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Author: City Literary Institute
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: City Literary Institute
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 224
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Book Description
Author: George Watson
Publisher: CUP Archive
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 746
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Book Description
More than fifty specialists have contributed to this new edition of volume 4 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Author: Chris Baldick
Publisher: Edinburgh University Press
ISBN: 0748674578
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
The first general account of Twenties literature in Britain
Author: David Novarr
Publisher: Purdue University Press
ISBN: 9781557531285
Category : Biography & Autobiography
Languages : en
Pages : 228
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Book Description
The study of biography has leaped from surveys of biographical writing and statements of biographical practice to semiotic and post-structuralist discussions of the modality of biography without adequate consideration of what has already been done in the theory of the genre. Professor Novarr has closed that gap with this comprehensive and judicious historical survey and assessment of all the major (and many of the minor) statements made about biography in the crucial period 1880-1970. It traces, in the work of writers like David Cecil, Leon Edel, Mark Schorer, Paul Murray Kendall, and others, the nature of the relation between biographer and subject, the concept that biography is essentially the interpretation of one mind by another, and the idea that the biographer's angle of vision is both inevitable and important.
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 694
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Book Description
Author: Scarlett Baron
Publisher: Routledge
ISBN: 1135091919
Category : Literary Criticism
Languages : en
Pages : 403
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Book Description
Why was the term ‘intertextuality’ coined? Why did its first theorists feel the need to replace or complement those terms – of quotation, allusion, echo, reference, influence, imitation, parody, pastiche, among others – which had previously seemed adequate and sufficient to the description of literary relations? Why, especially in view of the fact that it is still met with resistance, did the new concept achieve such popularity so fast? Why has it retained its currency in spite of its inherent paradoxes? Since 1966, when Kristeva defined every text as a ‘mosaic of quotations’, ‘intertextuality’ has become an all-pervasive catchword in literature and other humanities departments; yet the notion, as commonly used, remains nebulous to the point of meaninglessness. This book seeks to shed light on this thought-provoking but treacherously polyvalent concept by tracing the theory’s core ideas and emblematic images to paradigm shifts in the fields of science, philosophy, psychoanalysis, and linguistics, focusing on the shaping roles of Darwin, Nietzsche, Freud, Saussure, and Bakhtin. In so doing, it elucidates the meaning of one of the most frequently used terms in contemporary criticism, thereby providing a much-needed foundation for clearer discussions of literary relations across the discipline and beyond.
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1662
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Book Description
Author: Various Authors
Publisher: Taylor & Francis
ISBN: 1317290356
Category : Literary Criticism
Languages : en
Pages : 2418
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Book Description
This set reissues 10 books on T. S. Eliot originally published between 1952 and 1991. The volumes examine many of Eliot’s most respected works, including his Four Quartets and The Waste Land. As well as exploring Eliot’s work, this collection also provides a comprehensive analysis of the man behind the poetry, particularly in Frederick Tomlin’s T. S. Eliot: A Friendship. This set will be of particular interest to students of literature.
Author: City Literary Institute
Publisher: Ardent Media
ISBN:
Category : Literature
Languages : en
Pages : 224
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Book Description
Author: T. Tregear
Publisher: Routledge
ISBN: 1351535536
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
The essays in this classic volume range from broad concerns with critical theory and aesthetic formulation to specific analysis of forms and texts. Levin discusses such matters as the symbolic interpretation of literature, the development of literary criticism during the past half-century, European attitudes toward contemporary American writers, and re-evaluations of Joyce, Proust, Balzac, Cervantes, Melville, and Hemingway. Because Levin is both a learned scholar and imaginative critic, there is no comparable book that offers the wit, taste, and learning one finds in these pages. His historical and comparative approaches to literary theory enable Levin to place a given work precisely by relating it to other works and manifestations of culture. World literature is not the province of this work. But Levin views it as the horizon against which our own traditions may be measured. Just as anthropologists discover similar processes working through diverse cultures, so through can we glean understanding of common patterns through the analysis of world literature, our own peculiarly specialized branch of the science of man. The effect of convention, in shaping the extent to which literature may be conceived as an institution, has been widely discussed. A Gallery of Mirrors raises theoretical questions that touch the methodology of humanistic scholarship, with regard to other disciplines, and the status of art, with regard to other modes of knowledge. With changing schools of critical thought, Levin relies considerably on semantics as a precision instrument for defining concepts in the terms of those for whom they were most meaningful.
