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Author: Jeanette Jensen Arneson
Publisher:
ISBN:
Category : Art, Nigerian
Languages : en
Pages : 258
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Book Description
Author: Jeanette Jensen Arneson
Publisher:
ISBN:
Category : Art, Nigerian
Languages : en
Pages : 258
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Book Description
Author: Aribidesi Usman
Publisher: Cambridge University Press
ISBN: 1107064600
Category : History
Languages : en
Pages : 519
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Book Description
A rich and accessible account of Yoruba history, society and culture from the pre-colonial period to the present.
Author: Rowland Abiodun
Publisher: Cambridge University Press
ISBN: 1139992872
Category : Social Science
Languages : en
Pages : 415
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Book Description
The Yoruba was one of the most important civilizations of sub-Saharan Africa. While the high quality and range of its artistic and material production have long been recognized, the art of the Yoruba has been judged primarily according to the standards and principles of Western aesthetics. In this book, which merges the methods of art history, archaeology, and anthropology, Rowland Abiodun offers new insights into Yoruba art and material culture by examining them within the context of the civilization's cultural norms and values and, above all, the Yoruba language. Abiodun draws on his fluency and prodigious knowledge of Yoruba culture and language to dramatically enrich our understanding of Yoruba civilization and its arts. The book includes a companion website with audio clips of the Yoruba language, helping the reader better grasp the integral connection between art and language in Yoruba culture.
Author: Adélékè Adéèkó
Publisher: Indiana University Press
ISBN: 0253026725
Category : Language Arts & Disciplines
Languages : en
Pages : 230
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Book Description
There is a culturally significant way of being Yorùbá that is expressed through dress, greetings, and celebrations—no matter where in the world they take place. Adélékè Adék documents Yorùbá patterns of behavior and articulates a philosophy of how to be Yorùbá in this innovative study. As he focuses on historical writings, Ifá divination practices, the use of proverbs in contemporary speech, photography, gendered ideas of dressing well, and the formalities of ceremony and speech at celebratory occasions, Adéékó contends that being Yorùbá is indeed an art and Yorùbá-ness is a dynamic phenomenon that responds to cultural shifts as Yorùbá people inhabit an increasingly globalized world.
Author: Akinwumi Ogundiran
Publisher: Indiana University Press
ISBN: 0253051525
Category : History
Languages : en
Pages : 374
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Book Description
The Yoruba: A New History is the first transdisciplinary study of the two-thousand-year journey of the Yoruba people, from their origins in a small corner of the Niger-Benue Confluence in present-day Nigeria to becoming one of the most populous cultural groups on the African continent. Weaving together archaeology with linguistics, environmental science with oral traditions, and material culture with mythology, Ogundiran examines the local, regional, and even global dimensions of Yoruba history. The Yoruba: A New History offers an intriguing cultural, political, economic, intellectual, and social history from ca. 300 BC to 1840. It accounts for the events, peoples, and practices, as well as the theories of knowledge, ways of being, and social valuations that shaped the Yoruba experience at different junctures of time. The result is a new framework for understanding the Yoruba past and present.
Author: Mark Salber Phillips
Publisher: University of Toronto Press
ISBN: 9780802082725
Category : Social Science
Languages : en
Pages : 348
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Book Description
Tradition is a central concern for a wide range of academic disciplines interested in problems of transmitting culture across generations. Yet, the concept itself has received remarkably little analysis. A substantial literature has grown up around the notion of 'invented tradition, ' but no clear concept of tradition is to be found in these writings; since the very notion of 'invented tradition' presupposes a prior concept of tradition and is empty without one, this debunking usage has done as much to obscure the idea as to clarify it. In the absence of a shared concept, the various disciplines have created their own vocabularies to address the subject. Useful as they are, these specialized vocabularies (of which the best known include hybridity, canonicity, diaspora, paradigm, and contact zones) separate the disciplines and therefore necessarily create only a collection of parochial and disjointed approaches. Until now, there has been no concerted attempt to put the various disciplines in conversation with one another around the problem of tradition. Combining discussions of the idea of tradition by major scholars from a variety of disciplines with synoptic, synthesizing essays, Questions of Tradition will initiate a renewal of interest in this vital subject.
