Scotland during the late nineteenth and early twentieth century; Hugh Stevenson explores the early history of the city's collection and its assimilation of contemporary French paintings; and Belinda Thomson discusses how Glasgow's collection relates to the wider historical context of French painting of the period.
Author: David S. Kerr
Publisher: Clarendon Press
ISBN: 0191543047
Category : History
Languages : en
Pages : 254
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Book Description
Charles Philipon (1800-1862) was the founder of the satirical illustrated press in France. With the newspapers he owned and directed, La Caricature and Le Charivari, he led an unprecedentedly coherent and vitriolic campaign of disrespect against King Louis-Philippe and his regime. Using a group of young caricaturists (the most talented of whom were Daumier, Grandville, and Travies) and the collaboration of a gifted team of writers (including Balzac) he crafted a new language of opposition. This book is the first full scholarly study of the structure of the illustrated press in the 1830s, its contribution to political debate in France, the dissemination of caricature and its potential as political propaganda, and the links between caricature and other forms of political-cultural discourse under the July Monarchy.
Author: Rosalind Polly Blakesley
Publisher: Oxford University Press
ISBN: 9780198208754
Category : Art
Languages : en
Pages : 286
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Book Description
This book examines Russian genre painting in the first three quarters of the nineteenth century. It focuses on five major artists who made significant contributions to Russian intellectual life: Venetsianov, Bryullov, Ivanov, Fedotov, and Perov.
Author: Humphrey Wine
Publisher: Yale University Press
ISBN: 9781857090178
Category : Art
Languages : en
Pages : 192
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Book Description
Tradition & Revolution in French Art brings together over 100 paintings and drawings of the 18th and 19th centuries from the Musee des Beaux-Arts at Lille, one of the greatest of the French provincial museums. The catalogue and the exhibition it accompanies demonstrate the diversity and richness of French art of the period and provide an important overview of the major movements and stylistic developments that flourished throughout the 18th and 19th centuries. The Neo-Classicism of David, the Romanticism of Delacroix and Gericault, and the Realism of Courbet - aspects of French art that are hardly represented in British public collections - are seen against a background of traditional academic history and religious painting in a survey of the period that, unusually, does not begin or end at 1800 or exaggerate one theme - such as the distinct or novel character of Romantic painting or plein-air landscape. Conventionally, French art has been discussed in terms of polarities - Romantic art opposed to Neo-Classical, Realism in revolt against the academic, the avant-garde versus the official - but at the time the situation was more complex and more dynamic and, as this book demonstrates, some traditional ideas could themselves be revolutionary and some revolutionary art was in many respects traditional. The introductory essays, which give a clear account in English of a crucial period in the history of French art, discuss history and religious paintings, the major institutions for exhibiting and selling art in France, the educational ideals, and the market which shaped the nature of French painting in those years. And in describing the formation of the superb collection at Lille the book also provides a study of the rise of 19th-century French public collections of contemporary art.
Author: John McGreal
Publisher: Troubador Publishing Ltd
ISBN: 178803354X
Category : Art
Languages : en
Pages : 284
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Book Description
John McGreal's three new books – It’s Reproduction, Contently, It’s Revolution, Actively and It’s Transformation, Contently – continue the ‘It’ Series published by Matador since 2010.
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author: Nicholas Penny
Publisher: National Gallery London
ISBN: 9780300061529
Category : Art
Languages : en
Pages : 192
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Book Description
The themes of tradition and revolution in French art from 1700 to 1880 are discussed in this work, with particular reference to paintings and drawings from Lille.
Author: Perrin Stein
Publisher: Metropolitan Museum of Art
ISBN: 1588397467
Category : Art
Languages : en
Pages : 311
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Book Description
The first major exhibition catalogue to focus on Jacques Louis David's drawings and their pivotal role in the creation of his iconic history paintings The paintings of Jacques Louis David (1748–1825) are among the most iconic in the history of Western art, but comparatively little is known about his nearly two thousand drawings that formed the basis of beloved masterpieces such as The Oath of the Horatii and The Death of Socrates. Jacques Louis David: Radical Draftsman accompanies the first major exhibition to focus on the artist's often yearslong process of trial and experimentation, from initial idea to finished canvas. Including several recently discovered drawings published here for the first time, this volume provides a new perspective on the celebrated master. Essays by international experts explore what David's preparatory works on paper reveal about his creative process and how they bear witness to the tumultuous years before, during, and after the French Revolution. As both a participant and an observer, David helped establish the new French society while documenting the drama, violence, and triumphs of modern history in the making.
Author: C.T. Leffler
Publisher: Wayenborgh Publishing
ISBN: 9062999093
Category : Medical
Languages : en
Pages : 920
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Book Description
The History of Glaucoma, the latest in the Hirschberg series of the history of ophthalmology, covers the twists, turns, and paradigm-shifts in the glaucoma concept over the past two millennia. Previously, scholars were not able to agree on how the term glaucoma, which related in antiquity to the color of a diseased eye, ended up describing an excavated optic neuropathy which has nothing to do with color. The volume begins in the ancient world, and proceeds all the way to the modern era of optical coherence tomography, minimally invasive surgery, and anti-VEGF agents. Ophthalmic historians and glaucoma specialists from the United States, Europe, Asia, and Latin America have contributed their scholarship and recollections to this volume, which includes photographs from private collections, information from unpublished documents, and new translations from Latin, Arabic, French, German, and Spanish. The work of masters such as Julius Hirschberg and Max Meyerhof is supplemented by the latest scholarship, which has benefited from the explosion in digitally-accessible historical documents. This new scholarship has upended many deeply rooted beliefs about ophthalmology history. Most important, the volume relates the personal stories of eye surgeons and patients, to bring the past to life. The History of Glaucoma is a must-have for anyone interested in medical history.