Author: Omofolabo S. Ajayi
Publisher: Africa Research and Publications
ISBN:
Category : Performing Arts
Languages : en
Pages : 280
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Book Description
This book investigates the aesthetics, significance, and the production of meaning in Yoruba dance forms through an analysis of the dancer's body attitude in communication as well as through the events in which dances take place. The author examines the Yoruba creative concept of dance as a performing art communicating non-verbally through and with other art forms and describes how dance functions as an extensive and complementary vehicle for the other arts. This approach, fully grounded in the cultural context of the Yoruba, highlights dance as a microcosm of Yoruba culture and at the same time presents it as a powerful art form and a communication vehicle. The collection of dances and dance events studied are from both ancient and historical times, reflecting and signifying the various cultures that engendered them, and each significant dance type -- whether ritual dances in sacred / secular contexts or social and political dance ceremonies -- is represented. The overall analysis emphasizes the fundamental integration of dance and dance-event in the African aesthetic, which is designed to both entertain and instruct.
Author: Toyin Falola
Publisher: Indiana University Press
ISBN: 0253003016
Category : History
Languages : en
Pages : 472
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Book Description
This innovative anthology focuses on the enslavement, middle passage, American experience, and return to Africa of a single cultural group, the Yoruba. Moving beyond descriptions of generic African experiences, this anthology will allow students to trace the experiences of one cultural group throughout the cycle of the slave experience in the Americas. The 19 essays, employing a variety of disciplinary perspectives, provide a detailed study of how the Yoruba were integrated into the Atlantic world through the slave trade and slavery, the transformations of Yoruba identities and culture, and the strategies for resistance employed by the Yoruba in the New World. The contributors are Augustine H. Agwuele, Christine Ayorinde, Matt D. Childs, Gibril R. Cole, David Eltis, Toyin Falola, C. Magbaily Fyle, Rosalyn Howard, Robin Law, Babatunde Lawal, Russell Lohse, Paul E. Lovejoy, Beatriz G. Mamigonian, Robin Moore, Ann O'Hear, Luis Nicolau Parés, Michele Reid, João José Reis, Kevin Roberts, and Mariza de Carvalho Soares. Blacks in the Diaspora -- Claude A. Clegg III, editor Darlene Clark Hine, David Barry Gaspar, and John McCluskey, founding editors
Author: Okediji
Publisher: University of Washington Press
ISBN: 9780295802503
Category : Art
Languages : en
Pages : 216
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Book Description
The Shattered Gourd uses the lens of visual art to examine connections between the United States and the Yoruba region of western Nigeria. In Yoruba legend, the sacred Calabash of Being contained the Water of Life; when the gourd was shattered, its fragments were scattered over the ground, death invaded the world, and imperfection crept into human affairs. In more modern times, the shattered gourd has symbolized the warfare and enslavement that culminated in the black diasporas. The "re-membering" of the gourd is represented by the survival of people of African origin all over the Americas, and, in this volume, by their rediscovery of African art forms on the diaspora soil of the United States. Twentieth-century African American artists employing Yoruba images in their work have gone from protest art to the exploration and celebration of the self and the community. But because the social, economic, and political context of African art forms differs markedly from that of American culture, critical contradictions between form and meaning often appear in African American works that use African forms. In this book -- the first to treat Yoruba forms while transcending the conventional emphasis on them as folk art, focusing instead on the high art tradition -- Moyo Okediji uses nearly four dozen works to illustrate a broad thematic treatment combined with a detailed approach to individual African and African American artists. Incorporating works by such artists as Meta Warrick Fuller, Hale Woodruff, Aaron Douglas, Elizabeth Catlett, Ademola Olugebefola, Paul Keene, Jeff Donaldson, Howardena Pindell, Muneer Bahauddeen, Michelle Turner, Michael Harris, Winnie Owens-Hart, and John Biggers, the author invites the reader to envision what he describes as "the immense possibilities of the future, as the twenty-first century embraces the twentieth in a primal dance of the diasporas," a future that heralds the advent of the global as a distinct movement in art, beyond postmodernism.
Author: David D. Laitin
Publisher: University of Chicago Press
ISBN: 0226467902
Category : History
Languages : en
Pages : 266
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Book Description
In this ambitious work, David D. Laitin explores the politics of religious change among the Yoruba of Nigeria, then uses his findings to expand leading theories of ethnic and religious politics.
